We Grown Now

7.2 stars.

This is the story about two young boys growing up in the projects. A Mom is holding a steady job, and grandmom lives with them. The other boy's father seems to be a very intelligent man, however, he does not appear very active in the community or as a wage earner. The two kids are quite precocious, and they hang out all the time, and we are brought on a journey through their eyes as they survive a year in the life of two minority best friends, growing up in the projects, in intelligent and levelheaded families.

There isn't very much to the story, except that it shows us, perhaps what it would be like if we had grown up in this type of situation. I thought the story was told in a way that is palatable for all age groups and cultures. I'm still not absolutely certain what the theme is however, if I had to make an educated, guess it would be about the adversity of growing up in this environment. Perhaps this is an accurate portrayal, but I will never know.

That's really all I have to say about it, it evokes some moderate emotions at times, but is nothing out of the ordinary, and certainly not controversial, or overly impactful when it comes to cultural gaps and diversity. It seems understated, but I have a hunch it's what the average life would entail.

A PG movie focused on kids, but for audiences of all ages.

A story of two boys in Cabrini Green during 1992. Their lives aren't plagued by a ghost named Candyman, since there's plenty of real problems around. Their innocent minds don't let them see how dangerous their world is.

I think it captured the 90's enough, but some things felt very current day. The parents in both families choose not to hit their kids. Most kids are never that lucky, and definitely not back in 1992. I'm white for reference, and I was born a year after the film is set, but hitting used to be even more common than it secretly is now. I know it was even worse for black kids, based on stories at school. I get why the film wanted to push that though. Sorry that part just bothered me.

Overall it's a good story though. Kids are kids anywhere.

This is a sleeper, is a story of childhood, of best friends, of family, of history, of life, of circumstances, of inequality, of color, of what it is to be real people, real good people, the best and the brightest, of struggle, of survival, of success, of meaning, of growing up, of innocence, of happiness, sadness and of sheer joy, the young actors are great!, their display of emotions is remarkable, pure, there is nothing to not like about this movie, it's about bringing out the best in us despite what life may bring, it's about hope, about the simple dignity of who we are as people, Eric and Malik exist!, WE EXIST!

Same old story people who can afford to take our stories and we can only watch or play sambo I'm not into this we need more African American to tell these stories who actually lived this experience we need reparations caprini green affected African Americans and we were never repaired only torn down and victimized and now as usual stolen from. The movie displayed a lot of history of friendships a lot of footage to appear real like the community used to look I did not notice the street name given (symbolic)!for the child who lost his life. I hope and prayers that reparations are paid to my people now before our race and culture is totally erased and stolen.

No one ever said growing up was easy. It's inherently a time for a lot of hard lessons, but they're the kind of teachings that we need to help prepare us for adulthood. And, depending on the circumstances, it can be particularly challenging but also rewarding at the same time. Such is the experience of two young boys, Malik (Blake Cameron James) and Eric (Gian Knight Ramirez), best friends who go through virtually everything together in Chicago's notorious Cabrini-Green Housing Project in 1992, a time when it was just about at its worst. Writer-director Minhal Baig's third feature outing is an intimate, sensitive yet gripping depiction of childhood under difficult circumstances but laced with hopeful aspirations for being able to become whatever we dream about. This nominee for three 2023 Independent Spirit Awards, including best feature, is just about perfect in every regard, from its gorgeous cinematography and expert film editing to its fine original score and the performances of its superb ensemble cast, particularly the young protagonists, who come off completely naturally and effectively. What's more, "We Grown Now" deftly and simultaneously manages to show the Windy City at both its best and its worst, no small feat, to be sure. In addition. There's almost nothing in the narrative of this film that we all can't relate to in one way or another, even if we didn't grow up under the same conditions as those experienced by the characters in this film. It will touch you deeply and certainly move you - possibly to tears at some point - but this is a worthwhile release that absolutely should not be missed.