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8.3/10
1.9K
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Bagus, a screenwriter, reunites with his high school friend and crush, Hana, who is still grieving from the loss of her husband. He wants to convince her to fall in love once again, just lik... Read allBagus, a screenwriter, reunites with his high school friend and crush, Hana, who is still grieving from the loss of her husband. He wants to convince her to fall in love once again, just like in the movies.Bagus, a screenwriter, reunites with his high school friend and crush, Hana, who is still grieving from the loss of her husband. He wants to convince her to fall in love once again, just like in the movies.
- Awards
- 7 wins & 14 nominations total
Denisa Chyntiera Innocentia
- Line Producer
- (as Denissa Cynthiara Innocentia)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Not usually a huge fan when it comes to films about making films. Even less a fan of gimmicks in films. But they are used so masterfully here that I couldn't resist finding them endearing and even appealing.
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
This is a masterpiece that exceeded all my expectations. The cinematography is absolutely stunning, with each frame beautifully composed and capturing the mood perfectly. The dialogue feels genuine and heartfelt, resonating deeply with the characters' emotions and experiences. The unique concept brings a refreshing take on romance, blending just the right amount of realism with a touch of fantasy that keeps the story engaging from beginning to end.
The actors deliver powerful performances that make the characters feel real and relatable, adding an emotional depth that elevates the entire experience. The director has crafted a beautiful journey that speaks to anyone who's ever dreamed of a love that feels cinematic yet grounded in truth. This film is not only visually impressive but also emotionally impactful. It's rare to find a romantic film that's so well-rounded and thoughtful. Truly, Jatuh Cinta Seperti di Film-Film is a gem in contemporary cinema, and I'm still in awe of its brilliance. I can't recommend it highly enough.
The actors deliver powerful performances that make the characters feel real and relatable, adding an emotional depth that elevates the entire experience. The director has crafted a beautiful journey that speaks to anyone who's ever dreamed of a love that feels cinematic yet grounded in truth. This film is not only visually impressive but also emotionally impactful. It's rare to find a romantic film that's so well-rounded and thoughtful. Truly, Jatuh Cinta Seperti di Film-Film is a gem in contemporary cinema, and I'm still in awe of its brilliance. I can't recommend it highly enough.
There's no one movie quite like this one. Every scene leaves a lasting impression, despite many of them consisting mostly of conversations. What sets this film apart is its ability to keep you engaged with minimal action, relying on the depth of its dialogue to propel the story forward. The performances are exceptional, with the actors' delivery capturing the essence of their characters so effectively that even a simple exchange becomes captivating.
The film excels in creating tension and emotion from seemingly mundane moments, making every scene feel significant. The dialogues, although seemingly ordinary, are layered with subtext and insight, revealing much more than what's said on the surface. This intricate blend of storytelling makes it impossible to get bored, as every conversation feels like it's contributing something essential to the narrative.
Ultimately, the movie's strength lies in its ability to hold the viewer's attention purely through the power of its writing and performances. It's a perfect example of how a film doesn't need constant action or flashy visuals to be compelling. It's a celebration of meaningful dialogue, character development, and the art of storytelling that sticks with you long after the credits roll.
The film excels in creating tension and emotion from seemingly mundane moments, making every scene feel significant. The dialogues, although seemingly ordinary, are layered with subtext and insight, revealing much more than what's said on the surface. This intricate blend of storytelling makes it impossible to get bored, as every conversation feels like it's contributing something essential to the narrative.
Ultimately, the movie's strength lies in its ability to hold the viewer's attention purely through the power of its writing and performances. It's a perfect example of how a film doesn't need constant action or flashy visuals to be compelling. It's a celebration of meaningful dialogue, character development, and the art of storytelling that sticks with you long after the credits roll.
Such a wonderful film! I am a fan of meta films, and this is a prime example of how it is done. This film perfectly blurs the line between cinema and reality. The protagonist claims that this is a commercial movie, and not an art film. I will remain respectful to his opinion, and add that this is still a work of art.
It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.
The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.
Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.
As Cheline said during that scene, this film is "a cinematic experience".
It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.
The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.
Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.
As Cheline said during that scene, this film is "a cinematic experience".
An excellent Indonesian film in meticulously combining a cheesy melodrama romance movie with a more artistic film. They bring both a popcorn-eating-couch movie and a film shown in award shows, by making the plot quite simple for general audiences to grasp, but also presenting cinematic techniques for critics to enjoy. This combination is prominent in how they add explanations of technical things in the dialogues. Which is also another amazing thing they succeed in, making exposition enjoyable.
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
Did you know
- TriviaThe Black & White nature of the movie is NOT a gimmick, but rather a plot device.
- Crazy creditsBefore film begins, there is a brief trailer for Agak Laen (2024).
- ConnectionsReferences Slumdog Millionaire (2008)
- SoundtracksBercinta Lewat Kata
Performed by Donne Maula
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Jatuh Cinta Seperti di Film-Film
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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By what name was Falling in Love Like in Movies (2023) officially released in India in English?
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