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Exclusive: Charades has acquired international sales rights to glam gore zombie comedy Queens of the Dead by Tina Romero, daughter of legendary director George A. Romero, ahead of the AFM.

The cast, revealed by Deadline earlier this year, features Jaquel Spivey (Mean Girls), Katy O’Brian (Love Lies Bleeding), Margaret Cho (Fire Island), Brigette Lundy-Paine (I Saw The TV Glow) and Cheyenne Jackson (American Horror Story).

Co-written by Erin Judge and Romero, the movie follows a group of drag queens, club kids, and frenemies who must put aside their personal dramas and use their unique skills to fight the brain-thirsty undead when a zombie apocalypse breaks out on the night of a giant warehouse party.

Others featuring in the cast of the film from Vanishing Angle include Nina West (Rupaul’s Drag Race), Tomas Matos (Fire Island), Quincy Dunn-Baker (No Hard Feelings), Becca Blackwell (Bros), Shaunette Renée Wilson (Black Panther), Dominique Jackson...

Exclusive: Jaquel Spivey (Mean Girls), Katy O’Brian (Love Lies Bleeding), Margaret Cho (Fire Island), Brigette Lundy-Paine (I Saw The TV Glow) and Cheyenne Jackson (American Horror Story) are among those set to star in Queens of the Dead, a new horror comedy directed by Tina Romero, daughter of legendary director George A. Romero (Night of the Living Dead).

Co-written by Erin Judge & Tina Romero, the film pays tribute to the zombies from the elder Romero’s classic zombie films with a fresh, contemporary, and queer twist, promising to offer a genre-smashing, glam-gore thrill ride through the zombie apocalypse. The story follows an eclectic group of drag queens, club kids, and frenemies who must put aside their personal dramas and use their unique skills to combat the brain-thirsty undead when a zombie apocalypse breaks out during their drag show in Brooklyn.

Others featuring in the cast of the film from Vanishing...

The Morning Show has announced a big get for season four: Marion Cotillard is joining the cast of the Apple TV+ series.

The Oscar winner joins the starry ensemble of the Apple TV+ media series that is led by executive producers Jennifer Aniston and Reese Witherspoon, along with season three stars Billy Crudup, Mark Duplass, Nestor Carbonell, Karen Pittman, Greta Lee, Jon Hamm and Nicole Beharie.

The Morning Show explores the cutthroat world of morning news and the lives of the people who help America wake up in the morning, and ended on another big cliffhanger with its third season.

Cotillard’s role sounds like another force to be reckoned with for the returning news team at the show’s fictional Uba Network. She will play the character of Celine Dumont, who is described as a savvy operator from a storied European family.

Some roles remain up in the air given how season three ended,...

AppleTV+’s The Morning Show is amping up the star power further with the addition of Academy Award-winner Marion Cotillard in a major arc across Season 4. She will portray ‘Celine Dumont,’ a savvy operator from a storied European family.

Cotillard joins the ensemble cast which includes Reese Witherspoon, Jennifer Aniston, Billy Crudup, Mark Duplass, Nestor Carbonell, Karen Pittman, Greta Lee, Jon Hamm and Nicole Beharie.

The Morning Show explores the cutthroat world of morning news and the lives of the people who help America wake up in the morning. Season 3 left the fate of Uba once again up in the air after Alex (Aniston) manages to take down Paul Marks (Hamm) by logjamming the sale of Uba to his tech company, Hyperion. But now, it appears Uba will be merging with another media company to keep the network afloat, which could spell layoffs and restructuring to come in Season 4.

The...

From her debut feature, French filmmaker Agathe Riedinger wants a sparkling yet still-realistic account of the thorny relationship between youth and fame. Wild Diamond is the first film to screen in this year’s Cannes Official Competition and it owns it, not least by including a quippy response about the main character potentially becoming an actress in a Croisette festival film. Riedinger knows the protagonist very well by now, having made Waiting for Jupiter in 2017, a short where she introduced Liane, a young girl living in the South of France who dreams of becoming a reality-tv star. Seven years later, Wild Diamond provides the canvas for a fuller character study with a wonderfully dedicated Malou Khebizi in its lead role.

From its opening sequence, Liane is the center of attention: we see her sway around a light pole of sorts in a wide shot. It’s pitch-black, but her high-heeled...

Charades has swooped in on Alexis Langlois’ debut feature Queens Of Drama (Les Reines du Drame), a French queer musical selected for a special screening slot at Cannes’ Critics’ Week.

