Escaping his foundering marriage in London, Gerry (Aidan Gillen) goes to Singapore to sort out the estate of his brother John, who owned a hostess bar there and has just died in mysterious c... Read allEscaping his foundering marriage in London, Gerry (Aidan Gillen) goes to Singapore to sort out the estate of his brother John, who owned a hostess bar there and has just died in mysterious circumstances.Escaping his foundering marriage in London, Gerry (Aidan Gillen) goes to Singapore to sort out the estate of his brother John, who owned a hostess bar there and has just died in mysterious circumstances.
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- Stars
- Awards
- 3 nominations total
Photos
Andrew Bennett
- John Devine
- (voice)
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Featured reviews
This film has an interesting theme and the potential to be much more than what it is. The central character arrives in Singapore after his brother's death there and, over the indeterminate ensuing period, dreamily drifts into his dead brother's ex-pat life - staying with his family and floating around the seedy bar he ran - while having nightmares/flashbacks about his problematic marriage back home. So, the breakdown of a marriage on the one hand and bereavement on the other. Rich ground for exploring human feelings, yet I didn't really get a sense of his (or affected others') pain or any soul-searching to make sense of his situation. A good drama seldom neatly resolves all the key 'dramas', centring instead on the human condition and the nature of relationships. This film attempts to do that, but the lack of character development makes it difficult to identify with the protagonists and to be moved by or care much about their plight. The actors make a decent fist of a narrative that sometimes wants for coherence (not all scenes/subplots seem relevant or in some cases are underdeveloped) and the largely insipid dialogue, which, with few exceptions, reveals little about the characters and their motives and needs some attention to lend them greater depth. The overall effect is of a potentially relevant piece of work made somewhat prematurely, before the authors had really decided what story it was they wanted to tell or how best to tell it. Despite the score, I'd be tempted to give it a second chance some time to see if I was just being unreceptive.
OK, 3 years later, 2nd viewing accomplished. Enjoyed it more. 3/10? It's better than that. Characters seemed more life-like; some good dialogue; quite atmospheric; may linger.
Set in Singapore, MISTER JOHN has a straightforward plot: Gerry Devine (Aidan Gillen) travels to Singapore to find out what happen to his dead brother, the proprietor of Mister John's bar. He encounters various people including John's wife Kim (Zoe Tay), his daughter-in-law Isadora (Ashleigh Judith White), and John's best friend Lester (Michael Thomas), and while doing so discovers something about John's life, which seems to Gerry to be idyllic, unlike his own life back home in London, where he has experienced marital difficulties with wife Sarah (Molly Rose Lawlor). Despite numerous opportunities to carve out a new life, Gerry opts instead to return to London. Directors Joe Lawlor and Christine Molloy create a claustrophobic world of interior and Singapore night life - a suitable backdrop for a penetrating study of Gerry's indecisive character. Tormented by memories of the past, he cannot make up his mind in the present. The camera focuses intently on his facial expressions, suggesting that he is somehow imprisoned by his nature. On the other hand we can see why he should think like that - even though John had carved out a good life for himself in Singapore, the world of seedy bars, nighttime pickups and one-night stands does not seem in any way idealistic. Modestly budgeted yet sympathetically photographed with an eye for color both in day and night sequences, MISTER JOHN is an unexpectedly haunting film.
This was the most pointless film I think I have ever watched.
The cast mumble their way through the limited dialogue and a good portion of the film seems to comprise of endless pensive gazes into the near distance, endless pensive gazes into the far distance and endless pensive gazes at other members of the cast.
The camera gazes pensively at the back of the casts neck, head .........and so on.
A snake steals the show and out-acts the whole cast.
Avoid. Did I mention it's completely pointless ?
An evocation of a moment - to evoke a moment - to question this - and your - life ...sometimes the pain will show...even though you didn't want to reveal it, or you thought you didn't, but really you did...A spirit in this world...on reflection too many knowing looks in contradiction of the feelings ot tries to evoke...
Very slow with no real story to tell and mediocre acting. I persevered to the end but I'd recommend that you don't.
The scenery is probably the best aspect and there are plenty of asiatic girls to ogle but that's about it I'm afraid.
The scenery is probably the best aspect and there are plenty of asiatic girls to ogle but that's about it I'm afraid.
Did you know
- TriviaMayling Ng's debut.
- Quotes
Gerry Devine: [visiting his brother in a morgue] Hey John... it's me
Details
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 2.35 : 1
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