Ruth & Alex

If I were to say that 5 Flights Up was a loosely structured film involving an aging couple, the real estate market, hectic home bidding, terrorism, a dog with lethal problems, interracial marriage, and painting, you'd probably be endlessly confused. However, I wouldn't be misleading you nor would I be shortchanging the film's story. For a film with an A-list cast and from a fairly large studio, it's strange for something like this to be so largely plot less and breezy, yet so thematically impacting. If nothing else, the film furthers my belief that you ultimately don't need a concrete plot or "point-A-to-point-B" style events to make an impacting film; you need strong characters or strong dialog, but if you have two, you're golden.

The film focuses on Ruth and Alex Carver (Diane Keaton and Morgan Freeman), an older couple looking to sell their old-fashioned Brooklyn apartment through their real estate agent Lilly (Cynthia Nixon). Due to the apartment's location and one-of-a-kind structure, the spacious home could be worth as much as $1 million and, under current circumstances, both Ruth and Alex want to get as much money possible. Though it's evident that the couple have talked selling their apartment to death, one can tell that they're quietly heartbroken to be leaving it behind, especially Alex, who has made one of the rooms his workstation for his many paintings.

Both Ruth and Alex find themselves immersed in the world of real estate buying and selling upon holding an open house and exploring other apartments in the city. They find themselves bombarded with potential buyers they are either not personally fond of or questioning whether or not they will take care of the home and love it as much as they did. While this search goes on, Ruth and Alex's dog winds up falling prey to a ruptured disc in her back, requiring expensive surgery in addition to the repeated coverage of a potential terrorist attack perpetrated by an assumed Muslim extremist when a large oil tanker is left on the Williamsburg Bridge.

Just by this description, one gets a feel of the looseness in 5 Flights Up. It would appear that writer Charles Peters attempted to make a film that was invested in real-life situations, particularly the kind that come about when trying to sell a home or an apartment in the wake of the biggest housing crisis in American history. Few films I can recall have painted the constant struggle and fuss over selling and buying a home in such a powerfully telling way, right down to the incessant "bidding wars" between interested clients and the dictation of a real estate agent. Such an experience is an endless cycle of monotony, false leads, and confusion and director Richard Loncraine portrays it as if the characters are operating on a field of landmines.

There's also examination of the generation gap here in a boldly subtle way. Consider Freeman trying to prove himself and his abilities to much younger, disinterested art buyers, or even the multitude of spoiled and unruly young guests that come through his home. Ruth and Alex are on their way out in numerous respects in this film, but as the film gets going, we see that they're soon to be out of their home, their element, and most importantly, time to prove themselves in a world that's rapidly changing and quickly leaving people like them behind.

Much has been made about the terrorist subplot which, in many scenes, does come out of left field and provides for a jarring tonal shift. However, if one looks at it like in the same way an announcement of any kind by Federal Reserve Chairwoman Janet Yellin sends financial markets into a tizzy, one can see its relevance, even if it does add a touch of awkwardness to the film's story.

5 Flights Up may not have the narrative structure of its contemporaries, but it damn sure understands the current state of baby boomers and sentimentality better than a lot of them. It's a film of moments and strong lead performances, with Keaton and Freeman proving through each collective and low-key scene why their performances are always highly praised. While this is a film along the lines of the feel-good flick you're likely predicting, just know if you're going to have your emotions tickled by a movie, you might as well have it done by a film that's respectful of its characters and somewhat insightful.

Starring: Diane Keaton, Morgan Freeman, and Cynthia Nixon. Directed by: Richard Loncraine.

It is so refreshing to watch a film with a contemporary story that focuses on older people and their choices and strengths instead of seeing them act foolish or pathetic. Based on Jill Ciment's book as adapted for the screen by Charlie Peters and directed with straightforward good taste by Richard Loncraine, this quiet little film is a wonderful platform for tow of our most respected actors – 69 year old Diane Keaton and 78 year old Morgan Freeman – who create an irresistible chemistry.

Briefly, long-time happily married couple Ruth and artist Alex Carver (Keaton and Freeman) who've spent their lives together in the same New York apartment become overwhelmed by personal and real estate-related issues when they plan to move away, having decided to cash in on their sought-after Brooklyn apartment. The story opens with one of the reasons they feel the need to move after 40 years in the '5 flights up' apartment with no elevator: their little dog Dorothy is having difficulty maneuvering the stairs and ends up with a slipped vertebral disc that requires a Vet's expertise and surgery. They engage Ruth's niece, real estate agent Lily (Cynthia Nixon, who is wonderfully, gushingly obnoxious) and the visits to the apartment begin – all manner of rather despicable lookie-loos traipse through and a decision must be made. Ruth and Alex find an apartment in Manhattan that is one the 9th floor and has an elevator, but issues arise that make them alter their initial decision.

Beautifully understated is the fact that Ruth and Alex are childless, entered an interracial marriage when it was not fashionable to do so, and have grown old together making every day count. They are wonderful and the film does them justice. It is such a pleasure to see two seasoned and gifted actors make such an impressive statement.

Recommended for all those who think happiness is dependent on social media based.

'5 FLIGHTS UP': Three Stars (Out of Five)

Morgan Freeman and Diane Keaton star in this drama flick, about an elderly couple that finally decide to move; out of the New York apartment they've spent their lives together in. The film was directed by Richard Loncraine and written by Charlie Peters. It was based on the 2009 novel, 'Heroic Measures' (by Jill Ciment), and it costars Cynthia Nixon (of 'SEX AND THE CITY' fame). I found the movie to be charming, and somewhat sweet, but nothing too memorable.

Freeman and Keaton play Alex and Ruth Carver; an older couple that's lived in the same apartment, in New York, all of their time together. They've finally decided to move; largely due to the fact that their apartment is five flights up, and their apartment building has no elevator. Everyone they meet, interested in their home, is rude and annoying. Alex really doesn't want to move; and the couple also has to deal with real-estate issues, and their dog's poor health.

There's not a lot to the film, other than some strong character development; and some even stronger acting. Freeman and Keaton are both fantastic, in the film together, and they have beautiful chemistry. Nixon is a scene-stealer, as well (and I've never seen 'SEX AND THE CITY'). There's never a lot going on, but the film is still always interesting; thanks largely to it's veteran cast.

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"I don't like our lives being in the hands of someone else." Alex (Freeman) and Ruth (Keaton) are getting ready to sell their apartment and begin a new chapter in their life. When they begin to show the space old feelings begin to come back. Now, between the visitors and looking for a new place, they start to remember the times they had together. First of all I have to say this movie was OK, but being 36, if I was about 30 years older I think I would have liked it more. The story is OK but this is a movie that resonates much more with an older crowd do due the subject matter. The acting is great and it was good but many of the subtleties were lost on me since I have never been through something like this. Overall, worth seeing but the older you are the more you will enjoy this. I give it a B-.

The "young ruth" was a terrible actor. She seemed to yell most of her lines.

Other than having to listen to that, the film is interesting and quite sweet.