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La Femme du Diplomate (2014)

News

La Femme du Diplomate

Cléo de 5 à 7 (1962)
Cléo from 5 to 7: Agnès Varda’s New Wave classic is cosmopolitan to the core
Cléo de 5 à 7 (1962)
This elegant film follows a sad, beautiful woman around Paris as she awaits the results of a biopsy – and the result is eternally cool

Cléo from 5 to 7 is streaming on Sbs On Demand. For more recommendations of what to stream in Australia, click hereGet our weekend culture and lifestyle email

So elegant, so stylish, so extremely and eternally cool. In broad strokes Agnès Varda’s second feature film sounds like a downer: Cléo Victoire (Corinne Marchand), a singer in Paris, nervously awaits the results of a biopsy. In more specific terms it sounds rather uneventful: unfolding in real-time, Cléo spends her day faffing about – going to a cafe, trying on clothes, hanging out in her apartment with friends, walking the streets, catching cabs. But the sheer delightfulness of Cléo from 5 to 7 comes down to execution, its form and aesthetic born from the coolest cinema movement of...
See full article at The Guardian - Film News
  • 7/4/2023
  • by Luke Buckmaster
  • The Guardian - Film News
Victor Levin
‘Destination Wedding’ Review: Keanu Reeves and Winona Ryder, Reinvented as Adorable Misanthropes
Victor Levin
There are other characters in Victor Levin’s “Destination Wedding” beyond Frank (Keanu Reeves) and Lindsay (Winona Ryder), but none of them matter or get a moment of screen time beyond filling space in a wide shot. Not the dim bride, or the thoughtless groom, or the cold mother-in-law; the only people who matter are Frank and Lindsay, and so it’s only fitting that when “Destination Wedding” opens, it comes with an amusing subtitle: “A Narcissist Can’t Die Because Then the Entire World Would End.” And, yes, this is a romantic comedy.

Levin’s film, his first since the 2014 Anton Yelchin romantic drama “5 to 7,” will feel familiar to rom-com fans, though the filmmaker lets Reeves and Ryder rip into characters who would be pushed to the side in fluffier films. Most of all, “Destination Wedding” makes the case that the two-hander isn’t dead, even if...
See full article at Indiewire
  • 8/30/2018
  • by Kate Erbland
  • Indiewire
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