Set in 2005, the film centres on the cursed and fiery romance between young pop idol Mimi Madamour and queer punk icon Billie Kohler as they navigate their desire for the spotlight with their passion for each other that leads them down a path of self-destruction.

Queens Of Drama is produced by Les Films du Poisson, the prolific Paris-based production house behind Mona Achache’s 2023 Cannes title Little Girl Blue starring Marion Cotillard.

The generational chasm between our parents’ lives and the memories we preserve of them — sure, in turn, to warp and fade when passed to our children — is elegantly explored in “Little Girl Blue,” Mona Achache’s pained, poignant docudrama cry to her female elders. In an effort to process her mother Carole’s death by suicide in 2016, the filmmaker collates an assortment of archival materials to trace the arc of a turbulent and care-starved life, leading inevitably to the time-blurred figure of Achache’s grandmother, writer and editor Monique Lange. But it’s in the gaps between tangible records that the film gets most interesting, as Marion Cotillard steps in to inhabit the Carole of her memories, the ones Achache can’t quite find on paper.

This is hardly a novel technique, given the evolving hybridization of the documentary form, as filmmakers chase larger audiences with the narrative and aesthetic comforts of fiction.

Taking place from February 29 through March 10, this popular annual festival showcases the verve, creativity, and depth of contemporary French cinema in a variety of genres. This year's opening night film is the critical and box office hit The Animal Kingdom, starring Romain Duris and Adèle Axarchopoulos. Others in the lineup include Little Girl Blue with Marion Cotillard; Book of Solutions, Michel Gondry's first new film in eight years; and loads of films by talented newcomers, such as Ama Gloria by Marie Amachoukeli, Banel & Adama by Ramata-Toulaye Sy and Nora El Hourch's Sisterhood (Hlm Pussy). With the recent critical success of Justine Triet's Anatomy of a Fall and Tran Anh Hung's The Taste of Things, French cinema is having a moment with American audiences. As always,...

[Read the whole post on screenanarchy.com...]...

The César Awards are always the biggest night of the year for French cinema, but the massive award season impact of “Anatomy of a Fall” ensured that this year’s event took on additional importance for Oscar watchers around the globe. When the 49th César Awards took place in Paris on Friday night, all eyes were on Justine Triet and her Palme d’Or-winning film.

Predictably, “Anatomy of a Fall” swept many of the night’s biggest categories. In addition to winning the top prize of Best Film, Triet was honored with Best Director and shared Best Screenplay with her partner Arthur Harari. Stars Sandra Hüller and Swann Arlaud also won Best Actress and Best Supporting Actor, respectively.

The night’s other big winner was Thomas Cailley’s “The Animal Kingdom,” which won awards for Cinematography, Visual Effects, Costume Design, and Sound.

Keep reading for a complete list of winners from the 2024 César Awards.

The 49th Cesar Awards, France’s top film honors, have been handed out in Paris, with Justine Triet‘s Oscar contender Anatomy of a Fall emerging as the big winner.

The French courtroom drama — which is competing at the Oscars in five categories — earned the best film prize, best actress for Sandra Hüller, best director for Triet, best original screenplay shared between Triet and co-writer Arthur Harari, and Swann Arlaud took home the best supporting actor trophy.

Hüller won in the best actress category over Oscar winner Marion Cotillard, nominated for Little Girl Blue; Lea Drucker, up for Last Summer; Hafsia Herzi, nominated for The Rapture; and Belgian actress Virginie Efira, nominated for her work in Just the Two of Us.

The other big winner on the night was The Animal Kingdom, French director Thomas Cailley’s follow-up to 2014’s Love at First Fight. Cailley picked up the best cinematography...

Unifrance and Film at Lincoln Center have unveiled the lineup for the 29th Rendez-Vous with French Cinema, a festival celebrating contemporary French film running from Feb. 29-March 10.

Thomas Cailley’s “The Animal Kingdom” will screen as the 2024 Opening Night Selection in its New York premiere. The film, which was nominated for 12 Cesar Awards, tells the story of an infection that mutates humans into animal hybrids.

“It is a great honor to open this year’s edition with the French critical and box-office hit ‘The Animal Kingdom’ with director Thomas Cailley in attendance,” said Daniela Elstner, executive director of Unifrance.

Elstner continued, “This remarkable film along with this year’s selection is a great example of the vitality and diversity of French cinema today. A mix of new and established filmmakers together with the stellar presence of actress Marion Cotillard indeed make for a rich 29th edition of this year’s Rendez-Vous With French Cinema.

