User reviews

'Gemma Bovery' is a clever re-working of 'Madame Bovary', Flaubert's 19th century literary masterpiece about the amorous adventures of a provincial doctor's wife. This contemporary version begins with a bookish baker observing the arrival of a London couple in his Normandy town. He immediately becomes obsessed with the lovely Gemma, and starts seeing parallels to his favorite novel after he catches sight of her flirting with an aristocratic law student outside his shop. When the doughy merchant deduces the affairs of 'la belle Anglaise' are spiraling towards disaster, he attempts to save her from the sad fate of the fictional heroine, but his interference only increases the complications of her love life.

Director Anne Fontaine's film is nicely balanced between comedy and drama, tending towards the latter, although the end product is closer to a fluffy confection than a heavyweight main course. Gemma Arterton's piquant performance in the lead role holds the film together, as her straying spouse remains a sympathetic character despite the infidelities. Their work is complemented by the entire cast - especially Fabrice Luchini who turns in a satisfyingly starchy portrayal of the busybody bread-maker - along with some luscious cinematography of the fertile French countryside and the mouth-watering Ms Arterton.

Gemma Bovery is a movie based on Flaubert's Madame Bovary, but modernised and very meta as Gemma Bovery seems, according to the narrator, bound to follow the same path as the novel's central character. Starring Gemma Arterton as Gemma Bovery, it's easy to see why her neighbour, the village baker and the film's narrator, becomes completely besotted with her. She's radiant and effortlessly sexy from the moment we first encounter Gemma and her husband, played by Jason Flemyng, as they arrive at their new home in a small Normandy village. Soon, she is well acquainted by the locals, especially her neighbour, as played by Fabrice Luchini, who can't seem to think about much else other than this beautiful girl who seems to have come straight out of the pages of his favourite novel. With less assured direction and an actor without the affable qualities of Luchini, his gazes upon Gemma and longing monologues may seem quite creepy, but this is a romantic who acts more than ably as an audience surrogate for the events in this small hamlet. Gemma, like the Madame Bovary of the novel, succumbs to temptation and enters into an affair with a young man studying at his parents' house nearby, which causes much concern for her neighbour, who sees parallels between her and her fictional namesake. Which may not make for high drama, but I found this movie incredibly charming and easy to fall for, much like the gorgeous and talented Arterton who, in one particular scene, does for kneading bread what Patrick Swayze and Demi Moore done for pottery in Ghost. Arterton also plays her character just right, because this isn't a woman scorned or downtrodden. She knows her own mind and has depths that are slowly revealed. In the wrong hands she may have been quite unlikable, but here, despite her mistakes, she's always endearing. As is the bucolic plenty of the Parisian countryside. It's only in the movie's final moments that it plays a sour note that seems unnecessary, whilst an obscure ending shifts the tone just too far. But this is a bit of a treat and a genuine surprise.

Didn't see that coming. I haven't expected it to be that much good. I thought that it would be boring. But not at all. And ending is interesting.

Loved it. Gemma Arterton is irresistible and exudes sexuality - her acting wasn't bad either. Beautifully filmed and very loosely based on the book but the scenery and portrayal of country life in France did it for me. Good opportunity to brush up your French too.

Gemma Bovery (Gemma Arterton) and her older husband Charlie move from London to a small town in Normandy, France. Their new neighbor Martin Joubert (Fabrice Luchini) is the baker and a fan of Gustave Flaubert's Madame Bovary. Martin is immediately enchanted by the lovely Gemma and her literary name. She gets restless and has an affair with a young man named Hervé de Bressigny. She is surprised by the return of her cheating former lover Patrick.

Gemma Arterton enchants this movie. She is the heart of this. Fabrice Luchini is compelling as an obsessive fan without being too creepy. I am not as enchanted with the ending. It is trying to be poetic but it feels too manufactured. I was looking for the rat poison but I would love any number of ways to go. It needs to be more substantive. It needs to be Gemma's action. I was looking for Gemma to raise the stakes with her relationships. The ending is not the greatest but the movie will always have Gemma.

Ah, the English-French culture clash! Loved the sad-faced neighbour and his forever critical wife. And their dog Gus. And then the local Englishman who loves France for its cheese and wine (only?). And his gushy French wife. And the local Adonis' mother. These are all truly memorable comic characters. They are more interesting than the central couple, the Boverys. They make it well worth watching. The odd well-chosen Anglo-Saxon word or phrase (sometimes in French!) puts everyone in their place, including poor Gus! Nice soundtrack too.

