Kuroyuri danchi

Maybe you've seen this or something similar before and the story itself won't surprise you that much. But the movie is more than decent. The horror does work on quite a few levels, even if you can see the jump scare coming. Plus there is a story (even if it might feel a bit like a cheat in the end).

The acting is nice, the characters well defined. There is some of the usual things you've come to known from horror movies from Asia. If you didn't get sick of it (some people can't see another woman with long hair hiding her face crawling on the floor or looking scary in general), you will get entertained and have a really good scary time

The Complex isn't a perfect film, but it builds on a time-honored formula: Nothing is what it seems to be. 'Ringu' director Hideo Nakata is back with a thriller that may annoy you with seemingly random plot twists, changes of scene, and viewpoint changes, but stick with it, there's a terrifying story behind all the confusion. In fact, The Complex resembles a Korean thriller more than a J-horror flick, in the kaleidoscopic subjective-cinema way things are frequently turned upside down to reveal more of what's really going on.

The truth, once you discover it, is nothing really new, but its truly thriling in the way the pieces fall together (I'm pretty sure a lot of the low ratings were from people who got lost), and it's genuinely scary all the way through, and the lovely cinematography and some fine performances by the young stars help lift it up to near-Ringu status. But what puts it over the top is an exciting, compelling score by veteran composer Kenji Kawai, which keeps the heart racing.

I've seen them all, and this one still scared the heck out of me, while doing an ingenious job orchestrating the threatening power of grief and guilt in a way I haven't seen since 'Dark Water.'

I watched this film during the Edinburgh International Film Festival in 2013. I had high hopes for this film, as it was being directed by Hideo Nakata, director of Ringu. It was an OK movie, unfortunately there was nothing too special about it.

The story was based around a new family that moved into a new housing complex, but the daughter, Asuka, began having strange experiences around the home, involving her neighbour & a young boy who always played alone.

There was good cinematography & Nakata did set the scenes well, building the tensions as you would expect from him. He created a sense of normal everyday life early on, while at the same time giving the audience an subtle clues that all is not quite right. There was a great use of unsettling music to add to the scenes, but I just felt like it didn't pay off, it just felt creepy at best.

The characters were interesting, with the lead actress playing Asuka doing a great job at carrying the tension & suspense through the earlier parts of the movie. There were a few typical Japanese horror clichés, but it didn't take away from the movie. I ended up feeling like I witnessed an interesting story, with the odd cheap scare & nothing more, when I was hoping for a little more creepy & scary.

I saw this film at the Brussel fantastic film festival 2013 (BIFFF) together with nearly 1000 people. Contrary to what I am used to in other film festivals, the audience was not dead silent but yelled some comments from time to time. I have been at many film festivals, but this "participating" behavior was completely new to me. I observed this also with other films in this festival, thus it may belong to local folklore. Anyway, it was not annoying or disturbing, just remarkable and unusual.

The plot seemed so simple during the first half, but rest assured that it gets more complicated later on. Don't repeat my mistake by thinking that the dying neighbor was an important issue. As the story progresses we see several hints that there is more going on, much more in fact. Take for instance the lonely child who Asuka encounters when walking through the neighborhood when she just moved in a new apartment with her family. And her observation about a dialog between her parents that repeats itself daily, a phenomenon that her parents of course deny. And there was an earlier bus accident with Asuka as the sole survivor. Take note that there are more such hints, and these get mixed together eventually. As a heads up to future viewers: it is important to take these hints seriously from the moment they appear.

All in all, I found this film rather enjoyable and yet scary enough, a mixture that I missed in many Japanese horror movies I saw in the past. The growing relationship between Asuka and Shinobu might have resulted in a happy end, with everyone living happily ever after, but this is not exactly (euphemism alert!) what is going to happen. To avoid spoilers I cannot say more than to be prepared that things are not developing as you might expect upfront.

"The Complex" does deviate a bit from the standard Japanese horror genre with some pretty interesting twists, which was a very welcomed change of pace to the genre. However, the movie was nowhere near being scary, or I am just too seasoned and hardened to horror, and that resulted in a mediocre result.

The story is about Asuka who moves into an older apartment complex, and soon after strange things start to happen which threaten to send Asuka's mind down a spiral of despair.

Story-wise then "The Complex" was following a stereotypical 'how-to-make-a-horror-movie' blueprint, but it has some interesting twists and turn of events.

The acting was good and helped the movie along quite well. Atsuko Maeda actually carried the lead quite well.

The effects in "The Complex" were adequate, but not overly impressive or dazzling. But they did serve the purpose well enough.

However, the lack of proper scares was the downfall that plummeted the movie into mediocrity. And as such, what could have been a unique movie ended up as a movie that you will Watch once and then never again.