Justine Triet’s Oscar-nominated Anatomy of a Fall and Thomas Cailley’s fantasy drama The Animal Kingdom are the front runners for this year’s Cesar Awards, France’s equivalent to the Academy Awards. In nominations announced Wednesday, Anatomy picked up 11 Cesar noms and The Animal Kingdom 12. Both were nominated in the best film and best director categories.

Also nominated for best film are Jean-Baptiste Durand’s Junkyard Dog, All Your Faces from director Jeanne Herry and Cédric Kahn’s The Goldman Case.

France’s official Academy Award contender, Anh Hung Tran’s foodie period drama The Taste of Things, which missed out on an Oscar nom on Tuesday, picked up three Ceasar nominations, but none in the main categories.

German actress Sandra Hüller, a best actress nominee at this year’s Oscars for her starring turn in Anatomy of a Fall, is also up for the Cesar for best actress,...

Thomas Cailley’s fantasy drama The Animal Kingdom topped the nominations for France’s César Awards, which were announced in Paris on Wednesday.

The drama picked up 12 nominations with Justine Triet’s Oscar hopeful Anatomy Of A Fall coming in second with 11 nominations, followed by Jeanne Herry’s All Your Faces, which nine, and The Goldman Case, with eight.

Set in a world where human beings start transmuting into animals, The Animal Kingdom world premiered as the opening film of Cannes Un Certain Regard in 2023 and went on to make $8.5M at the box office last fall.

The Animal Kingdom and Anatomy of a Fall are competing in eight categories spanning Best Film, Director, Original Screenplay, Male Revelation, Editing, Sound, Cinematography and Production Design.

The high nomination count for Herry’s ensemble drama All Your Faces was thanks to the fact it dominated the Supporting Actress category with separate nominations for cast members Leila Bekhti,...

Justine Triet’s Anatomy Of A Fall was named best film of the year at France’s Lumiere Awards on Monday evening.

Triet and co-writer Arthur Harari also took home the best screenplay award and lead Sandra Hüller earned the prize for best actress at the 29th edition of the awards, considered to be France’s version of the Golden Globes and voted on by international correspondents from 36 countries.

The courtroom drama about a woman on trial for her husband’s death in the French Alps was nominated in six categories, but Lumiere voters spread their votes across the board...

Justine Triet’s Anatomy Of A Fall continued its prize-winning run on Monday at France’s 29th Lumière Awards clinching Best Film and Best Screenplay, while its German star Sandra Hüller won Best Actress.

The Lumières fete the best films, performances and technical achievements of French cinema across 13 categories.

The French equivalent of the Golden Globes, they are voted on by the Académie des Lumières which is made up of France-based international journalists representing 36 countries.

In other key prizes, Thomas Cailley won Best Director for Cannes 2023 Un Certain Regard opener The Animal Kingdom, while Arieh Worthalter won Best Actor for his performance in Cédric Khan’s Cannes Directors’ Fortnight opener The Goldman Case.

Triet’s Cannes Palme d’Or winner Anatomy of a Fall, which was nominated in six Lumière categories, is on an award-winning streak.

The movie swept the board at the European Film Awards in Berlin last December...

Paris-based sales company is bringing eight new titles to Rendez-Vous.

Julie Delpy’s immigration-themed comedy Meet The Barbarians (Les Barbares) is among eight new titles Paris-based sales company Charades is launching at Unifrance’s Rendez-Vous with French Cinema this month.

The event takes place from January 16-23 in Paris.

Charades extensive Rendez-Vous line-up also includes 3D animation Flow, romantic comedy Just A Couple of Days starring Camille Cottin, Jeremie Sein’s Olympic sports comedy Game Changers, Antoine Raimbault’s political thriller Smoke Signals, Gustave Kervern’s revenge story Enough Is Enough!, dark comedy Plastic Guns plus recently announced adaptation And...

For all its many, many faults, 2023 was a banner year for international films. The awards season buzz for global gems like Justine Triet’s French courtroom thriller Anatomy of a Fall (released by Neon stateside), Jonathan Glazer’s German-language Holocaust drama Zone of Interest (A24), Hayao Miyazaki’s Japanese anime The Boy and the Heron (GKids), and J.A. Bayona’s Spanish-language real-life survival tale Society of the Snow (Netflix) only scratches the surface.

Among the many many other foreign highlights from last year are Mubi’s Fallen Leaves and How to Have Sex — the first a laconic triumph by Finnish film master Aki Kaurismäki, the latter a stunning debut by Brit first-timer Molly Manning Walker — Sony Pictures Classics’ The Teachers’ Lounge, a German school drama from director Ilker Çatak and Iranian drama Shayda from director Noora Niasari; Agnieszka Holland’s harrowing The Green Border, about Poland’s treatment of would-be...

