Les Mauvais Esprits

Maybe I don't expect to see a Citizen Cane level movie when I am watching a Netflix horror film. Some of the reviews make it seem like they watched a different movie. It is a decent horror movie. It won't blow you away, but the story is original enough and acting good enough that it is an enjoyable movie to watch. It's on Netflix give it a shot.

There were moments during this horror flick where I was fully engaged but then found myself struggling to keep interested. The pace is uneven and the dialog stiff and unnatural. A big part of the problem is actor Ben Lloyd-Hughes. Perhaps it's the fault of the filmmakers for making this Brit actor an American caritcature, cartoonish in his immorality, bullying with denim shirt sleeves rolled up like a 50's Kerouac character, but most of the fault likes with the actor himself. Lloyd-Hughes prefers bludgeoning the viewer instead of giving us muted shades. On the other hand, Florence Pugh is a revelation. Whereas Lloyd-Hughes's portrayal lacks subtlety, Pugh is all nuance. Silent through much of the movie, the director lets Pugh's face tell the story. She has a way of barely moving her facial muscles to convey a great deal. At one point early on, a friend asks a newly-haunted Angela if "she's on something." Her reaction perfectly captures that look narcotic drugs can bring to a person; it leaves the viewer with no doubt to her changing state of mind. A wonderful moment. As for the film itself, it avoids many of the genre's repetitious gimmicks, relying on our imagination to fill in the blanks. For that alone, and Pugh's remarkable performance, I enjoyed "Malevolent," despite the lagging moments, weak dialog and Ben Lloyd-Hughes.

I really looked forward to Malevolent, particularly when I read the outline and saw that both Celia Imrie and James Cosmo were in it.

The script is a really good one, the plot is clever, and is probably the film's biggest asset, the performances are good, and at least the film manages to surprise you, as you watch it, you think you know exactly the direction the film is moving in, you quickly discover you were wrong.

It is definitely flawed, at times it seems not to make sense, almost as if scenes were cut, but it hangs together well, and after a pretty tame start it transforms into a much grittier, darker film.

Fine performances, Ben Lloyd-Hughes and Florence Pugh were particularly good I thought, Celia Imrie is excellent as always, a great chance to witness just how wonderfully talented and versatile an actress she is, what a difference to her character in Acorn Antiques.

It never looks high budget, but it's an enjoyable watch, 7/10.

Just a short review:



The first (jump) scares are good but after that the movie slows down. Acting is okay at worst but the lead actress is cute. The movie starts fine yet slows down when the actual plot starts. The movie has good ideas that failed to execute properly, but still is fine. Don't expect to be scared after the first 30 minutes.



Veredict: Has potential but although not executed properly it's at worst decent to watch. Not much scares. If you like Get Out/ It Follows type of movies, give this a watch.

A simple idea but easily to determine how it's going to end. Good acting but sometimes a bit stiff. Some scenes were gruesome but overall an ok 'ghost' story if you have a spare hour or so to watch it. Nothing to keep you on the edge of your seat.