User reviews

When the decomposed body of Melissa Young is found by a couple in their new flat, Detective Len Harper who is approaching retirement is determined to discover what happened to her and why nobody noticed she was missing for so long.

This is really an old fashioned 'whodunnit.' The building is a house converted into 5 flats and nearly all the residents are not very nice people at all, some with some serious issues.

It is rather slow going, there is a lot of psychological games and this shows via flashbacks to their behaviour towards the victim who was an obese female.

The detective on his one last case before retirement is doggedly persistent and there is an air of a Gothic melodrama which the finale very much confirms as there are twists after twists as to who the culprit might be.

I agree with a few other reviewers about the especially-twisting last segment. Stressful, laid it on a bit thick, but that did not diminish my enjoyment of the show. My strongest reaction to that was, we humans sure can miss a lesson (I think I can write this without being a spoiler): the new mix of tenants toward the end actually does what the first mix was so bummed about - not looking out for their neighbors.

I liked the acting, the characterization, the story. I happen to be reading about observation skills the last few weeks... working on perception bias (is what you first thought really a clear read on the situation), and this show ended up being a great lesson on that! Almost every scenario is at least a bit different than you would think on the outside. So, bravo on that.

I recommend a viewing for those who like the twisty mystery without excessive violence or ugliness!

The Brits have made and are making so many good (mini-)series that, for the sake of novelty, one should find a distinctive feature from time to time. In the one in question, the events happen in a tenement house mostly, and their origins bring us back to the time years ago. The occupants of the house are different and seem happy, but soon it appears that nothing is so good as it seems...

The tensions are maintained, the flashbacks are clarifying (not annoying and enhancing length as sometimes), and the cast measures up to their characters - without someone who is evidently "better", i.e. more interesting than others. Well, David Threlfall as DI Len Harper spent most time on screen and depicted his odd character very well, but as it is my first conscious perusal with his talent, he was just "good among the goodies". But I have certainly fixed him in my memory.

The ending / final solutions could have been less trivial, with a twist or something, but, luckily there were no supernatural forces included. And last but not least - the title! With a sophisticated and versatile meaning.

Classic who done it, but done with a modern take. Great character development, some real nasty neighbours living here. The best British show I've seen in a long time, even if it is five years old. If you like Broadchurch and similar crime shows, you won't be disappointed. AAA+++

Somehow missed this first time around but have recently watched on catch-up. Truly excellent acting and gripping story. An absolute delight to watch. This shows what the BBC could do when it had a well funded drama budget. Please watch as I guarantee very few can watch this and not be impressed and frightened. Psycho definitely comes to mind.

'What Remains' takes the classic Agatha Christie formula and updates it to the modern age: take a dead body, a house full of individuals all on the nasty end of normal, and a determined, dogged retired detective, and save the unveiling of the criminal to the final moments. In fact, whereas Christie's characters were generally thin, the characterisation is more convincing in this, although never truly surprising. The direction and acting are also highly competent, although the conclusion descends into (almost inevitable) silliness. Until that point, it's quite gripping, but also quite shallow: whatever remains, not that much lies beneath the surface.

I was hooked all the way through. Binge watched the whole series. Very clever plot and well acted I've never watched a whodunnit with so many twists and turns.

DCI Len Harper, is due to retire, his last case, the death of Melissa Young, who has laid dead for two years in the too flat in a curious house.

I would suggest it feels very Ruth Rendell, this could easily have been one of her books. It's quite a bleak story, with an incredibly dark conclusion.

Not a House in would want to live in, all the residents are liars and monsters. Literally each room contains a cheat, liar or bully.

David Threlfall is terrific throughout, very strong performances from Russell Tovey, Indira Varma and David Bamber.

It deals with love, loathing, domestic abuse, and many other human ills.

A true house of horrors, it's very, very good, 9/10.