Exclusive: New York-based cultural institution Villa Albertine and Unifrance have announced the selection of French features due to be showcased in the 10th edition of their joint Young French Cinema program.

The initiative aimed at promoting films in the U.S. by emerging French filmmakers without domestic distribution will showcase 11 titles this year.

They include Marie Amachoukeli’s Cannes Critics’ breakout Àma Gloria, Virginie Verrier’s female soccer pioneer bio-pic Marinette and Erwan Le Duc’s father and daughter tale No Love Lost.

Under the program, the titles are made available for booking by arthouse cinemas, film societies, the Alliance Française network and universities across the U.S.

“The program mainly focuses on rising talents, from high-profile independent works to impactful dramas and powerful documentaries about the world around us,” the partners said in a joint statement.

“The 2024 selection demonstrates that this young generation—more than ever—shares a global...

France’s awards season has officially kicked off with Justine Triet’s “Anatomy of a Fall” landing six nominations at the Lumières Awards, including best film and director.

The courtroom drama, which won the Palme d’Or at Cannes, is the season’s frontrunner. The Lumières are voted on by Paris-based correspondents working for foreign outlets across 36 countries.

Sandra Huller, who stars in the film as a German novelist put on trial after her French husband dies mysteriously, is nominated for best actress, while Milo Machado Graner, who plays her astute, low-vision son, is nominated for best male newcomer.

“Anatomy of Fall” has been on a roll, garnering a raft of international prizes at the European Film Awards, Gothams, as well as Los Angeles and the New York Film Critics Circle Awards, along with four Golden Globe nominations for best film, screenplay, actress and foreign film. The movie that was...

Justine Triet’s Anatomy Of A Fall is the frontrunner for France’s Lumiere awards, the country’s answer to the Golden Globes, with 6 nominations, including for best film and best director.

The courtroom drama, starring Sandra Hüller as a writer who may have murdered her husband, won the Palme d’Or in Cannes this year and swept the European Film Awards on the weekend, taking 5 trophies, including best film. Anatomy of Fall, a Neon release in the U.S., has been nominated for 4 Golden Globes.

Tran Anh Hung’s foodie period drama The Taste of Things, which was picked over Anatomy of a Fall as France’s country’s official Oscar contender in the best international feature category, received just one Lumiere nom, for best cinematography.

Another French courtroom drama, Cedric Kahn’s The Goldman Case, picked up 5 Lumiere noms, tying with Thomas Cailley’s sci-fi tale The Animal Kingdom.

The Lumieres are voted on by international correspondents from 36 countries.

Justine Triet’s Palme d’Or winning Anatomy Of A Fall leads the nominations for France’s Lumiere awards, nominated in six categories, including best film and best director.

Cedric Kahn’s courtroom drama The Goldman Case and Thomas Cailley’s The Animal Kingdom, have each received five nominations.

All three films have been nominated in the best film category alongside Catherine Breillat’s Last Summer that earned four nominations and Clément Cogitore’s Son of Ramses with three.

The filmmakers of all five of those titles have also been nominated for best director.

Only days after it won the Jean Vigo prize, Dominique Marchais‘ La Rivière will face off against the likes of Justine Triet‘s Anatomie d’une chute, Catherine Breillat‘s L’Été dernier and Mona Achache‘s Little Girl Blue for the annual Louis-Delluc prize. Other contenders include the Quinzaine preemed Cédric Kahn‘s Le Procès Goldman and Pierre Creton‘s Un Prince, Berlinale titles Claire Simon‘s Notre Corps and Patric Chiha‘s La Bête dans la jungle and Un Certain Regard opener Thomas Cailley‘s Le Règne animal. Among the five finalists for Best Debut, we find a trio of Critics’ Week items in Stephan Castang‘s Vincent doit mourir, Iris Kaltenbäck‘s Le ravissement and Simon Rieth‘s Nos cérémonies.…...

Festival has programmed 75 films from 36 countries.

The Marrakech International Film Festival has unveiled the full line-up for its 20th edition, which runs from November 24-December 2.

The festival is opening with Richard Linklater’s action comedy Hit Man, starring Glen Powell, and is screening 75 films in total from 36 countries.

Marrakech’s official competition, which comprises first and second feature films, includes Ramata-Toulaye Sy’s Cannes Competition title Banel & Adama, Lina Soualem’s Venice Giornate degli Autori documentary Bye Bye Tiberias and Moroccan director Kamal Lazraq’s feature debut Hounds, which premiered in Un Certain Regard at Cannes.

Scroll down for full line-up

Johnny Barrington,...

