Narivetta
- 2025
- 2h 30m
A global examination of state-sanctioned violence through policing, exploring how power structures meant to protect citizens can transform into systems of control, particularly affecting mar... Read allA global examination of state-sanctioned violence through policing, exploring how power structures meant to protect citizens can transform into systems of control, particularly affecting marginalized communities.A global examination of state-sanctioned violence through policing, exploring how power structures meant to protect citizens can transform into systems of control, particularly affecting marginalized communities.
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Featured reviews
Totally clueless director, just throwing scenes with tricks copies from other movies, stitched together very inappropriately.
Nothing really worked in this movie. Tovino used to have good selection of scripts, what happened tohim recently? Went for the movie after seeing rating, which obviously ooks fabricated after being watched the movie.
Nothing really standing out in this movie, let it be the script, direction, BGM, songs etc. Everything sounded artificial and cringe. Dragging army into this was so unnecessary and sounded like a propaganda.
While it showed 2003 times story, the scenes were shot with least efforts to cover 2020s elements. Wasted 2 hours.
Nothing really worked in this movie. Tovino used to have good selection of scripts, what happened tohim recently? Went for the movie after seeing rating, which obviously ooks fabricated after being watched the movie.
Nothing really standing out in this movie, let it be the script, direction, BGM, songs etc. Everything sounded artificial and cringe. Dragging army into this was so unnecessary and sounded like a propaganda.
While it showed 2003 times story, the scenes were shot with least efforts to cover 2020s elements. Wasted 2 hours.
Review: Narivetta - 7/10
First, my thanks to the entire Narivetta team. I wasn't fully aware of the real-life incident the film is based on, as I typically don't follow such news. That unfamiliarity made the storyline feel fresh and engaging. Though I recognized the real-life figures, their on-screen portrayals were both compelling and convincing.
The film moved at a steady pace with no noticeable lag. The scenes were thoughtfully crafted, and the storytelling held my attention throughout. One creative choice that felt unnecessary was the use of timestamps-they didn't add much value, in my opinion.
Casting was a definite highlight, lending a refreshing vibe to the film. The first half flew by, likely because I was deeply immersed. While the second half didn't lag, it did feel like the energy and narrative momentum dipped slightly.
The natural tone of the scenes-especially the dialogues among the Muthanga people and the realistic settings-added authenticity. That said, the performance of Tovino at the protest sequence felt out of place. Tovino's performance in that part leaned too much into melodrama, breaking the film's otherwise grounded feel.
The portrayal of relationships-mother-son, uncle-nephew, and romantic-was heartfelt and thoughtfully done. Certain emotional scenes stood out for their depth. Priyamvada Krishnan was particularly impressive, thanks to the nuanced writing of her character. Her dialogue exchanges with Tovino felt organic and real.
Cheran's performance reminded me at moments of Padmasree Murali, one of my all-time favorite Malayalam actors-not in terms of comparison, but in spirit. Cheran delivered a solid performance true to his role. Arya Salim showed great potential, and her performance was notably strong. Suraj Venjaramood, playing a key role, was effective, though I expected a bit more given his character's weight in the story.
The protest (or "war") scenes were executed with surprising clarity and control-an area where many films falter. Tovino, overall, performed well, though those particular scenes felt a bit overacted.
In summary, Narivetta is a well-crafted and absorbing film with a few minor flaws but a strong emotional core.
As always, this is just my personal perspective.
Sheejith Payyaratta.
First, my thanks to the entire Narivetta team. I wasn't fully aware of the real-life incident the film is based on, as I typically don't follow such news. That unfamiliarity made the storyline feel fresh and engaging. Though I recognized the real-life figures, their on-screen portrayals were both compelling and convincing.
The film moved at a steady pace with no noticeable lag. The scenes were thoughtfully crafted, and the storytelling held my attention throughout. One creative choice that felt unnecessary was the use of timestamps-they didn't add much value, in my opinion.
Casting was a definite highlight, lending a refreshing vibe to the film. The first half flew by, likely because I was deeply immersed. While the second half didn't lag, it did feel like the energy and narrative momentum dipped slightly.
The natural tone of the scenes-especially the dialogues among the Muthanga people and the realistic settings-added authenticity. That said, the performance of Tovino at the protest sequence felt out of place. Tovino's performance in that part leaned too much into melodrama, breaking the film's otherwise grounded feel.
The portrayal of relationships-mother-son, uncle-nephew, and romantic-was heartfelt and thoughtfully done. Certain emotional scenes stood out for their depth. Priyamvada Krishnan was particularly impressive, thanks to the nuanced writing of her character. Her dialogue exchanges with Tovino felt organic and real.
Cheran's performance reminded me at moments of Padmasree Murali, one of my all-time favorite Malayalam actors-not in terms of comparison, but in spirit. Cheran delivered a solid performance true to his role. Arya Salim showed great potential, and her performance was notably strong. Suraj Venjaramood, playing a key role, was effective, though I expected a bit more given his character's weight in the story.