WOW. I can't say enough great things about this unique BritBox channel mystery murder with more plot twists than I could even figure out (and as a psychic, that's unique) Amazing acting and quite frankly, scary and unique. A Must See!!!

Basically rubbish which would have been totally unwatchable without the always excellent David Threlfall

Really enjoyed this twisting story. Very difficult to solve this puzzle. Liked it!

This four part thriller shown on the BBC on consecutive Sundays turned out to be an excursion into modern-day Gothic melodrama mixed in with a good old-fashioned whodunit. Along the way it tries to make points about neighbourliness, loneliness and control as all of the inhabitants of a small block of flats conveniently seem to forget about the existence of the young, fat, solitary female who lived in the top-floor flat until two years after her disappearance, her bodily remains are discovered in the loft above her apartment, triggering the narrative.

Cue red-herrings galore and a backwards, forwards, backwards, forwards use of flashback to fill in the lead-up to the slain girl's demise. The viewer is kept guessing as to who the actual perpetrator is with a veritable procession of possible candidates paraded before us, including a seedy old teacher and the mysterious young woman he keeps in his flat, a pair of lesbians, one nasty and dominating, the other humane but servile, a careworn divorcée male newspaper editor, his reporter girlfriend and surly, hormonal teenage son, who are all joined by a young couple, him a feckless jack-the-lad, her a good-natured Indian girl, heavily pregnant, who move into the flat below the dead girl's and who actually make the grisly discovery.

Brought into investigate the death is crusty old soon-to-retire police detective David Threlfall, another Mr Lonely himself, who seems to relate to the dead girl so much that he pursues the case even after his last day on the job (and after his former colleagues have all moved on to their next cases) to the extent of staying overnight in her long abandoned flat, indeed for the epilogue we see him actually living there. He hits it off with the young mum-to-be and together they try to solve the mystery, indeed they are, along with the girl reporter, the only halfway decent people in the whole cast, the rest being an unappealing mixture of the venal, duplicitous, vindictive and just plain mean. For me this made it hard to relate to the bulk of the characters and stretched credibility to breaking point, I mean just how many horrible people can you fit into a block of flats at the same time?

Anyway, it winds it way to an over-the-the-top gory ending, with more than one dumb way to die along the way. Somewhere in it all is probably a moral about looking out for your neighbours, but along the road, the writer and director seemingly got consumed by some mystical Gothic bug and decided to try and whip up a kind of "I Know What You Did In the Loft" finale. It's reasonably well acted, although I'm tiring a little of Stephen MacKintosh's pained look in every character he portrays but on the whole this was an okay, if very incredible, whodunit, whydunit and howdunit which at least had me stumped up until the end.

What Remains

This was very much a modern Agatha Christie, all the possible murders were assembled and what a bunch!

I loved it, just everything was in place, what a cast everyone was brilliant and the script was so well written and the actors just flew with it. The director was meticulous in his attention maintaining a comprehensive atmosphere of claustrophobia and menace, there were even some Hitchcock angles, wow!

We had incredible character development and in episode 3 it stepped up a gear, this was quite masterful, and the use of music to display nuanced emotion was a triumph. The dramatic impetus was near frantic with a near animalistic intensity.

One plot element that seemed to me unnecessary, the main detective didn't need to be retired, didn't need to have near OCD in investigating the case, didn't need to practically be under investigation by his own colleagues. This added nothing to the plot and just proved to be a distraction.

We need a series two, let the man survive his wounds, more of this please.

At heart, What Remains is an updated version of the country-house who-dunnit, a woman is murdered in a house that's been converted into 5 flats, and it's assumed that one of the other residents did it.

There's few tangible clues as to what happened so there's little for forensics to do - this is not CSI/Silent Witness. Instead the clues lie in the psychology and relationships of the residents - it's a bit Stephen Poliakoff in the way they're all prisoners of their pasts. So it explores the relationships of the suspects in a depth that you wouldn't normally see from Miss Marple.