With the festival kicking off tomorrow, Telluride Film Festival has now unveiled its lineup, featuring new films from Jeff Nichols (the first image from which can be seen above), Emerald Fennell, Annie Baker, Andrew Haigh, Yorgos Lanthimos, Justine Triet, Wim Wenders, Kitty Green, Ethan Hawke, and many more.

“Fifty years is a long time to do anything. And while we might be a little biased, we feel the work that Tff does is pretty important,” comments Telluride Film Festival director Julie Huntsinger. “We take the charge of preserving the theatrical experience and promoting film seriously, but with necessary winks here and there. We’re ecstatic to share a program we feel reflects so much of the past fifty years, naturally and organically, films old and new, which stand as a testament to our beloved co-founders Tom Luddy and Bill Pence who are no longer with us.”

• All Of US Strangers...

The Oldenburg Film Festival, Germany’s leading all-indie fest, unveiled highlights for its 30th-anniversary edition, including several world premieres featuring Oscar-winner Marion Cotillard and Mission : Impossible star Ving Rhames.

Uppercut, a boxing film featuring Mission: Impossible star Ving Rhames, will close the festival on September 17. Director Torsten Ruether remade his own, German-language, debut Leberhaken, which premiered in Oldenburg in 2021. The Million Dollar Baby-style story sees Rhames as a disillusioned former boxer who gets a shot at redemption when a young woman shows up at his gym, begging him to train her.

Spanish genre director F. Javier Gutierrez will bring his latest horror tale, The Wait, to Oldenburg this year. Gutiérrez’s 2008 debut Before the Fall, an end-of-the-world sci-fi thriller, was a cross-over hit, and his follow-up was the big-budget Rings (2017) for Paramount, the third entry in the Japanese-inspired horror saga. But the film, despite grossing $83 million worldwide, was...

After starring in Mona Achache’s “Little Girl Blue” which played at Cannes, Marion Cotillard will work with another daring French female auteur, Lucile Hadzihalilovic, on her next film “La tour de glace.”

The long-gestated film marks the first collaboration between Hadzihalilovic and Muriel Merlin, producer at 3B Productions. Hadzihalilovic’s follow up to “Earwig,” which won the jury prize at San Sebastian, “La Tour de glace” is expected to be the director’s most accessible and ambitious film to date. The movie will reteam Hadzihalilovic with Cotillard who had starred in her 2004 film “Innocence.”

Co-written by Geoff Cox, “La tour de glace” is set in the 1970s and follows Jeanne, a teenage girl who runs away from her orphanage located in a mountain village. She flees to Paris with big dreams to fulfill and finds shelter in a warehouse which turns out to be used as a studio where...

As tender, painful and intimate as an open caesarean scar, writer-director Mona Achache’s drama-documentary Little Girl Blue examines the fraught relationships between three generations of women within the director’s own family, starting with her literary grandmother Monique Lange, her mother Carole Achache and herself.

Although narrated by Achache, who “plays” herself throughout, the focus is above all on the troubled child of the midcentury Carole, who committed suicide in 2016 and left behind an enormous cache of letters, journals, publications, photographs and documents. Achieving a remarkable casting coup that will make all the difference for the film’s commercial prospects while richly enhancing its emotional texture, Achache persuades French superstar Marion Cotillard (La Vie en rose, Inception) to play Carole. The result is a fascinating psychodrama — with extra scoops of meta on top — that showcases the talents of all the story’s women, especially Cotillard and Achache. At the same time,...

That’s a wrap on the 2023 Cannes Film Festival.

Movie stars, cinephiles, press and jet-set glitterati mixed with celebrated auteurs and the international film industry’s next generation on the French Riviera for a jam-packed schedule of black-tie world premieres, starry gatherings and beach-set parties. And what a run it was from May 16-27.

After opening with the world premiere of Maïwenn’s Johnny Depp starrer Jeanne du Barry, the festival screened such titles as Sam Levinson, The Weeknd and Reza Fahim’s The Idol; Martin Scorsese’s Killers of the Flower Moon; Wes Anderson’s Asteroid City; Jean-Stéphane Sauvaire’s Black Flies; Karim Aïnouz’s Firebrand,; Todd Haynes’ May December; Ken Loach’s The Old Oak; and Justine Triet’s Palme d’Or winner Anatomy of a Fall.

To get a more exclusive look behind the iconic red carpet-laden steps of the Palais, The Hollywood Reporter once again partnered...

“One buyer said they received 138 scripts at the market,” said Orange Studio’s Charlotte Boucon.

