A gay man makes a deal with his lesbian friend: a green-card marriage for him, in exchange for in vitro fertilization treatments for her. Plans evolve as Min's grandmother surprises them wit... Read allA gay man makes a deal with his lesbian friend: a green-card marriage for him, in exchange for in vitro fertilization treatments for her. Plans evolve as Min's grandmother surprises them with a Korean wedding banquet.A gay man makes a deal with his lesbian friend: a green-card marriage for him, in exchange for in vitro fertilization treatments for her. Plans evolve as Min's grandmother surprises them with a Korean wedding banquet.
- Awards
- 1 win & 1 nomination total
Jeffrey Liang
- Lady Shu Mai
- (as Jeffrey Liang 'Miss Shu Mai')
Françoise Yip
- Susan
- (as Francoise Yip)
Featured reviews
I was very much looking forward to this movie and I was not disappointed I was ready to give it seven stars after only watching the first 40 minutes and in my opinion the trailer , as is often the case, would not give one a fair idea of what the true nature of it is. Sure there's plenty of comedy, but it is really a character study of the difficulties encountered in human relationships and it does that with genuine portrayals of those relationships , couples and parent / offspring, the out in the open and the repressed. The acting and story is gripping and I think you will find yourself totally immersed in them and as unlikely as some of the events may seem, the film never struggles in getting them across, comedy , yes but it deals much more with emotions and there are so many satisfying scenes where that is the primary subject.
Seven point nine stars, script acting throughout, not one person outshines the other and equal weight is given to all of them IE well written, I loved it.
Seven point nine stars, script acting throughout, not one person outshines the other and equal weight is given to all of them IE well written, I loved it.
The Wedding Banquet is a delightful, heartfelt remake of Ang Lee's 1993 classic that takes a beloved, time-honored premise and refreshes it for a new era. While the original film navigated issues of immigration, identity, and secrecy in a delicate blend of drama and comedy, this film shifts the focus toward relationships and personal growth, exploring the emotional depth of its characters with humor and sincerity.
The film's comedy, though undeniably lighthearted, works largely because the film is brisk, without sacrificing the emotional truth of the characters. The narrative unfolds at a fast pace, each twist and turn propelled by a charming, almost sitcom-like energy.
While the plot may feel predictable at times, and some of the situations bordering on farce, the direction allows the characters to shine through the chaos, striking a balance, using humor to gloss over some of the more contrived plot points, yet never losing sight of the genuine emotional moments at the film's heart.
The blend of comedy and sincerity is where the film truly excels. It never leans too heavily into one side, allowing for moments of deep emotional truth to coexist with the lighthearted absurdity of the characters' increasingly ridiculous plans. When the film slows down, the dialogue crackles with authenticity-especially during the quieter exchanges.
There is, however, a sense that the film could have pushed further into daring or edgier territory. It does not venture into particularly risky or provocative comedic waters. While this makes it a more accessible film for a broader audience, it also feels, at times, a little safe. In the era of modern streaming comedies and edgy narratives, a more bold exploration of the entanglements that ensue might have added another layer of excitement or complexity to the film.
The film's comedy, though undeniably lighthearted, works largely because the film is brisk, without sacrificing the emotional truth of the characters. The narrative unfolds at a fast pace, each twist and turn propelled by a charming, almost sitcom-like energy.
While the plot may feel predictable at times, and some of the situations bordering on farce, the direction allows the characters to shine through the chaos, striking a balance, using humor to gloss over some of the more contrived plot points, yet never losing sight of the genuine emotional moments at the film's heart.
The blend of comedy and sincerity is where the film truly excels. It never leans too heavily into one side, allowing for moments of deep emotional truth to coexist with the lighthearted absurdity of the characters' increasingly ridiculous plans. When the film slows down, the dialogue crackles with authenticity-especially during the quieter exchanges.
There is, however, a sense that the film could have pushed further into daring or edgier territory. It does not venture into particularly risky or provocative comedic waters. While this makes it a more accessible film for a broader audience, it also feels, at times, a little safe. In the era of modern streaming comedies and edgy narratives, a more bold exploration of the entanglements that ensue might have added another layer of excitement or complexity to the film.
