Abang Adik

Brace yourself for an unexpectedly gripping, gritty, humorous, and tear-jerking Malaysian film with a Taiwanese twist. Prepare for a rollercoaster of heartbreaking twists and spectacular acting!

Don't underestimate this film! I was a newbie to Malaysian cinema and didn't know what to expect. But as they say, 'don't judge a book by its cover' (or in this case, 'a movie by its poster'). This film matched the quality and storytelling of Taiwanese cinema, so don't make the same mistake I did!

The story revolves around two brothers on a mission to secure their Malaysian ICs, crucial for employment and escaping a life of misery. However, their plan takes a 180-degree turn when a crime takes place.

This dilemma highlights a broader issue in Malaysia's management of their Identity Cards (ICs). The issue of illegal immigrants counterfeiting these ICs to secure employment is woven into the narrative, offering an insightful look into a significant societal challenge.

Amidst the central theme, the film weaves in subplots of romance and brotherhood, enriching its emotional tapestry.

The acting will leave you in tears... There are many parts of the film where my heart sank and tears welled up in my eyes.

There were many moments in the film where I silently exclaimed, 'WHAT THE HECK' and 'OH NO.' The movie provides subtle clues bit by bit, allowing you to piece together the plot yourself before it reveals the pivotal points that will make you go, 'OHH!' Whether some of the plot twists are justified remains questionable...

Wu Kang-ren, a Taiwanese actor portraying the deaf-mute brother, absolutely nailed the role of Abang. Although his character had no spoken lines, you could feel his pent-up frustration, misery, and sadness in the way he communicated through sign language.

For example, a line in the movie, 'Do you know how hard my life is?' wouldn't, in my opinion, have been as impactful if exclaimed rather than signed. Wu Kang-ren's performance was really superb.

If you appreciate stories that are driven by intricate plots and rich character development, this is a must-watch. A word of caution for the squeamish: while not overtly gory, the film does contain scenes with a fair amount of blood.

This film managed to collect RM5.2 million within 24 days of screening in Malaysia and made history as the first Malaysian film to break the screening record in Taiwan by collecting more than RM13.5 million.

A local Malaysian film that, for me, almost reached the level of a local masterpiece.

The movie started off really well that it gave me high expectations throughout, coupled with the quality cinematography and soundtracks.

The story is actually very simple. The 'Abang' and 'Adik' wishes to live like ordinary citizens in Malaysia but the lack of citizenship status and Identity Card (IC) prevents that, showcasing how hard it is to live like them.

One thing that I disliked and which I think can be improved is the second act of the movie where the accident happened. The writing is not strong and convincing enough, Abang seems to be acting out of character, the story feels rushed and there were scenes that are too 'draggy'.

Despite that, the film managed to build a good emotional connection with the main characters from the beginning of the story and the strong performance by Wu Kang Ren and Jack Tan easily made it happen. So when I got to the end of the movie, I really teared up and cried, trying to understand Abang's feelings.

I like movies that touch on the aspects of society like this. Although it is not perfect, it gives a small picture of life in Malaysia that some people may not know. We need more local Malaysian films like this. No need for fancy effects, just solid writing.

The story depicts the lives of the lowest strata of society in the city of Pudu KL. It seems the editors and directors went to extremes in portraying the most tragic stories to create a sense of being oppressed by life-a deaf-mute, an undocumented person, someone deprived of love, socially ostracized, and misunderstood. Despite all this, living in such an environment, the protagonist continues to offer unconditional love to those around him, caring for everyone. However, I'd like to say this story didn't convey the proper moral values. I must commend the male lead actor who played the deaf-mute. His portrayal, the numbness to express love, and inner struggles in his acting were impeccable, he did excellently well. The second person I loved was the actor portraying the one who raised the two brothers. His performance was incredibly natural. Kudos to these two actors. As for the second male lead, his overacting was a bit too much, suddenly sentimental, the next scene he was abruptly irritable. Sometimes silent and chill, while other times playfully happy and easy-going. I couldn't have a full grasp the character that he was to portray, not sure if this was intended act required by the director, or an underperformance by the actor. All in all, acting for the male lead, a solid 10/10. Overall acting, 8/10. Storyline, it's weak, there were loopholes here and there, so I'd give it a 5/10. This movie deserves a modest 8/10. I wasn't moved, just left sighing, thinking it could have been better.

Director and writer Jin Ong does a spectacular job at weaving a Malaysian tapestry of untold stories of undocumented citizens.

The cinematography and lighting of every scene was immaculate, perfectly capturing the essence of every moment.

I notice other reviews commenting about the poor pacing of the movie but I beg to differ. Firstly, I felt it was needed to leave questions in the audience's minds, and the pacing reflected the pace of Malaysian life in Pudu well. I personally appreciated those "slow" scenes because it's the little things and nuances that made the film so Malaysian and kept Malaysians like myself and my family enthralled and immersed into those scenes.

To the team, thank you for putting Malaysia on the map globally. For all the good and right reasons. To Jin Ong if you ever read this, thank you. For your vision, hope, and relentless pursuit in making this movie come to life. We Malaysians appreciate you from the bottom of our hearts.

Given the tsunami of film entertainment out there, new and old combined, to find such a rare and exquisite gem of mastery is extraordinary and delightful. Akin to how I imagine Sir Richard Attenborough might have felt when he discovered a new and beautiful life form. This film tops my chart and I saw it twice in a week just to sustain that satisfying glow. It is masterful not because it has a high concept, which requires an out of the box view on things and that is hard to do, but it is even harder in my book to explore something that is utterly common and do it exceptionally well. In this case the word to describe this film is a mild and gentile one from the English language. That word is: "belong", and "belong" is the theme of the film. The idea of belonging, however benign it is as a word, actually underscores the foundation of our humanity, gives meaning to our existence and rewards us with happiness. The film is set in Malaysia, a multicultural world in which if you have not been properly assigned, accepted and therefore belonged, you become an underclass and an outcast, and this is the story of two brothers who in their utmost try to belong, to be included within the mainstream as a necessity for survival. But beyond that, there is an even closer and more intimate circle of belonging and that is one of kinship. Brother to brother and father to son. This is where the story hits the hardest and explores the deepest. But an idea alone does not make a great film. It is the execution of that by way of the medium and this is where the mastery of the artistry lies. This one has it all. The three names to remember from this film are Lay Jin Ong the director, Kang Ren Wu who played the elder brother Abang and Jack Tan who played the younger brother Adik. That said, the entire cast is also magnificent. Last but not least, special honor should also be given to the actor who played "Auntie Money" but whose name escaped me. Given how well-crafted this is, how deeply it touches, I predict this will be an Oscar contender and I certainly hope I am right in my prediction.