Assassins Tale

The discussions between Samuel L. Jackson and John Travolta in Pulp Fiction started up this genre, with assassins that speak a lot about their feelings or thoughts. Those dialogues taken separately are better than most movies in this niche in their entirety and, unfortunately, Assassin's Tale falls into the same category.

The problem is that killers talking about themselves is just cutting corners on some real film making, where one would construct a story to develop the characters. Instead we are regaled with verbal diarrhea that means nothing and reveals nothing and just takes up from the viewer's time.

In this particular group of films, this one is not actually that bad. The beginning, at least, starts up very smartly, with lines that just feel original and surprising. I kept imagining what the characters would say and they would do something really different, but also real feeling. It didn't last though, as a big part of the movie was hijacked by the usual tough guy underworld and psychopathic wise guys and that sort of crap that completely balanced out the good starting bits.

And then there was the end, fragmented, pointless, unrealistic and lame. The point of a low budget movie is to show a good idea or the effort one puts into the script or acting, not to rehash an already obsolete recipe.

While I am sure the film makers meant well, I am sorry, but I cannot recommend this movie for any reason.

This is an OK little flick. It's a low budge movie but they seem to have spent the money wisely. The story was interesting and the acting & dialogue were equally good. It has twists and turns that are enjoyable and the characters were likable (so to speak, considering they're assassins). It has a melancholy feel to it that works pretty well. All in all I can't complain.

My general impression is, if this movie had a massive budget and big stars, the public would be falling all over itself to see it. The fact that it had none of that and was still entertaining makes it a worthwhile view.

If you come across it check it out.

Finally getting away from the standard cold-blooded assassins of every other movie, Assassins Tale shows the internal conflicts such a job entails, and shows how they deal with it (often unsuccessfully). Trust no one, try to laugh, and embrace your own quirks. The plot twists are well planned, and the scenery shots are really creative, illustrating the beautiful world that surrounds these dark souls. All in all, a really fun movie to watch - reminds me a little of Pulp Fiction and The Usual Suspects, but with different twists. Arthur Louis Fuller did a great job writing and directing this, and putting together a great film on a low budget. This one is definitely worth 90 minutes of your time!

This is a film that keeps you watching. A lot of dialog, but it's interesting in itself, and if the story line gets a bit confusing at times, it all works out by the end. Although this tale deals with hit men and women, it's a slightly different take on the profession with some interesting sidelights. The soundtrack is right on and fits in perfectly with the action. I was surprised to see that this was filmed on a Top Ramen budget, but the producers made every penny work. Overall, the production values make this look like a more expensive undertaking. I hope to see more from the various actors as well as from the writers and the director. Good entertainment!

"Assassins Tale" has some good qualities. The characters are eccentric and complex. Some of the dialogue is quite clever, although there is often too much of it. The editing is impressive, although it sometimes becomes intrusive and distracting. It has a few nice touches, such as the bit with the casino chips.

On the down side, it tries too hard to emulate Tarantino in stead of carving out it's own identity. Even the poster art features a putatively female assassin with a katana who has apparently wreaked considerable havoc and destruction, although the image has nothing to do with the film. We have assassins who wax poetic on life, sex and philosophy and occasionally decide to defy orders and logic by allowing their targets to live. One of the assassins is a heroin addict. The movie breaks for musical interludes, although not of the caliber of the "Cat People" segment in "Inglourious Basterds."

It's passable low-budget entertainment, although it has some major flaws. The cinematography is marred by extended jiggly-cam shots that will leave the audience reaching for the Dramamine. Even the sweeping pans look as if they were shot by somebody in the midst of an epileptic seizure. The pistols often look like plastic toys. Make- up effects for wounds are basically nonexistent. The film switches between color and monochrome for no apparent reason other than to draw attention to the editing.

The actors talk and emote fairly well, but acting is about action. The two words have a common root. We call people in movies actors, not emoters or talkers. There are no car chases. The only time anybody operates a vehicle is in one shot where they drive into the scene. There's a little walking. One character swims. Another carries a surfboard on to the beach. But there is no fighting , climbing, horseback riding, etc. It's pretty much limited to people sitting or standing around talking and occasionally drawing weapons and shooting one another, interrupted by long transitions and unnecessary establishing shots.

The film has a lot of heart, but not much energy. The actors do as reasonably as can be expected with the material they're given, but their discourses on life and the ethics of their profession would have greater impact if they had to work at it and not simply stand there and pull a trigger, instantly dispatching their victims. Compare this to opening scenes in the most recent version of "Casino Royale," where James Bond has to work and risk his life to kill somebody who doesn't want to die.