France’s sales companies arrived in Cannes with busy slates, rich with festival titles and market packages. Nearly two weeks on and Screen finds out how business has been for them.

When it comes to French films, buyers in general seem to be both more restrained about rushing to scoop up titles and pay big money up front, yet at the same time are looking for more audacious titles with unique subjects to woo younger audiences.

“We’re seeing the adrenaline again that’s been...

Marion Cotillard is opening up about an unpleasant experience she had with a male director who left her feeling “manipulated.”

Cotillard shared the revelation while promoting her new film, “Little Girl Blue”, at the Cannes Film Festival.

“I don’t see a director and an actor as being in relationships of manipulation. It’s more a collaboration. It happened to me only once where I felt that I was being manipulated by a director, and I really didn’t like that,” she said in an interview with Variety.

Read More: Marion Cotillard Says She And Adam Driver Had To Sing While ‘Mimicking Cunnilingus’ In New Musical ‘Annette’

According to Cotillard, she entered the project under the assumption that the director would foster “a process of working together with a collaborative connection.”

That, however, didn’t prove out; instead, she felt he was using manipulation to influence her performance.

Read More:...

Marion Cotillard is one of the most respected actors in the world. For decades, she’s not only been a force in French cinema, but she has crossed over into Hollywood productions in films such as “Inception,” “Contagion,” and “The Dark Knight Rises.” But all that success doesn’t mean Cotillard has been immune from shitty experiences during production.

Read More: 2023 Cannes Film Festival: 21 Must-See Movies To Watch

In a new interview with Variety, Marion Cotillard talked about her new Cannes film, “Little Girl Blue,” which is a docudrama from filmmaker Mona Achache.

Continue reading Marion Cotillard Tells Story Of Feeling “Manipulated” By A Filmmaker: “I Felt Like An Object, And I Really Hated It” at The Playlist.

In one scene in Mona Achache’s “Little Girl Blue,” which world premiered at the Cannes Film Festival in the Special Screenings section, the director is seen insisting that lead actor Marion Cotillard stays in character even on her tea break, to the extent that she must drink tea noisily as her character, Carole – based on the French filmmaker’s own mother – used to do. Does this suggest a manipulative relationship between director and actor? Cotillard disagrees.

“I don’t see a director and an actor as being in relationships of manipulation. It’s more a collaboration,” she tells Variety. “It happened to me only once where I felt that I was being manipulated by a director, and I really didn’t like that.”

Although the male director, whom she does not name, had led her to believe that it would be “a process of working together with a collaborative connection,...

Deadline photo studio hosted talent from May 17-24, at the Deadline Studio at Cannes Film Festival, as cast members of Cannes premiering films stopped by including Sandra Hüller and Justine Triet from Anatomy of a Fall, Rupert Friend, Hope Davis and Stephen Park from Asteroid City; Steve Mcqueen and Bianca Stigter of Occupied City, Director Pedro Almodóvar and Ethan Hawke of Strange Way of Life; Cate Blanchett and Aswain Reid of The New Boy; Little Girl Blue with Marion Cotillard; Jennifer Lawrence and Sahra Mani from Bread and Roses; Ramata Toulaye-Sy, Khady Mane and Mamadou Diallo from Banel et Adama and many more.

Related: Canne Film Festival 2023: Film Premieres and Parties Gallery

The Deadline Studio at Cannes ran May 17-24, where the cast and creatives behind the best and buzziest titles in this year’s lineup sit down with Deadline’s festival team to discuss their movies and the...

Marion Cotillard is encouraged by the progress made by the #MeToo movement, but believes, “We still have a long way to go.” The Oscar winner stopped by the American Pavilion in Cannes today to chat with me about her latest film, Little Girl Blue, which is an Official Selection Special Screening here at the festival and which deals with themes of sexual abuse.

Director Mona Achache plays herself in the film, a woman trying to understand why her mother committed suicide and who discovers a stash of thousands of letters and photographs that provide insight into a person she doesn’t recognize. Enter Cotillard, as herself, taking on the role of the mother and bringing her, in a way, back to life in order to retrace her journey.

Cotillard said she felt very close to these women because, “a lot of women in this world had experienced this relationship to men.

Following on their collaboration on Charlotte Wells’ “Aftersun,” Charades has boarded international sales on upcoming Mubi-backed production “Bring Them Down.”

Starring Barry Keoghan, Academy Award nominated for “The Banshees of Inisherin,” and Christopher Abbott (“Sanctuary”), a Golden Globe nominee for “Catch 22,” “Bring Them Down” marks the first feature from writer-director Chris Andrews, behind award-winning short films “Fire” (2015) and “Stalker” (2019).

