John Day

John Day movie is one of the new ways or new generation or new wild imagination of the Indian director is showed in the movie. I am saying that because very less movie I watched in Bollywood that are totally created without too much romance or without songs. In this movie you gonna see lots of abusive language and wild action as Hollywood movies show. Both actor Randeep Hooda and Narsudeen Shah had done great work on the movie They use new actress in the movie as per the trend she's not belong from the India. But she had done fine acting shows her great body. Story of this movie actually totally on the revenge. Some gangster killed the Narsudeen shah's daughter accidentally in the movie and after one more accident happen when his wife also got in comma by robbers then he become more sensitive towards her daughter about who killed her. So he started his own

What has a a very solid plot has turned into a mockery, with abrupt screenplay & extreme unwanted violence. And the high usage of profanity just adds to the awful narrative.

No dots are lined as it proceeds with a fine story about the plight of a bank manager whose daughter just dies & bank just got robbed. Things go awry for both the viewers & the makers when Randeep Hooda enters with a rusty look & foul mouth. His character is supposed to be deep, but ends up being superficial.

Performances aren't that great with respect to the marvelous cast. The second half is tad confusing & ends up in a usual standoff which is not only inappropriate but also bogey.

High time, Bollywood makers stop remaking movies and turn to something original. Box 507 is a clever thriller with shoddy filmmaking.

BOTTOM LINE: Not recommended, because all you will lose is your time and money because John Day disappoints!

Can be watched with a typical Indian family? NO

Profanity: Infinity | Violence/Gore: Very Critical | Alcohol/Smoking: Strong | Drugs: No | Porn/Sex: Strong | Foreplay/Mouth-Kiss: Very Mild

Ahishor Solomon's 'JohnDay' is Gripping In Parts, but not entirely. Reason? An Erratic Screenplay & Slow-Pacing. Had this vendetta fare had a strong Screenplay & a better pace, I'm sure, it would've developed into a much superior film.

'JohnDay' Synopsis: JohnDay loses his daughter & later realizes her death was a part of a conspiracy led by corrupt cops & gangsters.

To give its due, 'JohnDay' begins superbly & has a power-packed first-hour, though the pacing is consistently slow-paced. The second-hour falters badly, the sequences don't leave a mark, the pacing gets even slower & the culmination is plain ordinary. Also, the excessive violence puts you off completely. Yet, all said & done, A better Screenplay & better pacing were certainly needed! Ahishor Solomon's Direction is noteworthy. Cinematography is grim. Editing is dull.

Performance-Wise: Naseeruddin Shah as JohnDay, adds anger but absolutely no depth to the character. Randeep Hooda is much better. He delivers a ferocious performance as the corrupt, evil cop. Vipin Sharma, also portraying a corrupt cop, is incredibly loathsome. Sharat Saxena is electrifying. He portrays a strong supporting role with absolute flourish. Elena Kazan is okay. Shernaz Patel is terrific. Makarand Deshpande & Deepak Shirke are outstanding in cameos.

On the whole, 'JohnDay' has merit, but it never quite reaches the goal it targeted.

The posters of this film had a tag line "An edge of the seat thriller by the producer of A Wednesday" and they were also designed in a style reminding you of that path breaking film of 2008 right away. The artwork had two men standing against each other just like A Wednesday with a strong common factor of Naseeruddin Shah catching your instant attention as desired. So the first job to make the viewers interested in this not so big, off beat kind of thriller was well done by the makers and a particular section did become eager to watch it expecting another fine film from the same production house as conveyed.

But unfortunately, JOHN DAY scores very less as a gruesome crime thriller and serves you nothing electrifying in this particular genre to fulfill the expectations raised. It begins on a very slow, calm and uninteresting note with no gripping sequences coming in for a very long time. As a result, all excitement is lost within the first 30 minutes itself, which was not really expected from the makers of A Wednesday. The pace is too lazy till the interval and the film simply fails to establish any kind of connect with the viewers waiting for something explosive. Post interval too the actors keep suffering due to the bad script but the pace does pick up in its last 30 minutes, which thankfully offer you something to keep sitting in the theater. Otherwise it remains a pretty avoidable venture throughout wasting the volcanic talent of Naseer along with all the other known actors in the star-cast.

Playing the tough, corrupt cop, Randeep does try to put up an intense show with few of his cruel scenes, including the one wherein he eats out the tongue of a criminal and another where he simply smashes the face of an informer like a mashed-up apple. But surprisingly, the same cannot be said about Naseeruddin Shah who simply plays it just like another unimportant assignment accepted in his available time. The supporting cast gives you nothing great to mention specifically, except Vipin Sharma who once again sends up a clear reminder to the industry that he is simply waiting for that one life-transforming role to showcase his unexplored skills eagerly.

Rightly made as a song-less venture, both its background score and camera work try real hard to give you a feeling of watching something off-beat, moving ahead of the usual crime thrillers on the lines of A Wednesday. But in absence of anything substantial in its script, content or execution, they are not able to save the film from sinking and all we have is only few engaging moments towards the end and nothing more than that. The suspense build up fails to keep you glued and the revelations are not made in any convincing style which ideally form the backbone of an exciting crime thriller talking about conspiracies. Interestingly as a first, the project has a 'Smoking Warning' displayed throughout the film till the end which is indeed a debatable way to tackle the Censor restrictions put on the issue.

Now coming to the key negative feature of JOHN DAY, the film is once again an unofficial rip-off from a Spanish film LA CAJA 507 or BOX 507 released in 2002. Honestly, a few scenes directed by the debutant Ahishor Solomon are comparatively more engaging than the original movie. Yet they cannot be presented as an excuse or argument supporting any 'copy-act' like this at all. Actually, the moment one comes to know about the copied status of such a film, all its (few) merits turn into demerits and you are not able to praise any kind of superlative effort made by the director whole heartedly. Ahishor has got the talent and he can surely come up with a gripping crime thriller as his next in all possibilities. But talking about his present JOHN DAY, it doesn't deliver what it promises in its promotional campaign and posters, so better watch it when its there on the TV channels in a few weeks time and play it safe.

I was extremely disappointed when he was holding to the cross and they were beating him, the movie was a real movie, no super heroes not a common Hindi movie that heroes fly and get shot ten times and survive, then suddenly they add a hidden power to it, like Jesus saves him...whats the chance in real life to be in a situation where you are being beaten by four gang members and SOME mysterious power saves you? You spoilt it, really, if from the beginning of the movie you had super powers we would not be surprised. But it looked like a real life scenario and suddenly added that silly scene. Its like you are eating Biryani and you get Rasgula in it.