After female mechanic Jess reluctantly agrees to participate in a car restoration show, she is shocked to learn that her ex-boyfriend, Luke, is her main competitor. Will sparks reignite?After female mechanic Jess reluctantly agrees to participate in a car restoration show, she is shocked to learn that her ex-boyfriend, Luke, is her main competitor. Will sparks reignite?After female mechanic Jess reluctantly agrees to participate in a car restoration show, she is shocked to learn that her ex-boyfriend, Luke, is her main competitor. Will sparks reignite?
Carlisle J. Williams
- Ike
- (as Carlisle Williams)
Donna St-Jean
- Boardroom executive
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Jess Barro (Katherine Barrell) works at her family's garage and teaches car maintenance to other women. They have fallen on hard times. A TV producer offers her a spot on a $50k competition show. She is surprised when her ex Luke Childs (Tyler Hynes) becomes a last-minute replacement contestant.
I love Barrell, She has a happy cute comedic style. She should be good at doing these types of light Hallmark rom-coms. Tyler Hynes is fine although I wish that he is a couple of inches taller. Maybe he can wear lifts to level up to Barrell. All the car repairs and TV competition stuff is a little less. Simply put, I wouldn't watch this TV show if it's a real thing. This is fine.
I love Barrell, She has a happy cute comedic style. She should be good at doing these types of light Hallmark rom-coms. Tyler Hynes is fine although I wish that he is a couple of inches taller. Maybe he can wear lifts to level up to Barrell. All the car repairs and TV competition stuff is a little less. Simply put, I wouldn't watch this TV show if it's a real thing. This is fine.
Tyler Hynes is the best leading man that Hallmark have on their books hands down.
With his droll sarcastic humour, he has the ability to make even the cheesiest line or the most wooden leading lady look good.
He can also elevate thinner material into looking better than it actually is, and that's a skill he has to utilise here, as 'Shifting Gears' relies heavily on him to drag it through.
It's not a film that deviates too far from the standard Hallmark format, and while that's comfortable, it needed perhaps another extra element to elevate it a little more from being just 'ok'.
Was the car show broadcasting live or was it being pre-recorded? The film never seems to know either.
Overall, Hynes manages to make the most of a lesser project.
With his droll sarcastic humour, he has the ability to make even the cheesiest line or the most wooden leading lady look good.
He can also elevate thinner material into looking better than it actually is, and that's a skill he has to utilise here, as 'Shifting Gears' relies heavily on him to drag it through.
It's not a film that deviates too far from the standard Hallmark format, and while that's comfortable, it needed perhaps another extra element to elevate it a little more from being just 'ok'.
Was the car show broadcasting live or was it being pre-recorded? The film never seems to know either.
Overall, Hynes manages to make the most of a lesser project.
I have seen way better movies than this one. The last five minutes was the best of the whole movie. I was greatly disappointed that I wasted my time on this one. In my opinion Tyler Hynes hasn't played in a good movie in a while. The story was choppy and sloppy.
There was no chemistry with Tyler and Katherine in the movie, perhaps because there was basically no story line.
As far as the restoring of cars, well that was choppy and just plain silly in my opinion.
I think Hallmark could do a whole lot better. Get new writers if this is the best you can do.
I think the writers on this story got an F.
There was no chemistry with Tyler and Katherine in the movie, perhaps because there was basically no story line.
As far as the restoring of cars, well that was choppy and just plain silly in my opinion.
I think Hallmark could do a whole lot better. Get new writers if this is the best you can do.
I think the writers on this story got an F.
There are so many of the usual elements in this movie including several of the usual plot components. Jess' family business is in jeopardy, and they need the contest money. Jess is bitter about what she believes was Luke's betrayal years ago in keeping quiet about his father then. As usual in this genre, the animosity gets quickly overlooked almost as if Jess' memory was wiped clean.
There were three ways the contest could have gone. There were two ways Luke's dad could have gone and in this case it is the more common one. But there was really only one way Luke could have gone. Luke knows he should tell Jess about his dad's plan, but any regular rom/com viewer knows how that will turn out. We also know what choice he will make in the end. Kudos for a little twist adding some complexity to the conflict between Luke and Jess that threatens to ruin what is starting to rekindle but it still goes the usual direction. As an astute viewer might guess it creates its own opportunity.
It often seems like Tyler Hynes can have chemistry with anyone opposite him and he does here with Katherine Barrell. The acting is mostly good although it seemed at times that Barrell tried to hard.
I'm not a fan of TV contest shows. They steal screentime from the romantic relationships. There are predictable within a few outcomes. You at least know the lead with financial trouble will make the final and somehow the results will provide what is needed. And so often, the epilogue, not the romantic one, is basically the same and it is here.
In short, we have a write by numbers plot with one small twist. The actors make the entirety watchable but no great highs or lows.
There were three ways the contest could have gone. There were two ways Luke's dad could have gone and in this case it is the more common one. But there was really only one way Luke could have gone. Luke knows he should tell Jess about his dad's plan, but any regular rom/com viewer knows how that will turn out. We also know what choice he will make in the end. Kudos for a little twist adding some complexity to the conflict between Luke and Jess that threatens to ruin what is starting to rekindle but it still goes the usual direction. As an astute viewer might guess it creates its own opportunity.
It often seems like Tyler Hynes can have chemistry with anyone opposite him and he does here with Katherine Barrell. The acting is mostly good although it seemed at times that Barrell tried to hard.
I'm not a fan of TV contest shows. They steal screentime from the romantic relationships. There are predictable within a few outcomes. You at least know the lead with financial trouble will make the final and somehow the results will provide what is needed. And so often, the epilogue, not the romantic one, is basically the same and it is here.
In short, we have a write by numbers plot with one small twist. The actors make the entirety watchable but no great highs or lows.
The leads were not a good match and had no chemistry. The female lead was not even likeable, much less appealing. I didn't buy their relationship for a second and am not sure why she was cast in that role. When they were skating they looked silly. I think that Julie Gonzalo would have been a much better choice as she and Tyler Hynes have great chemistry together. I also didn't buy the guy playing Tyler Hyne's father. The get to know you segment on the tv show was super cringey even for a Hallmark movie. I actually think just about any other female in the Hallmark universe would have been a better fit for the female lead than the one they cast.
Did you know
- TriviaKatherine Barrell(Jess) and Ray Galletti(Wayne) are married to each in real life.
- GoofsThe photo of Jess working on a car in the photo exposition is out of sequence. The car that Jess is working on is a 1966 Thunderbird. This is based on observations of the 1966 Thunderbird Dad owned. At the point in the movie when the photo was taken, the car was not fully assembled.
- ConnectionsReferences Jerry Maguire (1996)
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