On “Aftersun,” Charades took on international sales duties, with Mubi boarding to take distribution rights to multiple territories – such as U.K.-Ireland, France, Germany, Italy and Spain – just as the films bowed in 2022 Cannes Critics’ Week.

For “Bring Them Down,” Charades will sell international rights outside North America, U.K., Ireland, Latin America and Italy where Mubi retains all rights.

Colm Meaney (“Gangs of London”), Nora-Jane Noone (“Wildfire”), Paul Ready (“Motherland”), and Susan Lynch (Happy Valley”) also star.

“Bring Them Down” turns on Michael (Abbott), the last son of a shepherding family,...

Giacomo Abbruzzese’s debut feature stars Franz Rogowski.

Paris-based sales company Charades has inked a slew of deals for Giacomo Abbruzzese’s debut feature following the film’s February world premiere in Berlin’s Competition and ahead of the film’s Wednesday (May 3) release in France via Kmbo.

Disco Boy has been sold to Madman in Australia and New Zealand, New Cinema in Israel, Adso in Spain, First Hand Films in Switzerland, Filmladen in Austria, Non Stop Entertainment in Scandinavia, Film Europe for the Czech Republic and Slovakia, Mars in Turkey, Av Jet in Taiwan, Edko in Hong Kong, Pandora...

First footage of Hugh Grant as Oompa Loompa in Wonka.

Warner Bros rolled out the stars to celebrate its CinemaCon presentation on the occasion of its 100th anniversary, with an A-list roster that included Oprah Winfrey making her show debut, as well as Margot Robbie, Ryan Gosling and Timothée Chalamet, and Zendaya.

Warner Bros co-heads Mike De Luca and Pam Abdy hosted Tuesday’s session, which included an address by Warner Bros Discovery CEO David Zaslav, and comments by international and domestic distribution heads Andrew Cripps and Jeff Goldstein, both of whom wore pink in the spirit of Barbie.

Denis Villeneuve...

Paris-based sales company will also bring Directors’ Fortnight opener The Goldman Case to the market.

Paris-based Charades has boarded a slew of starry Cannes titles including Mona Achache’s just-announced Special Screening film Little Girl Blue starring Marion Cotillard and Directors’ Fortnight opener The Goldman Case.

The company is also selling Kamal Lazraq’s Hounds premiering in Un Certain Regard, Katell Quillévéré’s Along Came Love set for a Cannes Premiere screening and Chicken For Linda! selected for parallel section Acid, plus will unveil first images from new acquisition Sébastien Vanicek’s Vermin.

Little Girl Blue is inspired by the life of Achache’s mother.

The 2023 Cannes Film Festival lineup was officially announced on April 13, but Monday the organization included the last of the entries for competition and non-competition categories, most notably with the addition of Robert Rodriguez’s “Hypnotic,” a science-fiction opus starring Ben Affleck and Alice Braga, in the Midnight section.

Also Read:

Cannes Film Festival Lineup Includes New Films From Wes Anderson, Todd Haynes, Jonathan Glazer

Other high-profile titles include Jean-Stéphane Sauvaire’s “Black Flies”, a NYC-set drama starring Sean Penn, Tye Sheridan and Mike Tyson, Catherine Corsini’s buzzy French film “Le Retour,” and Sahra Mani’s documentary “Bread and Roses,” concerning Afghan women living under Taliban rule.

Below are the 14 new features and shorts that round out the 2023 Cannes Film Festival lineup:

Also Read:

Tribeca 2023: Steve Buscemi, Michael Shannon, Chelsea Peretti and Randall Park Among Participating Filmmakers

Competition

“Black Flies” (Jean-Stéphane Sauvaire)

“Le Retour

“Le Retour” (Catherine Corsini)

Cannes...

Catherine Corsini’s Le Retour has landed a Cannes competition slot after apparent complaints about the filmmaker, while Sean Penn starrer Black Flies by director Jean-Stehane Sauvair will also compete, festival organizers said on Monday.

A berth for Le Retour in Cannes had been put on hold while festival organizers took note of alleged events that took place during the filming of the French film. Fest organizers had no comment on the addition of Corsini’s film beyond a short announcement.

Le Retour, which stars Virgini Ledoyen, portrays a woman who works for a wealthy Parisian family who offers her the opportunity to take care of their children for a summer in Corsica. That’s an opportunity for her to return with her daughters, Jessica and Farah, to the island they left 15 years earlier in tragic circumstances.

Sauvaire’s paramedic thriller Black Flies also stars Tye Sheridan, Katherine Waterston, Michael Pitt and Mike Tyson.

