Mistress America

Taking place in New York City about now, "Mistress America" focuses on the life of Tracy who is a freshman in college. She aspires to be a writer—easy to tell because she's aloof, detached, alone, and looking for friends. Her mom's getting remarried so Tracy has an older sister-to-be in Brooke, one of those cinematic forces of nature like a young Katherine Hepburn, perhaps. Brooke takes Tracy into her life of late-night concert performances, high-output spinning, fashion, finance, clandestine apartments, absent lovers, and a nascent restaurant business. In many ways, this is a buddy movie as Tracy learns fierce independence from Brooke, who she greatly admires.

Like all buddy movies, Tracy's and Brooke's relationship has ups and downs, complicated by the literary understory. Then the whirlwind pace goes surreal as the New Yorkers head to Greenwich, Connecticut in search of—something. We think it's one thing but it's not. I guess Greenwich, seat of the uber wealthy in the US financial arena, is actually a surreal place.

This is an intensely witty movie with a very chewy script handled ably by the very smart cast. Many call "Mistress America" a comedy but funny is clearly not this movie's main goal. To call it a "screwball comedy" is to not properly describe its intellect. The movie is saying something about envying the lives of others, which most of us do to one extent or another. It's a thoughtful movie, and it will be uncomfortable for some to watch if you, like Tracy, are not centered within your own mind and body. And after all, who is?

We saw this movie thanks to the San Jose Camera Cinema Club.

I hated every character in this film, so that's cool

Saw this today after seeing many 5 star reviews in many publications and billboards here in London. To say I'm disappointed would be to employ gross understatement.

The premise is interesting and creates big expectations from the outset (two young women - one has hit 30 and the other is a English Lit freshman at a NY university form an unlikely friendship when they are on the verge of becoming step-sisters when their respective divorced parent arrange to get married to each other).

This is the kind of screenplay Woody Allen could write in his sleep; but where Allen would exhaust the budding friendship of all its possibilities for humour, melancholy & therapy, Baumbach chooses instead to write an overly arch and self-conscious piece where all the characters seem to be on the same page in the same tribe with all involved being too cool and too smart for school; with all spouting dialogue that is too self-conscious for its own good. I would feel profoundly alienated in the company of these people in real life, where by contrast the characters in Wood Allen films always seem like friends I haven't met yet.

The whole story seems to be overy-worked, contrived, and reaching levels of shallowness I haven't witnessed for a long time. None of the characters are remotely warm or likable and by the end I didn't care what happened to Brooke or Tracy and their budding friendship.

Had Baumbach managed to get Wood Allen's involvement (as editor/collaborator) this could have been a highly humorous (I didn't laugh once and found a lot of the dialogue inaudible and localized for my understanding - Woody Allen never makes this mistake, his films are universal in their appeal even though they're set in the navel-gazing, therapy obsessed New York, there's a wonderful warmth and humour in his films which is just not present in 'Mistress America'.)

And as for the synth pop soundtrack it just seemed completely out of sync with the story and the main protagonists. I can't imagine either young female listening to synth pop composed in the 1980s - like OMD's 'Souvenir'. Play it once fine but repeat it later in the soundtrack sounds like 'clutching at straws' tactics to my ears.

On the plus side Greta Gerwhig clearly is a leading lady and I hope one day I see her again in a film that really showcases her talent. She reminds me of many other actresses like: Kate Winslet, Gwyneth Paltrow and would you believe Maria Sharapova?

She's like a hybrid of all these women and yet has her own unique presence and look - not to mention having a passing resemblance to a younger Catherine Deneuve? Has a bright future in film but the crazy character she plays in Mistress America doesn't flatter her beauty or talent very much.

This film tells the story of two young women who will become step sisters after their parents' marriage. They meet and bond quickly, and they go through life events in quick succession in the space of a few weeks.

"Mistress America" is a simple film that is dependent on dialogue and interesting characters. The quick pace and rapid fire dialogues remind me of Woody Allen films, and I think in here the dialogues are really good as they give the main characters distinct personalities. Brooke is very creative, bubbly, quirky but likable. Even the supporting characters are special, such as the jealous girlfriend and the rich woman who steals Brooke's ideas. There is so much going on in the film, even in the first ten minutes I thought I have already watched for much longer because so much has happened. I really enjoyed this charming film.

I like Greta Gerwig. I didnt like her in this though. Her wife/husband partnership with the director Noah Baumbach the movies are a little hit and miss and this one was a miss. The endless relentless uninteresting dialogue just did my head in. The mansion scene seemed to go on for eternity. Generally most of the characters were unlikeable. Oh Lola character mom (Kathyrn Erbe) seemed nice. Kinda similar vein to Woody Allen movie without the star names. Greta is a better actress than what she had to work with in this movie. Anyway I wouldnt recommend this one. One plus is that it is short (84 minutes). Another plus point the use of a song I hadnt heard for a while, OMD Souvenoir.