Silent Retreat

Janey (Chelsea Jenish) is a trouble child. And for her efforts, or lack thereof, is sent off to a remote retreat for nonconformist girls under the guidance of a doctor (Robert Nolan) whose methods are ….a bit radical. The Doctor, and his staff of male accomplices, uses hypnosis and other extreme techniques to get their subjects to comply with their rules that command their patients to be completely obedient through deafening silence. Failure to obey the directions beyond their imposed 'two-strike rule' will result in the subject being fed to a lurking creature that inhabits the surrounding woods.

Janey is hardly the conformist. And her rebellious attitude towards the retreat's rules and regulators eventually lead to unavoidable confrontation. But with other girls simply disappearing, Janey must weigh her defiance against the risks of being overpowered by either the male administrators or the evil yet to be revealed from the outside.

Director Tricia Lee makes her feature film debut with Silent Retreat and shows a high degree of talent in transitioning genres. The film's opening scene is unquestionably horror, but the film switches gears and takes more of a dramatic path for the middle act focusing on Janey's relationship with fellow prisoner Alexis (Sofia Banzhaf) and the regimented retreat rules. We got lost ourselves for a while forgetting for a few moments that there was something mysteriously lurking within the forest. A mysterious something that reveals itself in the film's final chapters reminding us that Silent Retreat is horror plain and simple.

Characters as portrayed by Chelsea Jenish, Sofia Banzhaf and Robert Nolan are perfectly cast as they lend their combined talents to a tale that all three seem committed to pulling together. Lee does not seem to be in rush to allow blood splatter consistently through the film's full 95-minute running time and instead uses her DVD chapters wisely to form a setting and atmosphere that the film will heavily rely upon.

Silent Retreat won Best Canadian Film at the 2013 Toronto After Dark Film Festival, but you can remove the "Canadian" from the award plaque and you would still be left with a viable and enjoyable film worthy of our attention.

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Janey Andrews lost her family in a crash. She's alone in the world. A judge sends her to a meditation retreat for assault despite her plea of self-defense. The all-female retreat is in the middle of the woods run a doctor and his two sons. The women are forbidden to speak or even make eye contact. Janey tries to escape but she's captured by one of the sons although he seems to be afraid of something in the woods.

It's a watchable Canadian indie horror. It starts off with a creepy notion of these women being controlled by this weird doctor. It could have gone down many different paths. It tries to do something with sound. At least, it's unusual. It does need to decide whether the creature is attracted by sound or is hurt by it. It may make more sense for everybody to be quiet including the men. It may be even better if the doctor's introduction is done in a sound-proof room. The sound idea has issues that needs to be addressed. As for the creature itself, it is not the best although I'm sure the low budget restricted the movie. The main problem is the way the creature moves and the way it is filmed. It isn't scary. The blood looks too red especially in the dark. This horror has an intriguing premise and it needs more work to hash it out.

Sent to a retreat in the woods, a troubled woman is sent to a retreat in the middle of the woods where she finds the owners are secretly brainwashing women into being obedient wives and feeding the rejects to a deranged creature nearby and tries to get away alive.

This one was quite an intriguing if really flawed creature feature. Among the better qualities here is the way this one builds up the really intriguing premise of the retreat out in the middle of the woods run by the sinister family that enforces a strict series of rules on them for their beneficial behavior. It's rather interesting how it manages to build this in the first half as there's the rules in play that simply make no sense yet creates an atmosphere here where it's all about ensuring the supposedly-perfect spawning ground for their secret agenda which is one of the more dark and sinister motives here for covering up their tracks, yet still manages to create the kind of fun here wallowing in this chilling atmosphere with the silence, refusal to acknowledge anyone and the general state of forced serenity created makes this a quite chilling set-up. Once it gets to the later half and there's the fun of the creature thrown into the mix that not only makes for a solid storyline addition as well as helping to aid in his mission this one does become a lot more fun with the additional body-count added to the creepiness displayed by the set-up as the first encounter out in the woods rescuing her friend leads to the action-packed massacre of the girls in the cabin as well as the aftermath of cleaning up after it which makes for some even better fun throughout here. As well, that leaves the ending confrontation quite thrilling as well with plenty of fine encounters that are rather bloody and really kick this one up somewhat. These here are what hold this one up over it's few minor flaws present. The main feature holding this one back is the utterly bland and boring beginning half which is quite low on action as it just tends to focus on the setup of the secret cult or her trying to adapt to the rules of the place which are just utterly bland and really keep the film pretty slow-going in this part of the film and keep the creature off-screen during this time. While that occurs, it's also quite a relief since the creature here is a complete joke with many really bad flaws about it, namely the awful look of the thing which is clearly hampered by it's low-budget nature but also the just weak design as well since it looks really lame and has a weak prosthetic look that doesn't help it much even if that wasn't the case. These here really hold this one back.

Rated R: Graphic Violence and Language.

Why the extreme low scores and angry reviews? This movie reminds me of silly late night horror films from the 80s, like you'd see with Elvira. It's almost as if they took 3 or more films and mashed them together. It's odd. It's not perfect.

The simple setting is nice and fits the tone of this idea of a nice quiet place to send delinquent kids.

Then it changes... There's a monster movie, a camp "last girl" gory movie, and a rapey psychological horror movie all suddenly collide into a weird mix. And absurd hypnosis.

The whole thing could have been blah, but the acting of the 2 main girls and some actually well done gory scenes made it enjoyable.

I'm scoring this a bit higher because I just read reviews that gave it a 1 out of 10 (which is way too harsh), then said things they liked. That makes no sense. At least give it a 4 or 5 for those good bits you liked. This movie isn't that bad, so these low scores just seem angry. Some reviews contradict themselves by saying they loved so-and-so in their role, yet scored a 1 or 2. (Perhaps I'm missing some behind-the-scenes drama? Which probably would not matter imo.) I try to focus on the positives, especially online. Spread kindness!

These filmmakers did pretty well with a low budget and lot of hard work. There's a lot of creativity here, maybe unfocused. And the talent shows. Good luck to their future endeavors!

This movie is... unbelievably bad. I watch a ton of horror movies. The majority are disappointing but entertaining enough with some redeeming qualities. This movie has 0 redeeming qualities. Extremely poor performances, writing, direction, practical effects, dialogue, etc.

In movies, there are so many elements that can be used to tell a story. Not a single one is used advantageously here. It's very possible to tell a story with very little dialogue. Think of A Quiet Place. That movie obviously had much better resources to work with, of course, but still. It used other visual elements to tell you who the characters are, what they're thinking, what they want, what they fear, and why you should care about them. The dialogue that IS present in this movie is so amateur and one dimensional. It feels like the writers need to learn how to write a story before they try to make a movie.

Sometimes, bad movies are fun because they're goofy or campy. This movie was just cringey. I very nearly turned it off in the last 20 minutes, but decided to stick it out instead. I wish I got some kind of reward from the filmmakers for doing so.

Respect to all who worked on it, because it's hard to do regardless, and it's brave to pursue your vision & open yourself to critique. But man, this may be the worst movie I've ever watched.