Two further Competition films, three more in Cannes Premiere.

Cannes has added 14 further films to its Official Selection ahead of next month’s festival, including two more Competition titles.

Jean-Stephane Sauvaire’s Black Flies and Catherine Corsini’s Le Retour take the Competition total up to 21; and increase the record number of films in Competition directed by women to seven.

Black Flies is a US thriller based on Shannon Burke’s 2008 novel of the same name; Sean Penn stars alongside Tye Sheridan, Katherine Waterston, Michael Pitt and Mike Tyson.

Le Retour follows a 40-something woman working for a wealthy Parisian...

We’re now only a few weeks away from the 2023 Cannes Film Festival and with the lineup thus far already announced, the final slate is locking into place with a few more additions. Today, the festival revealed some notable new premieres across various sections, including Lisandro Alonso’s highly-anticipated Eureka, Amat Escalante’s Perdidos en la Noche, Jean-Stéphane Sauvaire’s Black Flies starring Katherine Waterston, Michael Pitt, Sean Penn, Tye Sheridan and Mike Tyson, plus a new short by Pedro Costa.

Check out the newly-added selections below ahead of the festival, taking place May 16-27.

Competition

Black Flies by Jean-Stéphane Sauvaire

Le Retour by Catherine Corsini

Cannes Premiere

Perdidos En LA Noche by Amat Escalante

L’Amour Et Les FORÊTS by Valérie Donzelli

Eureka by Lisandro Alonso

Out Of Competition

L’ABBÉ Pierre – Une Vie De Combats by Frédéric Tellier

Un Certain Regard

Only The River Flows by Wei Shujun...

The 2023 Cannes Film Festival, taking place May 16 — 27, has added an array of new titles to its already eagerly anticipated Official Selection: Jean-Stéphane Sauvaire’s “Black Flies” starring Sean Penn and in competition; Catherine Corsini’s “Le Retour,” upping the lineup’s record total of seven female directors in competition; Amat Escalante’s Mexican drama “Perdidos en la Noche”; and Lisandro Alonso’s thriller “Eureka,” starring Viggo Mortensen and José María Yazpik.

Alonso and Mortensen previously collaborated on 2014’s “Jauja,” which premiered in the festival’s Un Certain Regard and won its top honor, the Fipresci Prize. “Perdidos en la Noche” and “Eureka” will play in the non-competitive Cannes Premiere section.

Additional titles added on Monday include an Out of Competition screening of Frédéric Tellier’s “L’Abbé Pierre – Une Vie de Combats”; Un Certain Regard titles “Only the River Flows” from Wei Shujun and “Une Nuit” from Alex Lutz; Special...

The Cannes Film Festival on Monday announced a raft of new additions to the Official Selection of its 76th edition running May 16-27.

Two new films have been added to the Competition lineup: Jean-Stéphane Sauvaire’s Black Flies and Catherine Corsini’s Le Retour.

Sauvaire’s thriller stars Tye Sheridan opposite Sean Penn as a rookie paramedic paired with a veteran on a drive through New York.

According to local media reports, Corsini’s mother-and-daughters drama Le Retour was to have been announced as the seventh female-directed film in Competition during the main line-up press conference on April 13.

Allegations of inappropriate behaviour on the Corsica-based set – detailed in reports by French newspapers Le Parisien and Libération – forced the festival to put its selection on hold, while it looked into the matter.

Cannes Delegate General Thierry Frémaux is reported to have said that he would not be swayed by rumors.

The...

Jean-Stéphane Sauvaire’s “Black Flies,” starring Sean Penn, and Catherine Corsini’s “Le retour” have been added to the competition lineup of the upcoming 76th Cannes Film Festival. As many as 13 movies have been peppered across several sections, including the Competition, Special Screenings, Un Certain Regard and Out of Competition.

Robert Rodriguez’s “Hypnotic” and Kim Tae-gon’s “Project Silence” are joining the Midnight Screening roster, while Amat Escalante’s Mexican drama “Perdidos en la Noche” and Argentinian helmer Lisandro Alonso’s thriller “Eureka,” starring Viggo Mortensen and José María Yazpik, will bow in Cannes Premiere, a non-competitive section launched in 2021. (Alonso previously won Cannes’ Un Certain Regard with his 2014 movie “Jauja.”) Also slated for Cannes Premiere is Valerie Donzelli’s drama “L’Amour et les forets.”

This year, Un Certain Regard has expanded by two titles, including Chinese director Wei Shujun’s “Only the River Flows” and French director Alex Lutz’s “Une nuit.