Substitution - Bring Her Back

I never write reviews, especially because I'm a cinematic enthusiast and just rate it and move to the next one, but this one... THIS ONE. The acting? Absolutely brilliant. This is definitely the best cinematography I've ever seen. I'm feel related to the directors in the sense that I'm so proud of them. The fact that you can go from filming youtube videos to creating something of this level, is proof that dreams can come true. I'm a geek for practical effects and this surpasses almost everything I've seen. I cringed, I laughed, I cried, and I was reminded to always live every moment like it's your last. Hug your loved ones today.

Bring Her Back is a visual horror masterpiece that left me feeling a bit hollow.

I did have an emotional connection with the characters and each actor was on point. However the ending left me wanting way more. I understand visual story telling, and some things are better left unsaid but with this film I needed more exposition.

This movie could have really built some cool lore with the cult elements and the ancient demonic entity, but instead it was pretty much brushed over. I did enjoy the videotapes when we got to see them but I wanted to see how Laura acquired them. That would have been really cool.

The character of Oliver was by far my favorite and every scene he was in he stole the show.

Brother and sister Andy and Piper were great leads and you could really tell they loved each through all of this grief they experienced.

Laura was a wicked person who had her own motives and she definitely had me sympathetic for her at times.

Overall I'd recommend, it's not for the faint of heart. It's dark, bleak and depressing with a beautiful visual paint brush over the lens. The Philippou brothers are technically brilliant and I'm looking forward to any piece of art they decide to put out in the future.

I'm a fan of the Philippou brothers' work on "Talk to Me". While that film had plenty of creepy imagery, it still felt more like a fun, popcorn-style horror experience. That's why I was genuinely excited to hear about "Bring Her Back"-these are the kinds of follow-ups where you really see what directors are made of.

"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.

Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.

This is a horror movie that doesn't have to rely on jumpscares; it doesn't have to rely on possession or creepy rituals, even though it's got both. And gore; I had to look away in one scene in particular. The actual horror is the all-too believable manipulations of a foster mother with a hidden agenda, and our feeling of powerlessness to stop her. This was the kind of film that it would be excruciating to have to leave before seeing the end, because it makes you care about its characters so much. You'll probably even finding yourself root for the villain. This is the best horror movie I've seen in a while and it stuck with me for days.

I've just stepped out of 'Bring Her Back' preview, and I'm still trying to steady my heart rate. For me, it felt like watching early Ari Aster or the original 'Speak No Evil' - that same creeping dread, that slow-burn descent into absolute horror. So tense, so relentless, I genuinely forgot to breathe at points.

The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.

The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.

And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.

The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.

Definitely not disappointed.