When a young girl suffers years of horrendous sexual abuse from her monster of a father, she finally breaks spawning a cold, hateful and manipulative teenager, that will stop at nothing, to ... Read allWhen a young girl suffers years of horrendous sexual abuse from her monster of a father, she finally breaks spawning a cold, hateful and manipulative teenager, that will stop at nothing, to get her own way - including murder.When a young girl suffers years of horrendous sexual abuse from her monster of a father, she finally breaks spawning a cold, hateful and manipulative teenager, that will stop at nothing, to get her own way - including murder.
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A solid seven.
A monster, made a monster while a monster made a monster.
I love those shots of day to night, kinda like The lost Boys.
I'll give the film a strong 7.
The film starts off as some boring! Go! No! Where!
Film. Let it sit with you for a bit then the moment might happen.
I love the look and the unpleasant lingering of characters reactions, the response between cast is uncomfortable. That's what you need in...
While the premise is a strong one and for the most part, the film is decent enough, there are a few problems. The dialog feels stilted at points and delivered with varying degrees of quality from the cast. While at times, the film can feel like a first draft of something that could have been a much more fleshed out narrative, there are moments where it really sticks out and leaves a lasting impression.
The first and foremost thing that stands out in the forefront is the fact that the film breaks the trope of the cycle of abuse being passed from the parents to the child in terms of the mother. The film sets up a situation where the mother could continue the abuse by taking advantage of a minor, but decides to not be like her husband and father. This is a great swerve from the traditional crutch of, "I was abused, now I will become an abuser." The second instance comes around the ¾ mark. Lily, having just murdered her mother's psychiatrist, delivers a powerful monologue about why she is who she is and the stifling despair that comes with the territory of being a survivor of abuse.
There is nothing in this film that is going to change the way you view cinema from this point forward, but it does manage to leave you thinking and has scenes that will stick with you for days after.
Broken Innocence is a very solid viewing experience at the end of the day, just something that most viewers may not revisit due to the subject matter. The film has a strong message, even if at times, it struggles to find its voice.
What stands out most is the score-haunting, relentless, it creeps under your skin, setting the tone for the bleak atmosphere that follows. It's not just background noise; the music feels like it's driving the story, syncing with the characters' every moment of tension, rage, and despair. The score becomes an extension of the film's emotional core, pulling you further into the girl's world, where nothing is safe, and every glance, every silence, hides something sinister.
Visually, the film is striking in its harshness. There's a deliberate coldness to the cinematography-sharp lines, dim lighting, and claustrophobic framing-that matches the emotional distance the main character has cultivated over the years. The world she inhabits is gritty and unforgiving, and the camera never shies away from showing the ugliness of her reality. The cinematography pulls no punches, offering a clear, stark look at her journey from victim to villain, as manipulative as she is damaged.
Broken Innocence isn't flashy or over-the-top; it's a film that tells a brutal story with restraint, letting the tension build slowly until it bursts. You feel for the girl, even as she makes choices that push her deeper into darkness. It's a powerful piece, thanks in no small part to its careful direction and strong performances, but the score and visuals are what linger, long after the credits roll.
Like I hinted at, writing and story could have been better. Let me elaborate. I feel like the story and it's dark twisted themes were handled in a fantasy type of sense rather than being grounded in reality, if that makes any sense. Though I do respect and appreciate that the film sets out to explore themes that are rather touchy and disturbing, I do feel like some parts of it can be a little much and do tend to go over the top with it's themes. But I do feel like some parts of it are handled quite well!
As a filmmaker myself, I feel like the film has a clean cinematic look that I can't help but appreciate, This was decently shot!
Overall, definitely not perfect, but not bad! The director and his cast working along side him has a lot of promise, and I can't wait to see what they all make next!
Did you know
- TriviaOriginally titled 'A Good Girl's Guide To Murder'. The title was changed to avoid conflicts with the Netflix production of the same name.
- Quotes
Frank McNeil: It reminds me of you. The little bird growing up.
Lilly McNeil: Not now.
Frank McNeil: Oh... oh... You're not my little girl anymore, are you, Lilly? Oh, we used to be so close.
Lilly McNeil: Let me go!
Frank McNeil: Say you like it! Say you like it!
Lilly McNeil: No!
Frank McNeil: What's wrong with you?
- When was Broken Innocence released?Powered by Alexa
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- $57,000 (estimated)
- Runtime1 hour 48 minutes
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- 2.35 : 1