The modern version of British comedy 'Yes, Prime Minister'.The modern version of British comedy 'Yes, Prime Minister'.The modern version of British comedy 'Yes, Prime Minister'.
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- ConnectionsFeatured in Yes, Prime Minister: Re-elected (2013)
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I am neither a writer nor a programme maker, yet the failings of this relaunch are as obvious as a rotten kipper. I am astonished that writers of this calibre, allow this flaccid imitation to besmirch the memory of one of the greatest achievements of British television of the last 50 years
I really wanted to like this. I didn't expect it to be as immediately brilliant as the original series... but I did expect to be reminded of superb satire and exquisite parody. I was more reminded of catch phrase based sitcoms and early 1970's social exploitation 'jokes'.
The new characters (with the same names as the originals... why?) are not just lacking, they are bereft of any of the qualities of the original cast. Gone is the restrained diffidence, it is replaced with theatrical 'mugging'. Sir Humphrey's new incarnation has 100 times the facial expressions of the original, yet conveys 100th of the gravitas. 'Bernard' needs a deranged hairstyle to denote his inadequacy (we all know funny hair is good for a laugh)... and Hacker is hysterical instead of authentically bemused.
Will it improve when all concerned 'find their feet'? I really hope so... but there is a lot of ground to make up on this showing. I want to apologise for every criticism I have made over the years of American remakes of British programmes. I was wrong. We remake our programmes far worse than you do.
I really wanted to like this. I didn't expect it to be as immediately brilliant as the original series... but I did expect to be reminded of superb satire and exquisite parody. I was more reminded of catch phrase based sitcoms and early 1970's social exploitation 'jokes'.
The new characters (with the same names as the originals... why?) are not just lacking, they are bereft of any of the qualities of the original cast. Gone is the restrained diffidence, it is replaced with theatrical 'mugging'. Sir Humphrey's new incarnation has 100 times the facial expressions of the original, yet conveys 100th of the gravitas. 'Bernard' needs a deranged hairstyle to denote his inadequacy (we all know funny hair is good for a laugh)... and Hacker is hysterical instead of authentically bemused.
Will it improve when all concerned 'find their feet'? I really hope so... but there is a lot of ground to make up on this showing. I want to apologise for every criticism I have made over the years of American remakes of British programmes. I was wrong. We remake our programmes far worse than you do.
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