Then on top of that you've got a few classic horror-movie buttons being pushed (not altogether successfully) and the hangdog detective working past his retirement date on just one last case. "You've all given up on finding the murderer, we owe it to this girl to find out what happened". It's a cliché because it works.

I can see why some people find the first half a bit slow, it's deliberately meant to be "static" and a bit claustrophobic with the vast majority of the action happening within the house. It maybe helped that I recorded it and watched the whole thing in one sitting, so didn't have a week to think about how little had apparently happened in any one episode.

On the other hand there's a few sub-plots in the middle that don't move the plot forward at all, they're just there so Giedroyc can expand his theme of loneliness in the city. It feels a bit self-indulgent when some of the residents' stories are left hanging at the end, either because he didn't know where to go or 20 minutes got left on the cutting room floor, it would be more satisfying if they had been resolved. I suppose it says something that you do care enough to want to know how things work out for them.

So this is not a show for people looking for car chases and shootouts. Personally I preferred Jane Campion's Top of the Lake which the BBC aired in the same slot a few weeks before. But if you've run out of Scandinavian detective box-sets to watch then this is a decent enough way to spend an evening.

I've watched the first 3 episodes (out of 4 I think) and am really enjoying this, as is my husband.

It is an intriguing mystery about a young woman found dead in an attic many months after her death, and a cop's attempts to find out who did it and why nobody noticed she was missing for so long.

For a TV drama, I'm finding this particularly gripping. It is very well directed and acted, particularly from the victim and the 17 year old son of the journalist. And its nice to see Russell Tovey's and Stephen Mackintosh's darker side - they are both very good too.

I can't think what else to write in this tenth line other that to recommend that you give it a go on catch up or catch it next time.

Just got round to watching this. Don't want to ruin it for anyone so will just say can't believe how amazing this four part drama was. My husband and myself watch a lot of murder drama's and this one outshines then all.

This show was actually really good! I've spent so much time scrolling through Britbox looking for something to pull me in, and this one did the trick. I watched all but the thrilling conclusion in one day (it was cold out!) So many twists and turns. So creepy. Direction and photography excellently crafted. Set design really sets a mood and wardrobe was good. Acting always top notch in Brit shows. One of the prettiest girls in the world in starring role. Moments of suspense last just the right amount of time. Touches on many subjects of forms of abuse, dying alone, teenagers experimenting with being terrible people, loneliness, desperation.

The only problem I had was the treatment of obesity. Do adults really act like such children mocking fat people to their face? Maybe it's because I'm American and half the people here are fat, but we don't usually puff out our cheeks and call someone "Fatty" and say things like "She's a big girl, you could hardly have missed her." Bit of an outsized (har har) focus on the victim's weight.

All in all this show ranks high on my list of favorite brit mysteries, and I've watched a LOT.

I was looking for something to watch, and I noticed it was the pilot episode, so I watched this woman walk in, enjoy her chocolate bar, and suddenly go upstairs!...What follows is the feeling of Alice in wonder land wondering how deep the rabbit hole goes...It's an interesting way to pilot a series, starting with the very end first. I did not expect it and I feel it's playing well between how the characters are in the present, and as depicted in the past. Rating it a 10/10 because I came here looking for season 1 episode 3 to watch! The suspense is certainly there with this show, none of the characters feel out of place and actually you really have to wonder what role they all are going to play in upcoming episodes.

Being stuck-at-home allows tons of free time to watch some really terrific British series on Acorn and Britbox! So many surprises in this series, the last 10 minutes are shocking. The only questions I have is just WHY anyone would live in this apartment complex with ALL those deaths/infidelities and totally CRAZY neighbors? And why does Indira Varma, a wonderful married actress, constantly get casts in lesbian roles? What Remains and For Life (in the US) (that's meant to be a joke... she's a great actress, that's why!!)

Really enjoying this series so far, interesting story, characters and setting.