A weary small-time hoodlum desperately attempts to quell the escalating conflict between two of his childhood friends - one a struggling martial artist whose school fails after taking out a ... Read allA weary small-time hoodlum desperately attempts to quell the escalating conflict between two of his childhood friends - one a struggling martial artist whose school fails after taking out a loan, and the other a vicious loan shark intent on collecting the debt.A weary small-time hoodlum desperately attempts to quell the escalating conflict between two of his childhood friends - one a struggling martial artist whose school fails after taking out a loan, and the other a vicious loan shark intent on collecting the debt.
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So I watched The Brokenhearted (2024) thinking it was gonna be some gritty action drama or something, but man was I disappointed. It starts off looking like it's building up to something cool, but then just kinda... doesn't. There's barely any action, and when there is some, it's nothing special. Kinda slow, kinda soft, like they didn't really commit to it. Honestly, with all the cool indie action stuff out there, this just felt super tame. Like have these guys ever seen anything by Eric Jacobus? Or Vlad Rimburg? Those guys actually get how to shoot and choreograph fights-tight, fast, and with impact. Every punch or kick in their work feels like it counts. This movie just sorta floats around in feelings and slow shots and then ends. I kept waiting for something big to happen but it never really does.
I get it's supposed to be more emotional or whatever, but even then it didn't really hit for me. A few moments worked, but overall it felt like a missed opportunity. Wish they had brought in some real action people to spice things up. Not terrible, but not something I'd recommend unless you're really into moody indie stuff with barely any fights.
I get it's supposed to be more emotional or whatever, but even then it didn't really hit for me. A few moments worked, but overall it felt like a missed opportunity. Wish they had brought in some real action people to spice things up. Not terrible, but not something I'd recommend unless you're really into moody indie stuff with barely any fights.
OKAY so I watched this on tubi and let me tell you this MOVIE SLAPS like fr I thought it was just gonna be fights and yelling but then BOOM EMOTIONSthe acting??? CHEFS KISS especially that one lady, Jackie SJ Kim (queen status), she was like sad but also strong and also beautiful and she looked at people and I was like "wow I feel that look in my soul"every time she was on screen I was like YES MORE OF THIS she didn't even have to say much just look and I was like . She had this one part where she talks and you just KNOW she's been through stuff and I was like "girl same"also the main guy Sonny was cool too I guess and the other dudes were angry a lot which was dramatic and good and there were fists and crying and lights and rain (I think?)I didn't understand some stuff and I might've missed a plot point because I was texting but when Jackie came on I paid FULL attention this movie is like if sadness and fists got married and Jackie SJ Kim was the flower girl but also the bride?? Idk metaphor is hardANYWAY 5 STARS I CRIED A LITTLE.
I've never heard of ANYONE in this film, nor any of the filmmakers behind it. I caught this on Fawesome (of all places). Despite the RIDICULOUS amount of ads on the platform (at least 7-minutes worth each break!), I thoroughly and surprisingly enjoyed this. It's a story about childhood friends who grow up to walk different paths, and those paths threaten to destroy their relationships with each other. Very drama-heavy, especially for something that, from the trailer, looks to be marketed as an action film. I can see why some see this as a negative, but I also see this as a film that's trying to be more than just a "brainless action movie". Acting is great across the board, the action scenes work well within the story, it's decently edited, and the music fits the tone of the film. One complaint is that the pacing may put some off, since it starts off fairly slow setting up the characters. But it's worth it in the end. This is not a happy film, and it ends appropriately, which takes guts and gets kudos from me.
I watched The Brokenhearted on Amazon Prime, and I have to say, this indie action flick really caught me off guard. For a film on a tight budget, it does a surprisingly great job of defying the usual genre and financial limitations. The gritty, DIY filmmaking style gives it a raw, almost documentary-like feel that suits the story well. It's clear the filmmakers put their heart and soul into this, and that passion shows through.
The action sequences are well-choreographed, and while they're not as polished as big-budget blockbusters, they have a certain intensity and authenticity that's hard to ignore. You can really feel the effort that went into making every fight and stunt look real and impactful.
That being said, some of the production values are a bit lacking. The sound mixing, especially in dialogue-heavy scenes, can be a little off, and some of the camera work feels shaky or a bit rough around the edges. These minor issues don't take away too much from the experience, but they're definitely noticeable.
