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7.2/10
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Tomlinson ponders achieving perfect work-love balance despite anxiety and insomnia, asking if one can really "have it all."Tomlinson ponders achieving perfect work-love balance despite anxiety and insomnia, asking if one can really "have it all."Tomlinson ponders achieving perfect work-love balance despite anxiety and insomnia, asking if one can really "have it all."
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HUGE fan of the last two Taylor Tomlinson specials. I've been an evangelist for her cause. This special, I don't know what happened! It's like she suddenly has so much vitriol for men! I hate to sound like I'm partaking in the "everybody hates straight white men" conspiracy, because I generally shush people that tell me that the world is out to get us, but she makes generalizations of swm that are really bizarre. It's like she's had a habit of dating REALLY obnoxious guys and somehow crystallized this into a man bashing special. Really disappointing because I was HYPED for this and her late night special! Taylor! Where did you go!? What happened!? Honestly feels a little betraying. It makes me wonder if maybe some demographics really do feel like it's open season on swm. I generally ignore such sentiment, but there is a difference between equal and playful stereotyping, and full on disgracing.
Taylor is very talented, quick witted comedian (commedienne?) and she have proven this already in her last two Netflix specials where she briliantly crafted her stories with impecable delivery.
This one, not so much. Recycled, reused jokes, repackaged to assemble the special at any cost, shows forced performance from the very begining. It was a compilation of her previous jokes with few new/old ones and that's about it.
It looks like new comedians cannot last more than two specials, (Iliza Shlesinger, taking about you).
So what now? Taylor will be used and abused for that abomination of After Midnight, until she crashes and hopefuly comes back to stand up with new and fresh material. Or, maybe not. We'll see.
Huge talent and natural comedy genius is going to waste in real time. At least it was good while it lasted.
This one, not so much. Recycled, reused jokes, repackaged to assemble the special at any cost, shows forced performance from the very begining. It was a compilation of her previous jokes with few new/old ones and that's about it.
It looks like new comedians cannot last more than two specials, (Iliza Shlesinger, taking about you).
So what now? Taylor will be used and abused for that abomination of After Midnight, until she crashes and hopefuly comes back to stand up with new and fresh material. Or, maybe not. We'll see.
Huge talent and natural comedy genius is going to waste in real time. At least it was good while it lasted.
Had really high expectations coming into this, as I'd watched her first two specials loadsss of times and quickly established that she was my favourite comedian. The fact that I wasn't disappointed is no mean feat, and I genuinely did laugh out loud several times. 9 as opposed to 10 just because I still think she's got more potential, but thoroughly enjoyed it. She says this one is more like Quarter Life Crisis, but I disagree, and feel like it's pretty balanced in terms of the influences of it's predecessors. Definitely adding this to the roster of specials to watch again, and so yep, if you liked her first two, I'd recommend this one :))
This special had me reeling. From cringe first parental 'sex talk' memories to crazy religious upbringing stories, these jokes hit way too close to home. Her crowd work was excellent as well, flowed right thru the jokes and just kept going. Like honestly some of the best crowd work jokes I've ever seen. You can tell she's been perfecting her craft. That's it - killer special, will definitely watch again, and now I want to go back and rewatch her old specials. Taylor killed it and made my boring Tuesday night a laugh riot! Check it out, she is awesome! Thirty six more words required blah blah blah.
I enjoyed Taylor Tomlinson's two previous Netflix comedy specials, 'Quarter-Life Crisis' and 'Look at you'. The content is very personal, relatable and funny and her delivery is great. The only negatives were an occasional clumsiness, especially when ad libbing, and a degree of repetitiveness.
Based on these two specials I was looking forward to this one. It's okay, for the most part, but feels like a retread of the previous two, like essentially the same perspectives and material rehashed. The same old things come up - boyfriends, married friends, her parents - none with a new slant.
The clumsiness in the ad lib parts is magnified here as she has an audience participation segment and her responses to their suggestions do feel forced and are more about insulting the suggestee than being funny.
Her delivery is still great and its this timing and animation that sustain the show.
Overall, funny enough but disappointing in that it feels like nothing new.
Based on these two specials I was looking forward to this one. It's okay, for the most part, but feels like a retread of the previous two, like essentially the same perspectives and material rehashed. The same old things come up - boyfriends, married friends, her parents - none with a new slant.
The clumsiness in the ad lib parts is magnified here as she has an audience participation segment and her responses to their suggestions do feel forced and are more about insulting the suggestee than being funny.
Her delivery is still great and its this timing and animation that sustain the show.
Overall, funny enough but disappointing in that it feels like nothing new.
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- 泰勒.湯姆林森:我全都要
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What was the official certification given to Taylor Tomlinson: Have It All (2024) in Brazil?
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