The protest (or "war") scenes were executed with surprising clarity and control-an area where many films falter. Tovino, overall, performed well, though those particular scenes felt a bit overacted.
In summary, Narivetta is a well-crafted and absorbing film with a few minor flaws but a strong emotional core.
As always, this is just my personal perspective.
Sheejith Payyaratta.
Rating - 3.5/5
A socio political drama set on the backdrop of a tribal forest area questioning the political authoritative powers against their cruel atrocities on humanity.
The plot of the story revolves around a young struggling guy who had to join Police force succumbed to family pressures and how he discovers his real purpose of life therein forms the storyline.
Hats off to the writer and director for showing the grit to pull off a politically sensitive story inspired from true events that happened in the landscape of Kerala. The story shows us how the patience and rights of the underprivileged strata of the society is tested by the bureaucratic power. The filmmaker has portrayed his political stand like in his previous outings and highlighted the fact that the powerful people can influence on what the public should be known. The story narration through the realistic narrative approach lost its traction towards the climax wherein the lead actor takes a transformation in his character shade.
Good performance by Tovino and he has moved through the character with distinct layers in ease. Suraj Venjaramood has given a subtle and composed performance. Impressive performances by Cheran & Arya Salim.
Anuraj has given a technically brilliant movie that can be best enjoyed in theatres. Vijay has captured the scenic beauty of Alleppey and the raw earthy landscape of Wayanad without losing its essence. Shameer Muhammed has chopped the movie into a realistic drama with good songs & background score by Jakes Bejoy. Art team deserves appreciation for setting the premises in the forest area. Good sound design by Renganaath Raave and Vishnu P C best enjoyed on Atmos screens.
A good watchable realistic drama on the life of underprivileged from the POV of a cop.
A socio political drama set on the backdrop of a tribal forest area questioning the political authoritative powers against their cruel atrocities on humanity.
The plot of the story revolves around a young struggling guy who had to join Police force succumbed to family pressures and how he discovers his real purpose of life therein forms the storyline.
Hats off to the writer and director for showing the grit to pull off a politically sensitive story inspired from true events that happened in the landscape of Kerala. The story shows us how the patience and rights of the underprivileged strata of the society is tested by the bureaucratic power. The filmmaker has portrayed his political stand like in his previous outings and highlighted the fact that the powerful people can influence on what the public should be known. The story narration through the realistic narrative approach lost its traction towards the climax wherein the lead actor takes a transformation in his character shade.
Good performance by Tovino and he has moved through the character with distinct layers in ease. Suraj Venjaramood has given a subtle and composed performance. Impressive performances by Cheran & Arya Salim.
Anuraj has given a technically brilliant movie that can be best enjoyed in theatres. Vijay has captured the scenic beauty of Alleppey and the raw earthy landscape of Wayanad without losing its essence. Shameer Muhammed has chopped the movie into a realistic drama with good songs & background score by Jakes Bejoy. Art team deserves appreciation for setting the premises in the forest area. Good sound design by Renganaath Raave and Vishnu P C best enjoyed on Atmos screens.
A good watchable realistic drama on the life of underprivileged from the POV of a cop.
Reached the theatre late.
Tovino has performed reasonably. Great music work from Jakes Bejoy.
The script is pretty light for a subject as intense.
When the attrocities appeared on the screen, I was shaking. So through a seemingly innocent and simple narrative, the movie did find me emotionally.
Suraj gave a good short performance.
The movie is Tovino centric, and Tovino has done well.
The script set up a daunting challenge, and gave an easy win. The writing has it's issues.
Movie does fizzle out from the expectation it set. Nothing stark and bold in the movie.
It does have a heart, and wants to stand by the adivasis of Muthanga.
Vaada Veda song has more fire in it than the movie.
Tovino has performed reasonably. Great music work from Jakes Bejoy.
The script is pretty light for a subject as intense.
When the attrocities appeared on the screen, I was shaking. So through a seemingly innocent and simple narrative, the movie did find me emotionally.
Suraj gave a good short performance.
The movie is Tovino centric, and Tovino has done well.
The script set up a daunting challenge, and gave an easy win. The writing has it's issues.
Movie does fizzle out from the expectation it set. Nothing stark and bold in the movie.
It does have a heart, and wants to stand by the adivasis of Muthanga.
Vaada Veda song has more fire in it than the movie.
The movie is a really good one but the ending felt uncompleted. But the movie still gave out good awareness about the cruelties from the society against people facing problems and poverty. The actors did a great job from their part and they did not disappoint at all. The movie showed a good amount of romance from the protagonist and it was not disappointing either!. But the ending slipped a bit out of my expectations because it felt uncompleted. Like the continuation to the protagonist story after the ending will be a mystery, because no idea to that could be acknowledged. But the ending do gives audience endless ideas about what could've happened next!. Good job, team!. I enjoyed watched the movie.
Details
Box office
- Gross worldwide
- $579,528
- Runtime2 hours 30 minutes
- Color
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