IMDb RATING
4.6/10
2.4K
YOUR RATING
After learning that the art thief she has been chasing is her ex-lover, an officer working for Interpol concocts a plan to catch him red-handed.After learning that the art thief she has been chasing is her ex-lover, an officer working for Interpol concocts a plan to catch him red-handed.After learning that the art thief she has been chasing is her ex-lover, an officer working for Interpol concocts a plan to catch him red-handed.
Muharrem Can
- Tailor Morris
- (as Muharrem Can Aldemir)
Vicdan Özdemir
- Newsreader
- (as Vijdan Özdemir)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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I'm going to write this review in a way that avoids giving any spoilers at all. Here goes...the one-line plot summary sounded good, but it turns out the way the lackluster and hole-filled script - dialogue, transitions, important moments - was written and executed seemed as though it was pulled off a teenager's even-worse-than-mediocre Wattpad fanfic page.
The plot is contrived nonsense, and by about 10 minutes in, you know exactly what's going to happen. There's zero suspense, only predictability littered with boring cliches along the way.
There is zero chemistry between the lead actors. They are both very good looking, but there's zero fire, passion, or electricity between them. Zero character depth or growth throughout the film. Zero investment in the characters individually or as a "couple."
The shooting locations were beautiful. That's the only positive, hence the one star.
I have to say that I was most shocked at how bad the performance of the lead actress was. I discovered Esra Bilgiç through her role as Sibel on Ramo a few years ago, and she was absolutely legendary. Her talent then was the complete opposite of what I watched here, and it was extremely disappointing. I hope she will re-hone her acting skills, and then go back to taking on valuable, legendary roles instead of cheap, vulgar, contrived, forgettable trash characters like Alin.
Skip it.
The plot is contrived nonsense, and by about 10 minutes in, you know exactly what's going to happen. There's zero suspense, only predictability littered with boring cliches along the way.
There is zero chemistry between the lead actors. They are both very good looking, but there's zero fire, passion, or electricity between them. Zero character depth or growth throughout the film. Zero investment in the characters individually or as a "couple."
The shooting locations were beautiful. That's the only positive, hence the one star.
I have to say that I was most shocked at how bad the performance of the lead actress was. I discovered Esra Bilgiç through her role as Sibel on Ramo a few years ago, and she was absolutely legendary. Her talent then was the complete opposite of what I watched here, and it was extremely disappointing. I hope she will re-hone her acting skills, and then go back to taking on valuable, legendary roles instead of cheap, vulgar, contrived, forgettable trash characters like Alin.
Skip it.
This is a movie for those that are curious about international productions that are presented in order to appeal the majority of spectators. It has a style that I'd compare to many American projects; that is, it is cinematic, contains a few action scenes, and has a score that elevates the final product. Taking place Istanbul and Prague, the viewer gets to discover multiple landscapes, different sets, and is immersed in a fictional universe that transports you from the comfort of your home to these cities. I'd recommend this to those that are opened to embrace what international markets have to provide cinematically.
The movie claims to be a romantic comedy but there is literally no romance or humor to be found. The characters, both individually and as a couple, lack development, making it difficult to invest in their relationship. There's zero foundation for their connection or emotional journey. They just throw these two actors together with a revolving door of hair styles/colors and skimpy outfits (most with absolutely no relevance to the plot, by the way), Plus, they throw in random smooches with no build-up, no emotional depth, just a slapdash attempt to fulfill some quota.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
It is obvious the movie was deliberately made to appeal to an audience that like shallow, lusty content (and Netflix is making lot of that kinda stuff lately) regardless of any story line. But for anyone craving a shred of romance, story, or even a chuckle, you'll be seriously disappointed.
What's truly baffling is that for such low-class, trashy film with no atristic merit, they managed to sign up Brikan and Esra! These are actors with serious chops (remember Brikan as Han in The Innocents, or Esra's phenomenal performance as Madame Corinne in Ataturk or Sibel in Ramo). Usually, it's unknown or unestablished actors desperate for a break who take on such trashy and vulgar roles.
One has to wonder if such demeaning roles will cheapen the brand of the lead actors and hurt their standing in serious acting circles. As a huge fan of both of these stars, it honestly saddens me to see them doing these kind of cheap roles.
Despite good cinematography and captivating locations, the movie falls flat with its clichéd plot, lackluster scriptwriting, and subpar acting. The revelation that the art thief is the protagonist's ex-lover feels contrived, and the attempts to inject suspense fall short due to predictable twists. The performances are hardly adequate and they struggle to breathe life into characters that feel one-dimensional and lacking in depth. The chemistry between the leads, meant to ignite the screen with passion and conflict, fizzles rather than sparks, making it difficult for viewers to invest in their journey. While the visuals offer moments of aesthetic pleasure, they can't compensate for the film's overall lack of substance. The movie may dazzle the eyes, but it leaves much to be desired in terms of storytelling and execution.
I thought that hallmark
movies were only for north America . , but in this case this movie could have worked if they took a little more time and maybe some better actors. I am not sure if it's the story because premisses is there and this should been a very good movie. Great location just poor acting and editing is the only i can think
why this movie is so bad even for a romance movie
in the end i keep watching it not because of the movie location and beautiful scenary which is excellent. So with that in mind i gave it a 4 stars. But it could have been much better oh well enjoy it as long it's free dont pay for it.
Did you know
- SoundtracksDon't You Wanna Be Mine
written by Mert Oktan
performed by Gulnur Gokçe and Cem Kahraman
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Art of Love
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 39 minutes
- Color
- Sound mix
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