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Günesi Beklerken (2013)

News

Günesi Beklerken

‘Blade’ and ‘Blade II’ Scores to Receive Deluxe Edition Vinyl Releases
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Varèse Sarabande and Craft Recordings have announced today that they are bringing the scores for Blade and sequel Blade II, from prolific composers Mark Isham and Marco Beltrami, to vinyl for the first time.

Both will receive deluxe editions in multiple color variants, releasing on May 16 and available for pre-order today.

The scores will be pressed on“Bloodbath” red vinyl exclusivelyvia Barnes & Noble, and“Blood Splatter” clear and black translucent vinylin alimited-edition run of 500 on the Varèse Sarabande store. Both scores will be available as 2-lp gatefold packages with brand-new artwork by acclaimed illustrator Micha Huigen.

“Blade was a very interesting movie to be on,” Mark Isham told author Randall D. Larson. “There were two factions that had a very strong musical voice. One was Wesley Snipes. He was involved in the hip-hop community, which was material that he felt reflected the urban part of the story. Then you had this young,...
See full article at bloody-disgusting.com
  • 3/26/2025
  • by Meagan Navarro
  • bloody-disgusting.com
Downtown L.A. ‘Morrison Hotel’ Building Made Famous By Doors Album Cover Damaged by Fire
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A downtown Los Angeles building made famous as the setting of an album cover photo for the legendary rock band the Doors was heavily damaged after fire broke out Thursday morning.

The building that was once home to a transient hotel known as the Morrison Hotel was the setting for cover photo for the band’s fifth album, titled “Morrison Hotel,” given the nod to the surname of Doors’ frontman Jim Morrison. The photo, snapped by famed rock photographer Henry Diltz, was taken on the fly in December 1969. The album was released by Elektra in February 1970. Morrison died at age 27 in July 1971.

“On this day, December 17th, 1969, we were out taking photos for the Morrison Hotel album cover,” Diltz wrote on Facebook. “We were at a transient hotel in Downtown LA on Hope Street. The Doors didn’t have permission to take pictures, so when the lobby was empty, they...
See full article at Variety Film + TV
  • 12/27/2024
  • by William Earl
  • Variety Film + TV
Firefighters Put Out Blaze At Site Of The Doors’ Famous Morrison Hotel In Downtown L.A.
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The Los Angeles Fire Department knocked down a fire Thursday in a vacant downtown building that was formerly the home of the Morrison Hotel, which became famous after it was photographed as the cover art for the 1970 album by seminal L.A. band The Doors.

The structure fire was located on the top floor of the vacant four-story building located at 1246 S Hope St. A total of 17 fire companies and more than 100 firefighters, knocked down the blaze in 1 hour and 37 minutes, the Lafd said. The fire forced the closure of eastbound and westbound traffic on Pico.

No injuries were reported, but crews had to use ground ladders to reach fire escapes and assist unhoused persons that were exiting the vacant structure.

The property had been acquired by the AIDS Healthcare Foundation last year with plans to turn it into 111 units of low-income housing after battling with a developer looking to...
See full article at Deadline Film + TV
  • 12/26/2024
  • by Patrick Hipes
  • Deadline Film + TV
Turkish ‘Love Is in the Air’ Star Kerem Bürsin on Starting His Career With Roger Corman and Why New Comedy ‘Son of a Rich’ Will ‘Break Some Barriers’ (Exclusive)
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Kerem Bürsin never planned to be a Turkish megastar.

Though he was born in Istanbul, he spent his formative years living internationally and attended high school in Texas, where he began acting in theater productions. He then set off for L.A., where he worked with the legendary Roger Corman, but still “kept coming across the matter of my nationality,” as he tells Variety.

“Some agents were telling me, ‘I have to change your name,'” he says. “I would ask them why, and they would say: ‘Because you don’t look Turkish, you don’t sound Turkish and you’re pretty much American. So it’s just not going to work.'”

Eventually he returned to his home country — which turned out to be the right decision, as lead roles in globally exported TV shows “Waiting for the Sun” and “Love Is in the Air” have made him one...
See full article at Variety Film + TV
  • 11/6/2024
  • by Nick Vivarelli
  • Variety Film + TV
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The Rock Counterculture Had a Dark Side. Joan Didion Saw It Coming
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In the early days of her career, Joan Didion had a taste of what some music and arts journalists have had to endure over the years: the monotony of record-making. It was 1968, and Didion, working on a story, visited an L.A. recording studio to watch the Doors tinker with Waiting for the Sun. According to Tracy Daugherty’s Didion bio The Last Love Song, she and her husband, John Gregory Dunne, also wanted to scope out Jim Morrison as the lead in The Panic in Needle Park, the junkie love-story movie they’d written.
See full article at Rollingstone.com
  • 12/24/2021
  • by David Browne
  • Rollingstone.com
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Deluxe Albums from AC/DC, Kiss and Nsync Are Available for Black Friday — As Funko Pops
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If you’re the kind of band merch enthusiast who frames and hangs your favorite classic vinyls on the wall, you’re going to want to check out Funko’s latest vinyl figure collection, which get the bands back together in miniature form.

These “Deluxe Pop! Albums” are quite literally box sets, with a new line of premium figures portraying some of the greatest rock and pop groups from the past few decades — and their iconic album covers, too.

Funko’s Deluxe Pop! Albums give both collectors and fans the...
See full article at Rollingstone.com
  • 11/22/2021
  • by Sage Anderson
  • Rollingstone.com
Margot Robbie in Moi, Tonya (2017)
How Cruella Got That Crazy Expensive Soundtrack
Margot Robbie in Moi, Tonya (2017)
Just like his previous movie, I, Tonya, director Craig Gillespie’s new interpretation of Cruella and the 101 Dalmatians mythos treats its soundtrack almost like a character—a Greek chorus of sorts. The origin story of the designer villainess who first was introduced to the world in the classic One Hundred and One Dalmatians is peppered with a non-stop river of classic pop, rock, and punk anthems from the 1960s and ‘70s, quite fitting for the chaotic backdrop of London’s fast-changing fashion and music scene of that era.

Gillespie says that the way the soundtrack was used in I, Tonya was an element that Sean Bailey, Disney president of production, wanted to deploy in similar fashion for Cruella.

“When Sean pitched it to me, he talked about the tracks from I, Tonya and how they wanted to really embrace music with this,” Gillespie explains. “So I warned them up front...
See full article at Den of Geek
  • 5/28/2021
  • by Don Kaye
  • Den of Geek
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