Race Gurram

What should I say about this film? I am writing this review almost a decade after its original release. Yet, the film continues to work big time for me, just as it did at the time of its release. Everything about it works for me. Allu Arjun's solid performance, Vakkantham's engaging writing, Thaman's terrific BGM, songs, and re-recording, along with the master storyteller Surender Reddy's impeccable and impactful direction, all stand out.

I don't know who came up with the title, but it is such a befitting title for this adrenaline-rush-inducing movie. The direction, editing, performances, and music all complement each other brilliantly. The interval block is one of the best in TFI so far. This block is a testament to the caliber of Surender Reddy. He manages to achieve something extraordinary out of this block, which, in the hands of many others, would've fallen flat. Damn!!!

Once again, every element, including, Brahmi's block in the climax, Sruthi Haasan's track, Prakash Raj's track, and the terrific casting with Ravi Kishan, who killed his role, stands out. Every time I see him, he performs solidly, and his scenes are executed so well that they are blood pumping, Mukesh Rushi's dubbing, the terrific comedy, including Saloni's, MS Narayana's track, and Posani's track... It's impressive that they had so many elements in the movie, yet they all blended so seamlessly.

But it is also kind of sad that Surender Reddy hasn't directed or chosen an original project such as this or Kick since then. Looking at the projects that followed this movie, I presume he had to take some out of compulsion rather than his choice. Nonetheless, in Surender Reddy, I continue to believe. Thank you, sir, for giving us this gem of a movie.

Flying, rolling (in the air) automobiles? This has it spades, if that kind of thing is your ... thing. Loud, melodramatic leads? Yup, right up there... Songs when there is no need , feeding our common navel-gazing frenzy? Yup. Comedy that works ? Surprisingly, in spades too (and that's what kinda elevates this one over others of its ilk, of which there have been quite a few, and will be many more, judging by the way the audiences are lapping it up). Cases in point - the entire initial 'Inside' track and 'Kill Bill' Pandey.

A good Allu Arjun performance? Standard-order, since he seems to be quite sincere in almost everything that he does.

Also, for the first time, plastic-surgery seems to suit someone.

The bad? Time for the brickbats, since most audiences are too forgiving about everything bad in movies like this.

Let me get the typical ones out of the way. Loud acting, loud clothes, loud situations, loud sets, loud everything - check. An almost unimaginable level of suspension of disbelief - check. Situations and lines that want one to scream 'BS' every time - check. Comedy that's crass, and doesn't work for you, but has your immediate neighbor in splits - double check. Bad, extremely bad CGI, that's being passed off as great CGI since AP is the hub of all things software - triple check. Gory, violent, yet cartoony sequences that keep going on (and on, and on....and, you get my drift) even after you've yawned and yawned and yawned - quadruple check (that's actually true).

Moving on to an atypical grouse - Watching movies like 'Cuckoo' reinforces the perplexing nature of wrong lip-sync in most mainstream Indian movies, esp. those from AP and TN (admittedly, to a relatively lesser extent). All the main characters whose native language is not Telugu lip-sync their lines so badly (not their fault, they're doing it in another language), and I don't know how it is for the rest of us, but it never fails to take me out of the movie every-friggin-time. I want to buy-in to what's going on on screen, but fail whenever I see no lip-sync. Our mainstream audiences are really, really forgiving of their multi-crore offerings, and maybe, just maybe, that's not such a bad thing?

I'd advise you to watch it at the local big screen, but do these guys deserve your money? I'd say no, but you'll not bother. Maybe.

After getting flops from their previous works, both the director Surender Reddy and Allu Arjun are actually back with a bang! The narration is very good and though the story line looks very ordinary, the direction took it into another level. Cinematography is a class apart, especially in songs like 'Down down dappa' , 'Cinema Sopistha' and few fight scenes as well, were shot greatly. As the story progresses, it picks up pace and with the entry of Brahmanandam, it goes to a new high. Highlights for the film are Shruthi Hassan's intro and characterization , Arjun's 'Deevuda' expression , Pre-Interval and Climax episodes. Thaman was only good at the catchy BGM which takes off in the Interval and continues till the end. A complete Emotional Family entertainer all the way! Go and grab a ticket, 3 hrs of racy entertainment is assured.

i usually don't go movies with any expectations,but as i very much loved the movie kick which was by the same director and with a good cast deeply somewhere i expected the movie to be different from usual commercial outings which mostly don't make any sense to me.it started well and i liked the sibling rivalry and comedy and all and it was all good if not great until the last hour where all nonsense began. a completely good movie was spoiled by the nonsense last hour ,where like all usual tollywood movies things came out from nowhere like how lucky became a police officer and all extra attention to brahmanandam , i mean i love his comedy but it should also go along with the script ,it is just that the audience is loving this let's add .overall i think it had a good storyline if not the way the things were overblown it would have been better if it would have been kept simple and i have to say its high time to stop using brahmanandam formula for the ending

Time killing movie Amazing comedy with action &romance It's also best collection of Allu Arjun