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The 30th annual Rendez-Vous with French Cinema festival, hosted by Film at Lincoln Center and Unifrance, is celebrating the work of acclaimed actor Vincent Lindon.

While the 2025 festival is not entirely honoring Lindon himself, the actor appears in a whopping trio of featured films and also will be onsite for Q&As and introductions. Lindon stars in Quentin Dupieux’s meta-comedy “The Second Act,” which opened the 77th Cannes Film Festival, as well as Gilles Bourdos’ dramatic thriller “Cross Away” and Delphine Coulin and Muriel Coulin’s “The Quiet Son” (Lindon won Best Actor at the 81st Venice Film Festival for that drama).

And Lindon isn’t the only beloved French star to join this year’s Rendez-Vous with French Cinema: Actors Isabelle Huppert and Édgar Ramírez, plus auteurs Olivier Assayas and Bertrand Bonello are among those who will have features screening. Bonello, while known as a director, lent his composing skills to “Planet B.

Goteborg Film Festival has unveiled the programme for its 48th edition, with 22 feature world premieres and four feature competition sections.

World premiere titles include Asier Urbieta’s Spanish thriller Pheasant Island in the international competition section. The debut feature from Spanish filmmaker Urbieta sees a young Basque couple’s relationship put to the test when a dead body is found on the mysterious titular island.

Scroll down for the feature competition sections

It is one of 18 films in the international competition, alongside 2024 festival favourites Santosh, To A Land Unknown and All We Imagine As Light.

The nine-strong Nordic competition includes three world premieres.

French-American actor and director Julie Delpy has tackled culture clash in comedies before in ”Two Days in Paris” and “Two Days in New York,” but it’s never been as poignant as in “Meet the Barbarians,” where she explores the journey of a Syrian family who find refuge in a village in Northern France.

The movie, which marks Delpy’s feature comeback after helming the Netflix series “On the Verge,” is set in Paimpont, a small town in France’s Brittany region that is preparing to welcome Ukrainian refugees. But instead of Ukrainians, Syrian refugees settle in town, causing some tension among locals and testing their liberal beliefs.

Charades is at Venice selling the film, which will screen at the Toronto Film Festival, and also has “Vermiglio” and “Their Children After Them” on its sales slate.

Delpy penned, directed and stars in the film as Joelle, a progressive schoolteacher who...

“Where do things truly start?” wonders the narrator of Emmanuel Mouret’s relentlessly middlebrow romantic comedy Trois Amies, a story of three women and their relationships that never feels like it’s ever going to end. Though it lasts just under two hours, it feels as bright and breezy as a flight from Newark to Singapore, spinning a complicated web of emotional intrigue that, finally, seems to go on and on just for the sake of it.

The French like these kinds of films, and their big-name directors stuff them with their equally famous friends, leading to waffly ensemble pieces that can be as endearingly cheerful as Julie Delpy’s family memoir Skylab (2011) or as insufferable as Guillaume Canet’s Big Chill ripoff Little White Lies (2011). Trois Amies sits somewhere, lumpenly, in the middle, and it’s hard to imagine what the Venice Film Festival programmers were thinking when they...

To say that French director Emmanuel Mouret has had one thing on his mind since he started making features two decades ago would probably be an understatement. If you take the English-language titles alone of his prolific oeuvre — 11 features, including the latest — you get a fairly good idea of the subject dearest to him: Shall We Kiss, Please, Please Me, The Art of Love, Lovers, Caprice, Love Affairs, Diary of a Fleeting Affair…

The question, perhaps, is whether anything but love and sex actually interests Mouret. After making a few slapstick-style comedies early on, he’s decided to focus almost exclusively on people falling in and out of affairs and relationships. And if his first few films were inspired by both Buster Keaton and Jacques Tati, his work since then draws heavily from the worlds of both Eric Rohmer and middle-period Woody Allen — up to using the Woodster’s trademark...

The Venice Film Festival kicks off its 81st edition on Wednesday with the premiere of Tim Burton’s “Beetlejuice Beetlejuice,” which key cast Michael Keaton, Winona Ryder, Jenna Ortega, Catherine O’Hara, Justin Theroux, Monica Bellucci and Willem Dafoe are all confirmed to attend. For the following nine days, the Palazzo del Cinema’s red carpet will be the starriest place on the planet.

After suffering the impact of last year’s Hollywood strikes which prevented most top talents from making the trek, Venice has now outdone itself with a steady stream of big names lined up to light up the Lido and grab global headlines.

Angelina Jolie will be disembarking Thursday for the world premiere of Pablo Larraín’s Maria Callas biopic “Maria,” in which she plays the lead. Venice artistic director Alberto Barbera has specified that Jolie will not be crossing paths with her estranged husband Brad Pitt, at...

The lineup for the 81st Venice International Film Festival is here. Artistic director Alberto Barbera and Biennale president Pietrangelo Buttafuoco revealed the complete list of titles across sections early on Tuesday, July 23. Watch the live stream here or on YouTube.

Competition highlights included, as expected, Todd Phillips’ “Joker: Folie à Deux,” Pablo Larraín’s “Maria” with Angelina Jolie, Luca Guadagnino’s “Queer” with Daniel Craig, and Pedro Almodóvar’s first English-language feature, “The Room Next Door.” Other gems in the lineup include “April,” from Georgian “Beginning” director Dea Kulumbegashvili; Brady Corbet’s “Fountainhead”-inspired epic “The Brutalist,” which runs a whopping 215 minutes and will present in 70mm; Aussie auteur Justin Kurzel’s thriller “The Order”; “Chevalier” director Athina Rachel Tsangari’s “Harvest” with Caleb Landry Jones; and Halina Reijn’s psychosexual thriller for A24, “Babygirl,” starring Nicole Kidman and Harris Dickinson.

Out of competition across series and features, there’s new work from Harmony Korine,...

Pyramide is also handling the directorial debut of Johanna Pyykkö, former assistant to Joachim Trier.

Paris-based Pyramide International has acquired Emmanuel Mouret’s comedy drama Une Honnete Femme, starring Camille Cottin, Sara Forestier and India Hair.

It will launch the film at next week’s Rendez-Vous in Paris, along with Thierry de Peretti’s feature documentary A Son Image and Johanna Pyykkö’s My Wonderful Stranger.

Une Honnête Femme zooms in on three friends with different views on love – one who has just left a relationship, one who advocates for a relationship without love, and one who sees love as an adventure.