Negative: Forced to sit through five trailer adverts for other movies. Positives: Note the spelling difference in the name. Lots of British type humor bordering between a little shocking and funny. So what happens when a British couple end up living in the France of Flaubert and by coincidence they share many of the same attributes as well as a similarity in name to that famous novel? Add a next-door baker as a storyteller who is also infatuated with the mystique of women from those period novels. "Gemma Bovery" offers a contemporary interpretation that I found more interesting than other recent adaptations of the story especially with regards to manipulating men. "Wants everything from love and is always disappointed." When life doesn't match her fantasy one wonders if she would have changed or would she have eventually recidivated? Great endings as her men lead to her humorously ironic downfall and finally the introduction of a famously storied Russian woman.

Surprising song (an odd fit) shows up in the movie and in the credits - "Jimmy" with no identifiable credit. Anyway, from a mongrel American/European blues/folk/rock team, "Moriarty".

REVIEW OF "GEMMA BOVERY" By Alex Deleon: Viewed at Hollywood Press screening, May 21, 2015.

Martin Joubert, a semi-retired ex-Parisian literary Intellectual with a tremendous passion for the works of famous French novelist Gustave Flaubert, now runs a gourmet bakery in Normandy in the very village where Flaubert wrote his masterpiece Madame Bovary. During the summer an English couple takes up residence in a small farm nearby. Not only are the names of the new arrivals --Gemma and Charles Bovery -- almost identical to the characters in the book, but their everyday life seems to be following Flaubert's story uncannily, step by step, as Martin stalks Gemma's amorous trail about town more or less discretely, hoping to maybe have a little fling with her himself -- His wife, of course, taking a dim view of his excessive interest in this young beautiful bouncy English broad. Life in a spooky imitation of art? --or what! ~ In the novel the heroine ends up poisoned and dies an excruciating death, so where can all this lead...? -- Director Anne Fontaine, (born 1959 in Luxemburg) is an actress and writer who typically works on female centric pictures such as Audry Tautou starrer "Coco Before Chanel", 2009, but here she really hits her stride.

Gemma Arterton (as the tantalizing reincarnation of Emma Bovary) is built along the lines of fellow English lady Jacqueline Bissett at her most buxom (The Deep, 1977), has much of the same charm, and was a real discovery. Fabrice Luchini, one of France's best alĺ around actors, was a taunting pleasure to watch every step of the way as Joubert, the local master baker and Bovary expert, who is enthralled by the very sexy much younger new neighbor from England. He is actually as much the leering center of the picture as sexpot Gemma, but familiarity with the original novel by Flaubert is more or less assumed. Without a fairly good knowledge of French much of the humor contained in the witty dialogue will be lost on American auds. I found myself to be the only member of the full house evening audience chuckling at many points in the picture.

Nevertheless, the story itself is gripping, the cinematography gorgeous, and the erotic scenes strapping enough to make this work for higher I.Q. American audiences. I thought the ending was a little forced -- like the tacked on resolution at the end of a whodunnit murder mystery --but who cares when the rest of the picture was so delectable. The fragrance of the breads in the frequent boulangerie scenes were so appetising as to make anyone who has ever been to Paris (or Rouen!) want to get back there ASAP. Overall, a delightful way to spend an evening away from France. Alex, The morning after, still somewhat in cinematic thrall ...

Beautiful people, glorification of adultery, baking, baguettes and food, a few humping scenes, and artsy fartsy nothingness come together. You've seen this hundred's of times.

Like Chabrol,who reportedly "made the movie Flaubert would" ,it was filmed on location in the green landscapes of Normandie and even in the cathedral of Rouen .Like my good friend Writers Reign aka Leon points out in his insightful review,women directors make more and more their presence felt in the French cinema;to think that in the early fifties,there was only ONE female artist frequently making movies ;no it was not Agnès Varda,it was Jacqueline Audry ,Ida Lupino's contemporary colleague.Unlike her male colleagues,Mrs Fontaine did not do the umpteenth version of the famous novel;nor did she try to transpose the action to our times as Vadim and others did (with mediocre results) with Choderlos De Laclos's "Les Liaisons Dangereuses".

Anne Fontaine's take on "Madame Bovary" is a very palatable work ,as delectable as Lucchini's bread ;however to be fully appreciated ,it 's better to read the novel first.The movie anyways begins with Lucchini's voice-over ,reading the episode of the ball,the turning point of the novel.