Despite its flaws, The Brokenhearted stands out as a solid independent action film that punches above its weight.
The action sequences are well-choreographed, and while they're not as polished as big-budget blockbusters, they have a certain intensity and authenticity that's hard to ignore. You can really feel the effort that went into making every fight and stunt look real and impactful.
That being said, some of the production values are a bit lacking. The sound mixing, especially in dialogue-heavy scenes, can be a little off, and some of the camera work feels shaky or a bit rough around the edges. These minor issues don't take away too much from the experience, but they're definitely noticeable.
Despite its flaws, The Brokenhearted stands out as a solid independent action film that punches above its weight.
As I delved into the indie thriller, THE BROKENHEARTED, I found myself drawn into a complex web of friendship, loyalty, and the devastating consequences of violence. The film's decision to cast Asian-American leads in the main roles added a refreshing layer of diversity to the narrative, and their performances were undoubtedly a highlight of the movie.
The plot, centered around childhood friends torn asunder by a leading lives of crime, had all the makings of a gripping drama. However, the execution was sometimes hindered by the production's budget constraints. The excessive use of close-ups, while likely intended to create a sense of intimacy and immediacy, ultimately felt like a cost-cutting measure. This aesthetic choice detracted from the overall visual appeal of the film, making it feel claustrophobic and, at times, unpolished.
Despite these technical limitations, the film's themes of fractured relationships and the cyclical nature of violence resonated deeply with me. The leads' portrayal of the emotional toll of their experiences was genuinely affecting, and their chemistry on screen was undeniable. The supporting cast, though sometimes underutilized, added to the sense of unease and tension that permeated the story.
The tone of the film was decidedly dark and low-key, which suited the subject matter but may not appeal to all viewers. The violent scenes, though infrequent, were jarring and effectively conveyed the gravity of the characters' situations. The score, while not particularly memorable, complemented the on-screen action without overpowering it.
The film's portrayal of the complexities of male friendship and the consequences of unresolved trauma felt authentic and relatable. Though the production's limitations were apparent, the movie's emotional core and the performances of its leads made for a compelling, if imperfect, viewing experience.
In the end, THE BROKENHEARTED left me with a sense of melancholy and a deeper appreciation for independent cinema. While the film's technical shortcomings and sometimes unappealing visuals may deter some viewers, those willing to look beyond its flaws will find a nuanced and thought-provoking exploration of the human experience.
The plot, centered around childhood friends torn asunder by a leading lives of crime, had all the makings of a gripping drama. However, the execution was sometimes hindered by the production's budget constraints. The excessive use of close-ups, while likely intended to create a sense of intimacy and immediacy, ultimately felt like a cost-cutting measure. This aesthetic choice detracted from the overall visual appeal of the film, making it feel claustrophobic and, at times, unpolished.
Despite these technical limitations, the film's themes of fractured relationships and the cyclical nature of violence resonated deeply with me. The leads' portrayal of the emotional toll of their experiences was genuinely affecting, and their chemistry on screen was undeniable. The supporting cast, though sometimes underutilized, added to the sense of unease and tension that permeated the story.
The tone of the film was decidedly dark and low-key, which suited the subject matter but may not appeal to all viewers. The violent scenes, though infrequent, were jarring and effectively conveyed the gravity of the characters' situations. The score, while not particularly memorable, complemented the on-screen action without overpowering it.
The film's portrayal of the complexities of male friendship and the consequences of unresolved trauma felt authentic and relatable. Though the production's limitations were apparent, the movie's emotional core and the performances of its leads made for a compelling, if imperfect, viewing experience.
In the end, THE BROKENHEARTED left me with a sense of melancholy and a deeper appreciation for independent cinema. While the film's technical shortcomings and sometimes unappealing visuals may deter some viewers, those willing to look beyond its flaws will find a nuanced and thought-provoking exploration of the human experience.
Did you know
- TriviaStarting production in August 2020, the film was originally set to be a short film with a projected run-time of approximately 20 to 25 minutes. Upon completion of principle photography in July 2023, the film became a full-length feature, with a run-time of approximately one hour and 47 minutes.
Details
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- Budget
- $5,000 (estimated)
- Color
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