Desierto

Chase movies can be a hit or miss genre - this one has exciting hit possibilities but misses on just about all the points it should score on. We know basically nothing about any of the characters - what drives them, where they are from, or quite why they do the things they do. The hapless runners are all Mexicans fleeing poverty - on their way to the USA via the 'back door' of the badlands (Donald's wall would actually have helped them!) and the Hunter...well, he's somehow just driving around the desert looking for people to murder. With him, he has his trusty dog - trained to hunt down and kill whatever his master sends him after - human or otherwise. Once the murderous chase is on you know exactly what's about to happen every bloodied step of the way.

No subtleties here, just people led to the slaughter - and so it goes, repetitively and soullessly on and on. Some nice visuals, a promising opening and a curious music score can't add any more to the threadbare script. Only a famous movie-making father (Alfonso Cuaron) could fund this, his son Jonas Cuaron's minor attempt at fame - surprisingly, this was Mexico's entry as 'best' foreign language film at 89th Acadamy Awards (must have been a very light year indeed!) Lovers of mindless excitement won't be too disappointed - thinkers can expect to be.

"Desierto" boasts actors that clearly have talent, the actual production of the film is decent as is the cinematography of the beautifully brutal desert. However, this film is poorly directed, predictable and shallow, and the premise is laughable--An American picks off illegal immigrants crossing off the boarder.

This film beats the audience over the head with its narrative, it tries to ignore the actual legality of illegally crossing the boarder by making the viewer feel "bad" for those doing so. Furthermore, the villain is like a caricature. Jeffrey Dean Morgan's character is a stereotype. Repugnant as it is, the white man is a racist villain merely because who else would be? What is even worse, is that besides being blatant in its political motives it ambiguously paints the portrait that anyone who is opposed to illegal aliens entering an autonomous nation is akin to the racist murderer that is not even that scary but is intimidating because he is the only fool with a firearm.

In short, this movie is the most horrific film in its presentation or direction, but it is profoundly shallow while also being a film that tries to preach without preaching. Nothing is more pretentious. It is not thought provoking or provocative. A balanced film, say depicting the trials of immigrants, the oppression and violence of cartels partnered with the struggles of boarder patrol agents and the American citizens at risk along the border could have been a strong, well-rounded film that heralds the human spirit and justice over lawlessness. However, this film does not do that. It is shoddy in script, narrative, and message.

Actually I thought this was going to devolve into a procedural drama with those that witnessed the original shooting going to court and a whole 'trial movie'.

As I kept watching however, it turned into a very real horror movie. Just like the innocents are chased in Texas Chain saw, only this is very original and shot in the daylight in the desert.

I would not want to be in the desert in those conditions. Was surprised that Moises leaves Adela behind, saying 'he has a son'.

Great cinematography and direction. Different scenes in desert great > rocks, desert, cactus beds, and a hunt and chase scene that is thrilling and a little reminiscent of Duel. Very good well thought out and put together film.

The shooter Sam is an extreme typical stereotype by the left, all the Minute Men in the south report such illegal immigration to authorities they don't shoot them.

Commenters were right about the M! Garand and Sam is a little improbable making long shots without a tripod and several migrants moving in different directions. For having no military training he is too good a shooter and is a fantasy.

However, avoid the voice over sound track by the director, just more political diatribe about migrants who are really illegal immigrants. How about a film about illegals who commit crimes in US, like drunk driving, fake Soc Sec cards and shootings.

This was a surprisingly good movie! Unlike other reviewers, I did not see the "politics" in the movie at all. The fact that the gunman was killing illegals was just part of the story line. The same guy could have been killing sorority girls and not Hispanics, and the plot would have been: serial killer attacks sorority girls. It is basically the same plot and story line of any "slasher movie"--only in this one, JDM uses .300 WinMag and not a butcher knife.

I thought the movie was well acted by Jeffery Dean Morgan and Gael Garcia as the protagonists. The dialogue was insipid at times, but the overall tension created by Morgan's character and more so, by Tracker, his dog, was excellent.

If you want to get ready for Negan in The Walking Dead (also played by Jeffery Dean) then I recommend you watch Desirio as a warm-up.

Gael García Bernal is one of many migrants who tries to cross into the United States in 'Desierto'. While he and many other migrants attempt to enter the United States via badlands and flat desert, the majority of them are picked off by a crazy, racist sniper. Bernal and a few others attempt to flee the crazy racist before they're left to rot in the desert.

This film pretty much had no script. What ever little dialogue it had wasn't terribly important, and the villain of the piece talked either to himself or his dog about getting out of the Hell that he lived in while near the border. This was confusing, considering how much he was defending his land from migrants, yet he wanted to leave the Hell that he was living in.

Also, when one watches a film in a packed theatre and people are laughing at important scenes, then either something was lost in translation, or the movie is a farce, and this movie wasn't lost in translation by any means. The villain was plain terrible.

At the Toronto International Film Festival, it won the the FIPRESCI Prize for Special Presentations. Feel like I need an explanation about this.

While it was shot in a decent way, one hopes that Jonás Cuarón pieces together a better script in the future.