Chef

I guess some people thought this movie was long and boring. Even some said acting was kind of bad. Well I think the total opposite of this. And I cannot see why anyone would think otherwise. This movie as basic as the plots and story lines were, totally kept my interest. I think it's Jon Favreau's best movie ever. It's a masterpiece. This could be a cult classic for Father's Day, like It's A Wonderful Life is for Christmas. Of course the general sway of Hollywood shun's on a great family life. However Jon Fav didn't give a crap and he decided to celebrate how to celebrate living again. Yeah not much going on but if you don't feel good after watching this then you have a crusty heart and your problems have deep rooted issues.

I thought this was probably one of the better movies I have seen all year. Personally. I believe we really - really need more movies like this to remind us about how precious life really is and how to enjoy special moments just eating a real beignet from New Orlean's French Quarter, and in search of the perfect Cuban sandwich recipe, and perfecting the ultimate beef brisket slider. I totally was impressed by this movie for it's full hour and fifty minutes. I loved a great - feel good - movie - - I recommend for any dad and most everyone to see it This will surely restore a sense of how important a support group of family and good friends can be. Great job Jon Favreau! I kind of thought you were like Hollywood stuck up before seeing this movie. Now I know you are a real guy and cool ass family man.

At an early point in Chef, the title character cooks a grilled cheese sandwich for his 10-year-old son, Percy. It's a familiar recipe —bread, butter, and cheese — but the way that the camera lingers on the melting cheese, and the care taken in how the food was served, made me want to reach into the screen and take a bite. If Chef were a meal, it would be comfort food. When comfort food is done right, boy oh boy does it hit the spot.

Favreau directs and stars as Carl Casper, a celebrated chef at a swanky Los Angeles restaurant, whose creativity and integrity is compromised by the restaurant's controlling owner. After a video of him losing his temper at a food critic goes viral he becomes not only unemployed, but unemployable. With his reputation in shreds, he decides to get back in touch with his roots by opening a food truck and taking it – along with line cook and son - on the road, rediscovering his passion along the way.

The pairing of sumptuous shots of food preparation with Latin beats is hard to resist for most audiences, and the food shots in Chef are so luscious and evocative that you can almost smell what's cooking. The music, sensual and spicy, is perfectly matched to the food. There's a beauty and a rhythm in the food preparation scenes and the amount of them included in the film is just right, so as not to feel over indulgent.

There is also a lot of enjoyment to be had from watching the performances of the supporting cast, and perhaps this is because each of them play to their strengths: Robert Downey Jr steals the scene as Casper's ex-wife's other ex-husband who is rich, generous, and always looks like he's on the verge of doing something really crazy; Sofia Vegara plays Casper's sweet, sexy, well- meaning ex-wife, who he is still great friends with; John Leguizamo, always an interesting actor to watch, has fantastic chemistry with Favreau and the young actor who plays his son, and some of the more meandering scenes in the film are made interesting by his infectious energy; and Dustin Hoffman adds an element of compassion to a role that could have easily been reduced to a caricature. The stars featuring in the film stay firmly within their safe zone, and I couldn't help but remember what Hoffman tells Favreau early in the movie: play your hits, because no one wants to go to a Rolling Stones concert and not hear 'Satisfaction'. While this can have the potential to be boring, it bodes well for the film: we know we're in safe hands, and we're going to come out of this feeling satisfied. Special mention must be made of Emjay Anthony, who plays Favreau's son Percy with the perfect blend of maturity and innocence, and is really the emotional centre of the film.

While the film is certainly a feast for the senses, at its core it's about restoration: restoring the father-son relationship, and restoring passion. It's hard to ignore the parallels to Favreau's own career: after breaking out in the 1996 indie hit Swingers, Favreau has in recent years become a director of the mega-blockbusters: the first two Iron Man movies, and the less well-received Cowboys & Aliens. Here, he cleanses his palate as a director and returns to more down-to-earth, feel-good fare (there's even a dead-on remark about Casper's/Favreau's "dramatic weight gain". Ouch). A familiar recipe made with great ingredients, Chef will leave you feeling satisfied.

I really enjoyed this funny and heart-warming movie about a chef and his relationship with food and his son. The film is worth about 8.5 in my books. The current IMDb score is roughly accurate, despite the inexplicably negative reviews and voting of a tiny minority.

Leguizamo and Vergara light up every scene they're in. Quite a few A-list Hollywood stars are in this movie, but it's not a Hollywood movie at all. The performances by all the main and supporting actors were excellent. When I try to single one or two out, I just start thinking about how good the others were too.

You feel like the movie had no script at all, that's how natural the writing was. Remarkably cliché-free.

I was subtly but deftly moved at the end. This is an optimistic guy movie but women will enjoy it as well.

