Neru

No story, no suspense, just plain.

Expected a stronger and more engaging plot from Jeetu Joseph. Disappointed.

The crime was done and culprit was found in the first ten minutes. Then the seen too many times case where the hero first does not show interest and everyone else requests him to take the case. Hero accepts and then a very ordinary court proceedings follow. No real challenges faced by the hero. Overhyped obstacles. Villain is rich and has employed a Supreme Court advocate. No display of high intelligence from hero. No mass dialogues nor anything engaging.

A mediocre movie made on an interesting topic!

This is a decent attempt from Jeethu Joseph. Nothing like Drishyam or even Kooman, but engaging and watchable. The thread is good, but the climax was predictable and also very melodramatic. Also, the casting in the movie was off in multiple places. The primary example is Shanti Mayadevi. She simply cannot act and is awkward in a majority of the scenes. I totally understand, that's not her forte, but why give her such a meaty role? The victims mother also couldn't handle the emotional scenes. Also, Jeethu succumbs to the usual tropes of overdoing some scenes - like the incompetence of the first lawyer. The movie is also unnecessarily long and spends insane amounts of time on a CCTV visual. I'm summary, it's a good attempt and an engaging court drama, but not as stellar as it's touted to be.

If it were 20 years ago I would have been overly impressed like the rest of the audiences. But now you could see a mile ahead how the plot is deliberately being sabotaged to create thrilling moments. This is evident when the blind victim is asked to prove her ability to sculpt a bust through her sense of touch. Even if this is true, the subject cannot be permitted to be someone who is directly involved in the case like the lawyer as he can purposely influence the outcome to discredit the victim. This was an manufactured scene to prove it to be a David and Goliath case. There are many such instances throughout the movie. But besides this obvious tweaking of the plot the movie is definitely watchable as somewhere in this movie there is a sad commentory on the Indian judicial system where victims of such heinous crime do not get justice, just the shame. So this movies can be added to the likes of the movie "Pink" which deals in the same subject.

Neru, an emotional court room drama is an absolute masterpiece directed and written by Jeethu Joseph elevated with Mohanlals And Siddiques amazing acting. The story follows the path of Sara a blind girl who is the victim of rape who's role is magnificently done by Anaswara Rajan. She seeks the help Of Vijayamohan, an underconfident lawyer who hasnt been practiced in a long time, this role is fantastically done by Mohanlal. As a malayali seeing Lalettan back at his subtle acting is just mesmerizing. This is proof that directors play an important role when it comes to shaping an actor. Vijayamohan Is Opposed By Rajashekar, a renowned lawyer who has been the enemy of Vijayamohan. This role is brilliantly played by Siddique. Rest of the movie you have to see othwrwise it would be a spoiler. I wouldn't say this is a theatre experiece movie but the film crew managea to hook our eyes to the screen with taking it off. I never felt bored even for a second thats how captivating the entire movie is. Although taking in Jeethu Josephs other works like Drishyam thos movie didnt quite reaxh to its level, it did deliver some goosebumps but i felt that the story was written in favour of Vijayamohan. So, its an average movie elevated with Mohanlals Comeback to Real cinema.

Even with a predictable storyline Jeethu Joseph's mastery of scriptwriting with Shanthi Mayadevi's knowledge as an advocate makes this engaging and effective. Jeethu Joseph has always been a better writer than a director and there are a lot of instances in the movie that clearly shows that aspect. Some of the smaller characters' acting was not very good, the music was overused a lot and there were a few things that could've been trimmed out. But when it works, the film works great. Even though, it's not something very novel, Mohanlal saying some dialogues did make me clap hard, knowing that I'm sitting in a packed theatre with a lot of families. Anaswara and Siddique were brilliant in their roles and Mohanlal has done a role that is subtle, vulnerable and serious in a very effective way after a long time. Despite the film using easy ways to tell a lot of things, despite the plot being nothing new, it being not new makes more of a case of how it is still so important in every aspect, due to which I was very satisfied by the end of the movie.