When you like a book ,you often think of your own movie ,and sometimes,its adaptations,be they made by Renoir or Minnelli may,in several respects,disappoint you.That's Anne Fontaine's master stroke:what we dream of,Fabrice Lucchini ,ex-"Bobo" ("Bourgeois Boheme") makes it come true:he begins to "direct " his "Bovary",before being overtaken by events ("that was the end of my sexual peace" ).

Today in Normandy ,people go to the villages of Tôtes and Yerville (the movie was actually shot in Lyons La Forêt) just to see the place where SHE lived ,just like people visit Juliet's house in Verona .In spite of the names ,the real life characters are very distant relatives of those of Flaubert:the Young student is not really Rodolphe Boulanger who was a mature selfish buck (best Rodolphe: Louis Jourdan in Minnelli's version) ;just as Charles Bovery is not the lump country doctor.But why is the hero a baker by the way? a nod to Rodolphe Boulanger (=baker)?or because it introduces an "erotic" way to knead dough?Or perhaps because of the French expression "Pour Une Bouchée De Pain" (= for next to nothing)which makes sense,considering the outcome.

Lucchini's baker is still twenty in his head and as time is passing him by,attempts to mythologize a banal love affair through the creation of a story-like world of bygone days ;he's ready for another one when the movie ends .

Anne Fontaine has made one of the most interesting French movies of 2014;Fabrice Lucchini,cast against type,is perhaps not very credible as a baker ,but he sure is as an intellectual dreamer;Mrs Gemma Aterton is a feast for the eyes ;Jason Fleming and Niels Schneider give restrained but effective performances;Isabelle Candelier is to be praised for making the best of an unrewarding part;it's pleasant to see again Edith Scob (Georges Franju's "Les Yeux Sans Visage") in the part of a bourgeois whose only reason to live seems to be a statuette.On the other hand,Elsa Zylberstein is intrusive ,exasperating,the typical smug actress.

It's a mouthwatering effort (in every sense of the word).Never since "Babette's feast" ,did I savor such a display of good food.

Review: I must admit, if I knew that this movie was full of subtitles, I wouldn't have bothered with it but once it gets going, I really didn't know what direction the storyline was going to take. At first, it's a simple concept, about a loving couple, Gemma Bovery (Gemma Arterton) and Charlie Bovery (Jason Flemyng), who move to France and become friends with the local bread maker and his wife, Martin Joubert (Fabrice Luchini) and Valerie (Isabelle Candelier), who live in the same community as the loving couple. Martin takes a bit of a shine to the flirtatious Gemma, which he keeps to himself but when she starts an affair a young boy who is studying for his exams, Herve De Bressigny (Niels Schneider), her relationship with Charlie takes a turn for the worse. Martin is a lover of the writer Gustave Flaubert, and he can see Gemma's life is taking the same direction as Gustave's book, "Gemma Bovery", which just happens to be the same name as there new neighbours, so he tries to divert her from her downfall. After planning to leave her husband with her new boyfriend, Gemma's life takes a turn for the worse when Herve is false to leave the village, by his mother. The strain also becomes to much for Charlie, who decides to leave his wife for a while, and when an old flame turns up at Gemma's doorstep, Patrick (Mel Raido), a dramatic chain of events lead to a dramatic ending, which is worth watching. I really wasn't expecting the storyline to turn out the way it did but the rest of the movie was a bit slow. I liked the fact that the quiet Martin, who was completely in the background throughout the movie, knew exactly what was going to happen but apart from that, it really didn't pick up until the end. Gemma Arterton seems to act the same in all of her movies, but she was suited for this role. It did surprise me how easily she started an affair with the local boy, without feeling guilty towards her husband but that was the mysterious thing about there life's taking the same direction as the books. Anyway, it's not the type of movie that I would usually watch, so I didn't have high expectations but I did enjoy the ending after reading subtitles for an hour and a half. Average!

Round-Up: For a girl who came into the movie world in 2007 in St. Trinians, Gemma Arterton, 30, has starred in some big movies, like RocknRolla, Quantum of Solace, Prince of Persia, Clash of the Titans, Runner Runner and Hansel & Gretel, so her 8 year career has been pretty impressive to date. Her French accent in this movie was believable along with her flirtatious ways, which ended up getting her in trouble but she has to be careful that she doesn't become a victim of typecasting. Anyway, this movie was written and directed by Anne Fontaine, 56, who has primarily directed movies for a French market, so I haven't really heard of them. I liked the twist in this movie but it came a bit too late for my liking. 

