In February, 2013, Louis brings his impish nihilism to Phoenix, Arizona. He talks about an old lady and her pet, living in Manhattan, experiencing his body's aging (he's 45), men's fascinati... Read allIn February, 2013, Louis brings his impish nihilism to Phoenix, Arizona. He talks about an old lady and her pet, living in Manhattan, experiencing his body's aging (he's 45), men's fascination with women's breasts, the beauty of living outside the food chain, his quickness to ang... Read allIn February, 2013, Louis brings his impish nihilism to Phoenix, Arizona. He talks about an old lady and her pet, living in Manhattan, experiencing his body's aging (he's 45), men's fascination with women's breasts, the beauty of living outside the food chain, his quickness to anger while driving, and murder. It's theater in the round, so he's in constant motion, a gri... Read all
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Featured reviews
Although much of his material doesn't tread new ground, it doesn't matter - his arsenal of jokes about growing old and waving goodbye to youth with a sigh are always fresh and bleakly hilarious.
His material comes from thoughts that most people have every day but never talk about, and the audience's secret familiarity with the subject matters makes laughing at them all the more relieving.
This is the one stand-up show that comedians everywhere would work their entire lives to emulate. But it's not made for comedians. It's made for you and me to join in laughing at the misery of the average life, and be completely comfortable with it.
Throughout, "Oh My God" points out keenly-honed absurdities that sit right under our noses. It's uproarious stuff.
We need laughter. Maybe the argument is that we can find something from someone else whose character is more worthy of our collective approval. But if this is where you're inclined to look for laughs, it's truly a hysterical ride. - (Was this review of use to you? If so, let me know by clicking "Helpful". Cheers!) - WATCHED IT? THEN WATCHLIST: "George Carlin... It's Bad for Ya! (2008)," "Stadium Anthems (2018)," "Jim Norton: Contextually Inadequate (2015)."
The core of C.K.'s comedy is not the material itself. He is not reliant on comedy mechanics for laughs. Nothing he says ever feels like a joke in the traditional 'setup, punchline' sensibility. No, the humor is sourced in his energy and inflections, where the audience is experiencing the world through his point of view as if we were in his body, thoughts or fantasies. Sometimes it's all three.
Often I find myself laughing at his word choices and visual descriptions. At times, he's merely just stating the obvious. But the way C.K. utilizes a metaphor or simile is artful in how he can conjoin two separate ideas together, where he can wormhole the audience's minds to some unexpected grotesque places for comparisons. And then he builds on it by acting out these ridiculous thought trains. There was also one improvisational moment where he accidentally spills water and he comments on it that had me aching in laughter. The bit he did as his closer was truly the climax of this new hour.
C.K. makes a point that being older makes a more intelligent and interesting person. He is the living embodiment of his own point. We're watching a comedian who has grown into himself, and we're intrigued not just for the laughs, but because he has something to say. A voice with true gravitas that he has earned from living a life.
And for that, Louis C.K. seems eternally connected to the grotesque and the morbid, but it's all enwrapped over a positive message: appreciate life and what you have. That's how he gets away with saying very horrible things on stage. As an audience member, I rather enjoy watching him get away with it.
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This sense of honesty and realism helps a great deal to get into the material, because often you cannot help but agree, even when some of the things he says are pretty dark, it comes from a place of truth but not often spoken out loud. Of course this isn't enough on its own though and it helps that the things he put forward are delivered with imagination and timing, so the phrasing and delivering of the material is consistently funny. I wasn't sure what to expect when it came to the round stage but it works very well and the camera never loses Louis even though he keeps moving and engages well with the crowd – even sitting he is careful to talk over his shoulder at times. His easy delivery makes it look easy but of course it is not.
More accessible than his TV show, this special is dark, honest and very funny throughout.
Did you know
- TriviaHBO originally refused to let Louis C.K. release this special on his website for $5.00 like he did with Louis C.K.: Live at the Beacon Theater (2011). So C.K. refused let the special air on HBO. Eventually, HBO relented due to C.K.'s popularity.
- ConnectionsFeatured in De wereld draait door: Episode #8.161 (2013)
Details
- Runtime58 minutes
- Color
- Aspect ratio
- 16:9 HD