My Happy Ending

Greetings again from the darkness. When it comes to death, everyone hopes to go out on their own terms. Perhaps that's at an advanced age surrounded by family. Or maybe it's before the loss of physical or mental capacities. And then there are those who just want to pass quietly while sleeping. Whatever terms one might envision, the odds are we will have little say in when, where, or how. Co-directors Tal Granit and Sharon Maymon previously collaborated on THE FAREWELL PARTY (2014), and here they are working on Rona Tamir's adaptation of the stage play by Anat Gov.

Andie MacDowell stars as Julia Roth, a once famous actress who is attempting to receive medical treatment while remaining incognito. Arriving for her first chemotherapy session, she admits to not having told friends, family, or even her loyal assistant Nancy (Tamsen Grieg). The three women currently receiving chemo all recognize Julia, but it becomes clear that no one being treated for cancer cares much about spotting a celebrity. It's interesting to watch as Julia is brought down a notch or two from her arrogance as she realizes two things: these folks aren't impressed, and her own cancer is much more advanced than she originally thought.

This little chemo support group provides the heart of the film. Screen veteran Miriam Margolyes plays Judy, a retired teacher and lifelong single. Sally Phillips plays Mikey, a former rocker and the most optimistic of the group. Rakhee Thakrar plays Imaan, a young Muslim mother hoping to be cured so she can watch her kids grow up. They are all being treated by Tom Cullen, who they've nicknamed, "Dr Handsome". Julia's motivation is the upcoming wedding of her daughter, and the mood shifts quickly when Nancy shows up to "take care of this" for her boss.

There are times in life when we must be open to the help and guidance of others. Julia is a bit slow on the uptake, but soon enough, figures out that listening to those who have been going through what she's about to go through provides the insight she needs to make up her own mind ... finding a way of doing things on her own terms. Given the subject matter, the film from Granit and Maymon offers a good dose of humor, and it's also effective in reminding us that taking a "vision trip" can be the holiday that leads to clarity and making decisions that work best for ourselves.

Opens in theaters on February 24, 2023.

I appreciate the fact that they didn't convolute a serious subject matter like stage 4 cancer with unrealistic, fantastical wishful thinking & gave one of the most unfathomable & perhaps unpopular choices one can make for their own life a reality check rather than presenting a serious aspect like ("Life & Death) to be portrayed as it is with all its tragic and traumatic ramifications!

Not recommendable for those seeking a happy ending, though making a choice to end one's life while enjoying it to the fullest, even if that choice is in contrast with general societal norms, is a view point that should be appreciated for the truthfulness it entails !

Good writing, good acting and altogether a good sad movie about life!

The once famous actress Julia Roth checks into a UK hospital with stage 4 cancer, unable to get a private room, she encounters three women in a similar situation, very different people, united by cancer.

The lack of reviews and seriously low score don't make sense to me, it's a movie that may not be for everyone, but if you know what to expect, it's quite a powerful movie.

The highlight, the acting, there are genuinely some wonderful acting performances in this film, it works so well because of that, the star quality of Andie MacDowell in particular, she's wonderful, and as dazzling as ever.

I'd hoped for a few more laughs, there are a couple, but they're few and far between.

It's very moving, the kind of film that will make you tear up, essentially it shows how different people deal with cancer, clearly there's no right or wrong way.

Well acted, powerful, moving, it's a deep watch, arguably it could have been a little more amusing, but I enjoyed it.

7/10.

Cancer touches so many lives in unique ways and this film captures four individual journeys.

Told in almost real time as the events unfold Julia Roth (Andie MacDowell) arrives at a clinic to begin chemotherapy. She finds three woman in midst of their treatments. They recognise her face for her celebrity but also her pain as their own. Her rollercoaster of emotions coming to terms with the gravity of her diagnosis is understood and forgiven as they have all been there before and they welcome her with open arms to share in their coping mechanisms.

The film is beautifully shot and edited to tell a very real heartfelt story. The use of comedy is not to entertain the audience or even lift the somber mood. It is simply there because life always has its comedic moments. When things are at their worst we always try to find some humour in the situation because without it what would life be?

For me the stand out performances were from Sally Phillips and Miriam Margolyes. Rakhee Thakrar played her character so naturally she could have been a real patient on the ward.

I think this film is told in a true, respectfully representative way for the people who are daily facing cancer, without overly dramatising it. Which I think takes true skill.

This is the story of a women who is diagnosed with a serious case of cancer, meets other sufferers, and finds that each of them confronts the disease in a different way, contributing (or maybe not) to the attitude that she herself adopts. It should work well, and maybe it does in the play that this movie was based on (I don't know the play), but here the elements don't connect up very gracefully. Part of the problem, I suspect, is that somebody decided to confine the entire plot to a single day. Maybe even to the hour and a half that the movie takes, although I'm not sure we're supposed to take it that literally. Anyway, the supporting characters don't get very well developed (some are virtually stereotypes), attitudes change too abruptly, and the ending is more like a "we've run out of time" ending than like a comprehensive development out of what's come before. That said, the movie deserves credit for portraying a not entirely sympathetic protagonist and Andie MacDowell deserves credit for putting her across. And Miriam Margolyes extracts the maximum from a part that consists largely of wisecracking and mugging.