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Regina Hall, Kelvin Harrison Jr., and Sadie Sink in O'Dessa (2025)

Metacritic reviews

O'Dessa

41

Metascore

14 reviews · Provided by Metacritic.com
  • 80
    IGNRafael Motamayor
    IGNRafael Motamayor
    O'Dessa delivers a bold, catchy musical set in a vibrant cyberpunk world that mixes naturalistic visuals with an aesthetic indebted to 1980s sci-fi and fantasy films. Sadie Sink shines as a singer who can change the world with her ballads, with a gender norm-defying performance and an enchanting singing voice.
  • 60
    Paste MagazineMatthew Jackson
    Paste MagazineMatthew Jackson
    There’s a lot of talent on the screen, some catchy music, and some wonderful visuals and design choices, but none of it ever quite adds up to something bigger, leaving us with a film that’s ambitious but strangely hollow.
  • 50
    VarietyStephen Saito
    VarietyStephen Saito
    There’s too much passion and creativity on display to declare “O’Dessa” a complete catastrophe, but the committed performances and detailed production design and costumes all come across as the product of bibles’ worth of backstory that couldn’t possibly be carried over with the constraints of time.
  • 40
    The Hollywood ReporterAngie Han
    The Hollywood ReporterAngie Han
    There’s a distinctive eye here, and a promising sense of ambition. But in its current form, there’s not enough meat on its (admittedly cool-looking) bones to justify its 106-minute run time.
  • 40
    Screen RantMae Abdulbaki
    Screen RantMae Abdulbaki
    While O’Dessa has a lot of style, it doesn’t have much else. Its substance is sorely lacking, with a lot of jumbled ideas and themes that don’t come together.
  • 38
    Movie NationRoger Moore
    Movie NationRoger Moore
    The blunt truth is that there’s very little that’s original or even interesting in this empty rehash of many a recent YA franchise with occasional pauses for song.
  • 30
    ColliderNate Richard
    ColliderNate Richard
    For all the faults O'Dessa has, it's clearly a film made with an abundance of passion and creativity. It's a gender-swapped, punk rock, post-apocalyptic reinvention of the myth of Orpheus and Eurydice. It's also a movie that largely doesn't work and trips over its own ambition.
  • 25
    RogerEbert.comBrian Tallerico
    RogerEbert.comBrian Tallerico
    Yes, great musicals have been built on “the power of love” before. But pulling that off requires something this movie never has: a heartbeat.
  • 20
    The GuardianRadheyan Simonpillai
    The GuardianRadheyan Simonpillai
    Everyone’s stumbling along in a vaguely defined universe, which really only serves as a backdrop to catchy musical numbers that evolve from folk to pop rock.
  • 16
    The A.V. ClubJacob Oller
    The A.V. ClubJacob Oller
    Sometimes it’s so bad it’s almost entertaining, but mostly you can hardly see the screen because each frame induces an eye-squeezing cringe.
  • See all 14 reviews on Metacritic.com
  • See all external reviews for O'Dessa

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