OXV: The Manual

I saw the world premiere at Fantasia and chatted at length with writer/director/editor/producer Darren Paul Fisher afterwards.

The Universe he created and that the viewer slowly discovers is complex, coherent, intriguing and raise ethical and philosophical questions including the classic determinism versus free will dilemma. The arguments and points of view are quite interesting, with a caveat that in the end, perhaps who cares?

There is a love story in the midst (and a friendship) that builds and begs to reach you emotionally with fine acting and directing. Character development arise seamlessly through three different age period and the pacing and editing are quite remarkably on cue.

I don't want to reveal too much about this cerebral science fiction, but there are many clever surprises that awaits the engaged viewer both in the story twists and the underlying concepts explored. Even love has some deep philosophical implications at one point in the context of the film.

So there you have it: the best film of Fantasia so far this year and one of the best sci-fi ever, from the spectacular script to the screen.

Bravo Mr Fisher and thank you for sharing your thoughts and labour of love in this artistic and philosophical masterpiece.

It has some interesting ideas, but their delivery lacks cohesion and step-by-step development, which in my view loses exactly the viewer it's meant to attract - the thinking, curious type. This is what we read in Wikipedia: "Zak discovers with Theo that sound waves, when combined with gibberish two-syllable words, are able to temporarily raise one's frequency. They create a cell phone device which, based on the environment, is able to determine which words can raise one's frequency." This is not what we see on the screen. We can just about figure out that the combination of sound waves and meaningless words can cause a fluctuation (we're still left to guess that the fluctuation means Zak's frequency is raised), but the creation of the cell phone device is left completely outside the narrative. We are expected to do the guess work every step of the way, but there's simply not enough material to arrive at determinant conclusions. And this is coming from a director who decided to resurrect the idea of scientific determinism, which had been buried at the turn of the 20th century. It totally makes sense that every human being should have a frequency, since every particle is also a wave (in itself not a deterministic concept), but the question what to make of it has not been answered with this effort.

I was skeptical about the ratings on IMDb but I decided to see this because I was looking for something different. I love the way it was told in parts, and how they all fit together. The movie was very smart and the actors and actresses all did an amazing job.

It kind of reminds me of the SciFi show Eureka, but with a more darker twist; I liked it. They did a good job with the music and the way they used the sound effects. Very clever camera work when viewing the situation from a certain persons perspective, bland colors vs. good saturation.

The movie had a slow build but the wait and the wonder was completely worth it in the end and it kept me thoroughly intrigued throughout. Great flick, I recommend it.. just bring your thinking caps, this one is for talking about.

A very original idea that kept me thinking throughout the movie. The movie reminded me of Yorgos Lanthimos, the Greek director of The Lobster and Dogtooth, very dystopian. A very well made low budget sci-fi that managed to hit far above it's weight. A big thumbs up.

This movie is pretty savvy to say the least. It's also one of those cases where it merits more than one viewing to fully understand and appreciate what is going on. While the front is a romantic comedy with a Science Fiction touch, the Sci-Fi part is actually a lot bigger than you may think at first. Or maybe you thought about it or read about it already, but whatever the case, experiencing this movie, is a blast to say the least.

We have more time-lines and more jumps than some people will be able to handle or even want to handle. There's a point where things can seem to be too much. And after a couple of twists you may find yourself going "come on". But if you are like me and those other people who loved this, you'll actually be craving for more ... which is something the director is hinting at towards the end ... visually but also in his commentary!