Budget: €9.7million Worldwide Gross: £4.7million

I recommend this movie to people who are into their drama/romance/comedies starring Gemma Arterton, Jason Flemyng, Fabrice Luchini, Isabelle Candelier and Mel Raido. 4/10

And it was wonderful, I just hit it and went for it and I was so happily surprised on how good and fun the writing was! I guess the source material is from a celebrated lady who is an amazing writer! And it has a nice adaptation! And I loved it! And the main guy was so funny! And the girl was really sweet! Very cool, highly recommnended!

I had one of the best time at this movie I had for a long time; so pleased after all these years I can handle both languages (unfortunately not audibly) Just the same I enjoyed so much to delve again in the 100 years war between these 2 culturally contrasting countries. But sexy Gemma was certainly a gem! As Luchini who then "said goodbye to his sexual tranquility" embarked in a wonderful human mission. Some one here said "neither very funny, nor dramatically successful" Who cares...certainly not me! If beauty is in the eyes of the beholder, humour is also in the mind of the beholder. If I was a "rater" I my score would be higher than the average. There are many ways to embrace a movie, intellectually, emotionally, nitpicking ly. Once more...it was good for me!

'Gemma Bovery', Anne Fontaine's 2014 film enchanted me. What could be the cause? The presence in the male lead role of Fabrice Luchini, one of my favorite French actors and possessor of the most perfect diction of anyone who spoke or speaks French on screen? The sex appeal of the English actress Gemma Arterton, under whose spell some of the men in the film fall but, I think, many of the viewers as well? The clever screenplay, which glosses over Gustave Flaubert's famous novel in a story that combines fascination with literature with questions about the ages of love and the dangerous flirtation between fantasy and reality? Each of these would be reason enough, the combination of them I could not resist.

Martin Joubert, who also takes on the role of off-screen storyteller, tried his luck in Paris as a book publisher, but without success, so he returned to Normandy to practice the noble profession of baker, taking over the inheritance of his father's shop. However, the passion for literature remains in his heart and 'Madame Bovary' is one of his favorite books. When an English couple from London moves in next door, when their names are Gemma and Charlie Bovery, and when the woman is of fascinating beauty and seems as bored and looking for romantic escapes as the heroine of Flaubert's book, Martin associates reality with fantasy in literature. Love for the much younger woman, of course, has no chance and can only be expressed, perhaps, through the erotic kneading of dough in the preparation of delicious loaves. Or maybe Martin can somehow influence the fate of the young woman? Because in the book, Madame Bovary ends tragically. The expression 'life imitates literature' takes on a new and unexpected meaning in this film.

Fabrice Luchini is more formidable than ever, if such a thing is possible. As much as I dislike the use of off-screen voiceover, I'm ready to accept it whenever the reader is Luchini. It seems that I have already seen Gemma Arterton in a few films, including one in the James Bond series, but nowhere does she get the opportunity to play such a role, in which she radiates beauty and vulnerability. The script is sensitive and intelligently written and two successive endings reserve surprises of the good kind. The feminist theme is presented discreetly. The men in this story hurt Gemma, perhaps unintentionally, perhaps out of love. The camera enjoys the Normandy summer light and heat. For those who have not seen 'Gemma Bovery', I recommend the experience without hesitation.

There's something not quite right in this movie. It's so disgusting to see Gemma took the bread one by one with her hands and smelled them to her nose, then put it down picked another and did the same ritual absolutely not sanitized behavior again and again. I know such arranged gestures were to give the impression to the audiences how good those baked French pastries were, but those breads were not protected with plastic wrappers, handling with bare hands and took them up close to your nose....smelled them one by one....Jesus, didn't these people know what "Cross Contamination" means?

By the way, the popular "Earth is a Global Village" saying is quite explained in this movie too; so many British people moved to France if they have money. Likewise, so many rich Chinese migrated to Vancouver, Canada or Irvine, southern California. I have no problem with these RICH people migrating to other countries they considered better than their countries of origin, as long as they always follow "DO AS THE ROMANS DO" principle, always keep your motherlands' cultures, religions and (bad)habits in your new foreign residences, don't bring or carry them outside or, even worse: Asking your newly migrated cities or even the countries to change the laws to accommodate yours.

Anyway, this movie is pretty good in a very slow pace. The ending is also well crafted.