'The Wedding Banquet' is not a masterpiece, but I enjoyed and loved it. Frankly, LGBT romance does not move me as much as heterosexual romance of the same quality because when I try to put myself in the main character's shoes, the latter is way much easier. However, 'The Wedding Banquet' does a great job of making me fall in love with the characters. Four main characters are introduced properly in the beginning. They have distinctive personalities, and the dynamics of the group is interesting. Even I want to be included in this group.
I especially liked not only Yoon's character but her acting as well. Grandmother gives this feel-good movie meaning and sense. She provides how boomers look at modern day relationships and a traditional, institutional ceremony called marriage. She is confused but tries hard to understand and love her grandson as he is. Yoon's acting is so genuine, delicate, and elegant all at the same time. Brilliant performance.
I especially liked not only Yoon's character but her acting as well. Grandmother gives this feel-good movie meaning and sense. She provides how boomers look at modern day relationships and a traditional, institutional ceremony called marriage. She is confused but tries hard to understand and love her grandson as he is. Yoon's acting is so genuine, delicate, and elegant all at the same time. Brilliant performance.
I know, I know, as a gay man I was supposed to love this movie (just like I did the original). But sad to say, this remake is not very enjoyable.
They get credit for putting new twists on the plot vs. The original, but pacing is waaaaay too slow and it takes forever to get going. Quite honestly, there's very little humor. The first hour drags and is pretty boring, and it's not until the grandmother shows up that things get interesting. The grandmother, in fact, is the most interesting character in the entire movie. Dialogue is mundane and the few funny lines stand out simply because there are so few of them.
With all the talent they had on hand, this could've been so much better.
They get credit for putting new twists on the plot vs. The original, but pacing is waaaaay too slow and it takes forever to get going. Quite honestly, there's very little humor. The first hour drags and is pretty boring, and it's not until the grandmother shows up that things get interesting. The grandmother, in fact, is the most interesting character in the entire movie. Dialogue is mundane and the few funny lines stand out simply because there are so few of them.
With all the talent they had on hand, this could've been so much better.
Very surprised by all the positive reviews (both critics and movie-goers) of The Wedding Banquet.
My partner and I were very much looking forward to it - but were seriously disappointed.
Various reviewers described the film as hilarious, charming, heartwarming.
We did not see that movie.
It was like spending time - too much time - with neighbors who mostly converse in therapy-speak platitudes, irony-speak chatter and in the case of one of the characters, complain incessantly about their mother.
In addition to the annoying therapy-speak dialogue, the characters were not so interesting in our opinion. Angela's character (Kelly Marie Tran) was especially churlish and unappealing - it was impossible to see why Lee (Lily Gladstone) would have been in a relationship with Angela. For different reasons, it was difficult to see why Chris and Min were together.
The few interesting and thoughtful parts of the movie, in our opinion, were the scenes of Min and his grandmother.
I recall admiring the original Wedding Banquet - will watch it again to see.
My partner and I were very much looking forward to it - but were seriously disappointed.
Various reviewers described the film as hilarious, charming, heartwarming.
We did not see that movie.
It was like spending time - too much time - with neighbors who mostly converse in therapy-speak platitudes, irony-speak chatter and in the case of one of the characters, complain incessantly about their mother.
In addition to the annoying therapy-speak dialogue, the characters were not so interesting in our opinion. Angela's character (Kelly Marie Tran) was especially churlish and unappealing - it was impossible to see why Lee (Lily Gladstone) would have been in a relationship with Angela. For different reasons, it was difficult to see why Chris and Min were together.
The few interesting and thoughtful parts of the movie, in our opinion, were the scenes of Min and his grandmother.
I recall admiring the original Wedding Banquet - will watch it again to see.
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Celebrate the LGBTQIA+ characters that captured our imaginations in everything from heartfelt dramas to surreal sci-fi stories.
Did you know
- TriviaRemake of Ang Lee's 1993 original.
- ConnectionsReferences Kingdom Hearts (2002)
- SoundtracksYoung Hearts Run Free (2023 Edit)
Written by Dave Crawford (as David Bernard Crawford)
Performed by Candi Staton & Benji La Vida
Courtesy of Warner Records Inc./Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
Details
Box office
- Gross US & Canada
- $2,090,228
- Opening weekend US & Canada
- $918,598
- Apr 20, 2025
- Gross worldwide
- $2,317,262
- Runtime1 hour 43 minutes
- Color
- Sound mix
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