Everybody Loves Touda
- 2024
- Tous publics
- 1h 42m
IMDb RATING
6.4/10
466
YOUR RATING
Touda is a Sheikha, a traditional Moroccan singer. Performing in the bars of her provincial town under the gaze of men, she plans to leave for the lights of Casablanca, to gain recognition a... Read allTouda is a Sheikha, a traditional Moroccan singer. Performing in the bars of her provincial town under the gaze of men, she plans to leave for the lights of Casablanca, to gain recognition and ensure a better future for her son.Touda is a Sheikha, a traditional Moroccan singer. Performing in the bars of her provincial town under the gaze of men, she plans to leave for the lights of Casablanca, to gain recognition and ensure a better future for her son.
- Awards
- 1 win & 2 nominations total
Khalil Oubaaqa
- Mehdi
- (as Khalid Oubaaqa)
Hamza Tahri
- Animateur soirée hôtel Sky
- (as Hamza Tahri Hassani)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The tale of escaping the conflicts and the rise of being a musician to become better in life isn't a grand or brand new tale. However, director Nabil Ayouch does offer some good insight to the atmosphere and direction, alongside with a strong lead performance from Nisrin Erradi.
Culture of Morocco isn't something I'm familiar with and the movie does offer a good insight to the surroundings of the characters and the conflicts around. Adding some good musical singing moments and camerawork throughout. As mentioned, the story is pretty basic. And it's quite predictable once you know where things are likely going to head.
However, despite the predictable nature and some cliche character tropes that were a bit dull, the strong performance and the beautiful color presentation still manages to keep the movie a float.
Culture of Morocco isn't something I'm familiar with and the movie does offer a good insight to the surroundings of the characters and the conflicts around. Adding some good musical singing moments and camerawork throughout. As mentioned, the story is pretty basic. And it's quite predictable once you know where things are likely going to head.
However, despite the predictable nature and some cliche character tropes that were a bit dull, the strong performance and the beautiful color presentation still manages to keep the movie a float.
There is nothing better than sinking into a cinema chair and watching a really good film. This film is just that. You are thrown into another world and another life. This is a very well-acted film and a script that grabs you from the first frame of the film. The team behind the film is Nabil Ayouch and Maryam Touzani who have made the films "Adam" and "The Blue Kaftan". 2 brilliantly good films. If you haven't seen those films, try to see them too. Nisrin Erradi who has the lead role as Touda carries the film brilliantly and is a brilliant actress who you should keep an eye on in the future. I can't say anything else, go and see the film as soon as possible. Be enchanted and captivated by this jewel of a film.
My first experience watching a Moroccan movie in a cinema was this one, and let me just say, it was an unforgettable one. The film brought a mix of emotions, starting slow but eventually pulling me into a beautifully crafted story.
The first 30 minutes, though visually stunning, felt like a test of patience. The pacing was slow, and to be honest, it seemed like the story hadn't quite found its footing yet. However, what kept me intrigued during this phase was the beauty of the cinematography. Every shot felt intentional, as if the visuals themselves were telling a story, even when the screenplay wasn't. The acting also stood out, with the cast's performances adding layers of depth to the quiet moments.
But once the screenplay found its rhythm, things changed drastically. Around the 30-minute mark, the narrative started to engage, pulling me into Touda's world with such intensity that I forgot all about the slow start. The story blossomed, filled with meaningful moments that made the wait worth it.
An outrageous performance was delivered by Nisrin Erradi, who carried the movie on her shoulders with grace and brilliance. Her portrayal of Touda was mesmerizing. It was clear that she had poured her heart into this role, especially in the scenes where she performed AITA. And it's not an easy one to master. Nisrin's performance was so authentic that it felt like she had been doing this all her life.
The film's ending was the cherry on top, leaving the audience with an open-ended conclusion that invited multiple interpretations. Personally, I loved this aspect.shows that the director trusts his viewers to draw their own conclusions, and Everybody Loves Touda did so with elegance.
Despite its rocky start, the movie ultimately delivered a unique and memorable experience. It wasn't just a film, it was a journey-a visual and emotional exploration of a story deeply rooted in Moroccan culture. For a first cinema experience with a Moroccan movie, this was a gift, and I can confidently say: Everybody Loves Touda will stay with me for a long time.
The first 30 minutes, though visually stunning, felt like a test of patience. The pacing was slow, and to be honest, it seemed like the story hadn't quite found its footing yet. However, what kept me intrigued during this phase was the beauty of the cinematography. Every shot felt intentional, as if the visuals themselves were telling a story, even when the screenplay wasn't. The acting also stood out, with the cast's performances adding layers of depth to the quiet moments.
But once the screenplay found its rhythm, things changed drastically. Around the 30-minute mark, the narrative started to engage, pulling me into Touda's world with such intensity that I forgot all about the slow start. The story blossomed, filled with meaningful moments that made the wait worth it.
An outrageous performance was delivered by Nisrin Erradi, who carried the movie on her shoulders with grace and brilliance. Her portrayal of Touda was mesmerizing. It was clear that she had poured her heart into this role, especially in the scenes where she performed AITA. And it's not an easy one to master. Nisrin's performance was so authentic that it felt like she had been doing this all her life.
The film's ending was the cherry on top, leaving the audience with an open-ended conclusion that invited multiple interpretations. Personally, I loved this aspect.shows that the director trusts his viewers to draw their own conclusions, and Everybody Loves Touda did so with elegance.
Despite its rocky start, the movie ultimately delivered a unique and memorable experience. It wasn't just a film, it was a journey-a visual and emotional exploration of a story deeply rooted in Moroccan culture. For a first cinema experience with a Moroccan movie, this was a gift, and I can confidently say: Everybody Loves Touda will stay with me for a long time.
In Everybody loves Touda, we see the point of view of the artist on the scene. We see her struggle to sing what she wants and in the way she wants to sing it. We see her fight between pleasing her audience and pleasing herself. Will she find a place that accepts her as she wants to perform?
There are some beautiful images. It depicts, in my opinion, quite well the culture of the Morocco in which she lives. While giving us get a good grip of her life. I would recommend you to go for the VO of this movie, I think the language is important to be authentic.
This movie did two things to me: 1. It made me wonder if I sometimes push people to do things that I want, without caring about their opinion.
2. It made me realize how much the male flirty behaviour is annoying for women.
There are some beautiful images. It depicts, in my opinion, quite well the culture of the Morocco in which she lives. While giving us get a good grip of her life. I would recommend you to go for the VO of this movie, I think the language is important to be authentic.
This movie did two things to me: 1. It made me wonder if I sometimes push people to do things that I want, without caring about their opinion.
2. It made me realize how much the male flirty behaviour is annoying for women.
Did you know
- TriviaOfficial submission of Morocco for the 'Best International Feature Film' category of the 97th Academy Awards in 2025.
Details
- Release date
- Countries of origin
- Language
- Also known as
- Herkes Touda'yı Sever
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €2,400,000 (estimated)
- Gross worldwide
- $1,370,693
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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