Kudos to Favreau (of course) and to everyone else involved in this film. I have a new respect for Favreau and will watch out for his films in the future.

I'm no foodie but I really enjoyed this road-trip / father-son / buddy movie, written directed by and starring Jon Favreau, based on the recent life and times of a perfectionist chef who struggles to suppress his own innovation to the demands of his conservative paymaster boss. More than this, he gets involved in a spat with the town's number 1 food critic, sees his relationship with his son founder under pressure of work and still pines after his glamorous and super-rich ex-wife.

There's not much more to the story than that and I feared for all the anticipated parental-bonding scenes I would see the second I clapped eyes on his flop-haired 10 year old son but I was very pleasantly surprised to be engaged by this lighthearted, fast-moving, feel-good movie, right up to the predictable happy ending for all concerned.

With a busy but enjoyable soundtrack of soul and salsa in the background, nice realistic acting by all the leads right down to son Percy and of course lots of scrumptious shots of freshly made food, this movie certainly mixed its ingredients together well, delivering in the end a most palatable dish.

Perhaps the star-power cameos were a little unnecessary, maybe the father-son stuff did get a little hokey at times and the wraparound happy ending did seem somewhat forced but on the whole I found this a very watchable and occasionally funny movie which more than whetted my appetite for a decent Saturday night stay-in movie.

Stepping away from the blockbusters that have occupied his time and talents of late, Jon Favreau scales back the spectacle to deliver Chef, a thoroughly enjoyable story of redemption set amid the chaos and camaraderie of the kitchen in which Favreau delivers what may be his best performance yet. In addition to taking on the lead role of disgruntled chef Carl Casper, Favreau also wrote the screenplay and served as producer and director, putting himself firmly in the firing line if the film misfired. Fortunately, he has got most of it right and Chef overcomes any shortcomings through its refreshing take on relationships - particularly between Carl and his 10-year-old son Percy (Emjay Anthony) - and the power of technology and social media as both a destructive force and an instrument of considerable social currency. Confined to bit parts of late in the likes of The Wolf of Wall Street and the three Iron Man films, Favreau seems to relish the opportunity to take on this role of a man forced to re-evaluate everything that is important to him.

We first meet Carl as he begins preparations for the evening ahead at the restaurant at which he is the head chef. Once hailed as the next big thing in culinary circles, Carl's career and reputation has stagnated somewhat as he finds himself frustrated by the limitations placed on him by restaurant owner Riva (Dustin Hoffman). You see, Riva is more interested in maximising profit, while Carl is desperate to shake things up and broaden the menu, particularly with high profile critic Ramsey Michel (Oliver Platt) dropping in to sample the fare. It is not giving too much away to say that things don't go well and, when Carl unleashes at Michel in a tirade that goes viral, his tenure at the restaurant is over. At the urging of his ex-wife Inez (Sofia Vergara), Carl heads to Miami and establishes a food truck that enables him to reconnect with his love of cooking and the son he has neglected. Much merriment ensues as Carl hits the road to redemption with Percy and best friend Martin (John Leguizamo) along for the ride.

The film very much celebrates the art of cooking and gastronomes will go nuts at the myriad montages of Carl at work in the kitchen, whether it be in the restaurant, the food truck or at home where even a toasted sandwich is prepared with passion and precision. The relationship between Carl and Percy, which is the crux of the narrative with the food truck as the conduit that brings them together, is refreshingly realistic and devoid of mawkish sentimentality. Young Graham is remarkably composed and naturalistic as Percy and the underrated Leguizamo makes the most of his best role in ages. The music is fabulously funky, creating the up-tempo mood that permeates the second half of the film. There really is a lot to like here, which makes it easy enough to overlook those aspects that go unexplained. For example, Inez lives in a luxurious house with an armada of domestic staff and is always making reference to her work, yet we never get any sense of what this work entails and ultimately Vergara seems to be simply rehashing her Modern Family persona, albeit not quite so shrill.

The sudden disappearance of Scarlett Johansson from the narrative is another mystery that remains unsolved. In the opening portion of the film, Johansson's Molly works as a hostess at the restaurant and there is clearly a mutual attraction between her and Carl. In fact, a scene in which Molly lounges seductively while Carl prepares a meal is sexier than most love scenes, yet once Carl leaves for Miami, Molly is neither seen nor heard from again. A cynic might suggest that Johansson's inclusion, along with a somewhat strange cameo from Robert Downey Jnr as another of Inez's ex-husbands, is simply Favreau calling upon his Iron Man co-stars in an attempt to secure maximum leverage for his film with multiplex audiences.

The film demonstrates the power of ubiquitous presence and power of social media; initially bringing Carl to his knees before ultimately playing a very significant role in his resurrection as a chef and a father. Despite a few unanswered questions along the way, Chef is a charming, refreshing surprise.