The 12th Victim

Interesting docuseries about a case of which I wasn't aware (not a yank or a Springsteen fan thankfully), but that clearly has a hold on the American psyche.

As well as outlining the serious issues with how the case of the 12th (or 1st) victim and only survivor of the USA's first sociopathic spree killer of the TV news-age it contextaulises, both historically and culturally, those and future difficulties Caril has faced in gaining access to proper justice.

It also touches on the USA's obsession with glamourising guns, violence and misogynist men through pulp fiction, music, TV and movies, whilst sexualising,moralising and demonising the 'women' around them, even when those 'women' are children who've just turned fourteen.

It briefly alludes to the perilous and peculiar set-up of justice in the USA where law enforcement and prosecutors are elected rather than employed on merit, and therefore under pressure to get the results a baying mob of local constituents demand of them in a country that is uncivilised enough to still have the death penality in the C21th whilst pretending to be all sorts of permutations of 'Christian'.

BTW for UK audiences the cinematographer is Peter Hutchens (not Hitchens.... that was really confusing me....).

This is probably the best documentary you will find on the Starkweather killings. Starkweather comes across, rightfully, as a unhinged evil monster yet, somehow, and we will never know why, acted out all this horror in some form of love bond with Fugate. And that is what has spawned so many movies, mostly bad, based on the duo.

The filmmakers have a ax to grind though. They want us to believe in Fugate's total innocence. They defeat this purpose in numerous ways. The film clips and pictures of Fugate during the time of her surrender and Starkweather's capture show a young girl with nothing but a cold, emotionless, blank face. There is zero indication that any of the absolute horrors had any effect on her in any way. In fact, she is wearing the expensive coat of the wealthy Lincoln wife that was brutally slain and bragging about how nice it is.

Fugate changes her personality the longer she is behind bars and the brutal realization that she may be there for life sinks in. The authorities saw this at the time.

The documentary does allow for some comments from non-believers in her innocence who feel she was in her element the whole time only giving up "when the jig was up" and that no one but Starkweather and Fugate really know what happened because they left no witnesses. A fair point.

Ultimately, the authorities in Nebraska in 2020 had the final word when they denied her pardon.

The fable of young outlaw lovers lives on - at least in Lincoln, Nebraska.

As the story is passed on, each new generation has to put its imprint on the chronicle.

From pulp fiction to celluloid and VHS, the folktale develops from murks of desperate, illicit underage sex filled rampage to the essence of digital #metoo era.

The law is as it is interpreted. Charles was lucky enough not to be made a political exhibit of and fried fairly promptly, while luckless Caril was discerned too young and innocent to get the chair and too wicked to let go free, interpretations varying from a fire breathing termagant to a scared little orphan Annie.

Somehow, I can't make connection between Charles and James Dean, he has more like the air of James Cagney in 1937 "Angels with Dirty Faces".

Oh yeah, the Establishment has got its pound of flesh, alright.

If you think that a 14-year-old girl should have attempted to prevent a murdering madman from killing people, you should excuse yourself from the planet. Clearly she is not a murderer and was not in a position to prevent murders at the age of 14 with no one intervening on her behalf at any point with this monster.

The documentary was interesting and well made. I appreciated the clips that they included that put you in that time and place. I also appreciated that they narrated some interviews that they did not have original recordings for. Well I normally think a four-part documentary is too long, in this case I found it interesting to the end.

ABOUT MY REVIEWS:

I do not include a synopsis of the film/show -- you can get that anywhere and that does not constitute a meaningful review -- but rather my thoughts and feelings on the film that hopefully will be informative to you in deciding whether to invest 90-180 minutes of your life on it.

My scale: 1-5 decreasing degrees of "terrible", with 5 being "mediocre" 6- OK. Generally held my interest OR had reasonable cast and/or cinematography, might watch it again 7 - Good. My default rating for a movie I liked enough to watch again, but didn't rise to the upper echelons 8- Very good. Would watch again and recommend to others 9- Outstanding. Would watch over and over; top 10% of my ratings 10 - A classic. (Less than 2% receive this rating). For Lifetime Movies for Chicks (LMFC), drop the above scale by 3 notches. A 6 is excellent and 7 almost unattainable.

I consider this so-called "documentary" to be nothing more than a "mockumentary" in that it is so biased towards the ridiculously named "12th Victim", namely Caril Ann Fugate, that it presents a wholly unbalanced view in attempting to persuade viewers that she was completely innocent of complicity in all the crimes of which she was convicted by a jury of her peers. Indeed, I would go so far as to suggest that the biased views put forward in this series are extremely dangerous in that they suggest that trials with convictions that took place so long ago where most, if not all, of the participants have passed away should be regarded as "unsafe" when "modern standards" are applied.