A speech-impaired six-year-old girl becomes the vessel for a powerful spirit hell-bent on destruction.A speech-impaired six-year-old girl becomes the vessel for a powerful spirit hell-bent on destruction.A speech-impaired six-year-old girl becomes the vessel for a powerful spirit hell-bent on destruction.
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Hands down, it is the best horror film ever made in India.
But there are many films in Hollywood that can easily beat Pindam, but I enjoyed watching it. Brilliant writing, performances, music and cinematography. The director does a very decent job in delivering a horror flick in the most believable way. The screenplay is also solid, though the climax is a bit cliched. The story is not properly conveyed, but I think the director wantedly left the gaps, he was creating a theme and wanted the audience to fill the gaps and form the story which for me is brilliant work. Not a lot of directors do this, as we like spoon feeding more. But this movie made me think a lot, which is what i liked. I was hooked to the film in the first few minutes and kept watching. Overall it is top notch, dubbing could be better.
But there are many films in Hollywood that can easily beat Pindam, but I enjoyed watching it. Brilliant writing, performances, music and cinematography. The director does a very decent job in delivering a horror flick in the most believable way. The screenplay is also solid, though the climax is a bit cliched. The story is not properly conveyed, but I think the director wantedly left the gaps, he was creating a theme and wanted the audience to fill the gaps and form the story which for me is brilliant work. Not a lot of directors do this, as we like spoon feeding more. But this movie made me think a lot, which is what i liked. I was hooked to the film in the first few minutes and kept watching. Overall it is top notch, dubbing could be better.
There are a few good and a few improvement points.
Direction is good.
Screenplay is slow. Misses a pace and could have been reduced to a length of 1.5 hr.
The horror isn't forced, has a backdrop.
Few jump scares are really good.
Casting of the main characters is good. Good acting by Srikanth and Easvari ji.
The plot is not new still keeps you engaged.
Much better than regular horror movies which pretend to be scary.
A bit gory though.
Climax is predictable amd can be guessed in the beginning itself.
My advice to makers- spare children being your target of scaring the audience.
Overall a 1-TIME-WATCH.
Direction is good.
Screenplay is slow. Misses a pace and could have been reduced to a length of 1.5 hr.
The horror isn't forced, has a backdrop.
Few jump scares are really good.
Casting of the main characters is good. Good acting by Srikanth and Easvari ji.
The plot is not new still keeps you engaged.
Much better than regular horror movies which pretend to be scary.
A bit gory though.
Climax is predictable amd can be guessed in the beginning itself.
My advice to makers- spare children being your target of scaring the audience.
Overall a 1-TIME-WATCH.
It's actually a 30 min short film which they extended to 2 and half hours with unnecessary and slow dragging filler scenes. The story isn't that great either and the ending is not satisfactory. Kind of reminded of the western horror movies where the entire movie is built on a short premise and the entire movie is just the characters acting counterintuitively and slowly walk towards the danger rather than away from it. There was potential to use some of the elements introduced in the movie and actually build a universe out of it with it's own laws on how god and ghosts work but none of that expanded upon. It's an empty shell of a movie with a wasted potential.
Movie is very interesting, and I enjoyed the movie.
In addition to its gripping narrative and superb performances, "Pindam" boasts stunning cinematography that captures the haunting beauty of its Appalachian setting. Every frame is meticulously composed to enhance the film's atmosphere of dread and foreboding.
In conclusion, "Pindam" is a tour de force of psychological horror that will linger in your mind long after the credits roll. Saikiran has crafted a film that stands as a testament to the enduring power of the genre, delivering an unforgettable experience that will haunt your dreams and leave you questioning what lurks in the darkness. If you're a fan of atmospheric horror that gets under your skin and stays with you, do yourself a favor and seek out "Pindam." Just be sure to keep the lights on when you do.
In addition to its gripping narrative and superb performances, "Pindam" boasts stunning cinematography that captures the haunting beauty of its Appalachian setting. Every frame is meticulously composed to enhance the film's atmosphere of dread and foreboding.
In conclusion, "Pindam" is a tour de force of psychological horror that will linger in your mind long after the credits roll. Saikiran has crafted a film that stands as a testament to the enduring power of the genre, delivering an unforgettable experience that will haunt your dreams and leave you questioning what lurks in the darkness. If you're a fan of atmospheric horror that gets under your skin and stays with you, do yourself a favor and seek out "Pindam." Just be sure to keep the lights on when you do.
Would recommend this to insomniacs, one hour into the film and you'll automatically go to sleep.
Poorly directed and executed film which has desperately tried to show abrahamic faith in a positive so much so that if given a chance the director would've made Easwari Rao hold a 10 feet long cross in her hand 🤣.
The desperation to show abrahamic faith positively is a common pattern in films made in the South of Bharath. Radicals and evangelists are running the southern film industries and it's a norm that they show Hindus and the Hindu dharma in poor light. Take any industry, except sandalwood, they've set their agenda.
Beware of such propagandist 'films'.
Poorly directed and executed film which has desperately tried to show abrahamic faith in a positive so much so that if given a chance the director would've made Easwari Rao hold a 10 feet long cross in her hand 🤣.
The desperation to show abrahamic faith positively is a common pattern in films made in the South of Bharath. Radicals and evangelists are running the southern film industries and it's a norm that they show Hindus and the Hindu dharma in poor light. Take any industry, except sandalwood, they've set their agenda.
Beware of such propagandist 'films'.
Did you know
- SoundtracksGuvva Gelichindi
Written by Kavi Siddhartha
Performed by K.S.Chitra
Details
- Runtime2 hours 38 minutes
- Color
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