Vaazhai

This movie is about Sivanaindhan, a school student who is forced to work at weekends and holidays as a labourer to carry heavy banana bunches to pay his family's debt. The movie covers Sivanaidhan's friendship, his crush on a teacher, the state of villagers relying on only one job and the exploitation by the owner.

The movie starts with a serious flashforward scene of the movie's conflict. The school sequences, the fights and the unity between Sivanaidhan and his friend Sekhar, Sivanaidhan's infatuation towards his Teacher Poongodi, and the love scenes of Kani and Vembu were written as if in a slice-of-life movie. The attempt of Sivanaidhan and his friend Sekhar to avoid going to labour work was funny as well, as it shows how badly they hated it.

The conflicts were written as whenever Sivanaidhan does something for his joy it reverts to him negatively. I set my mind that something bad was going to happen as I saw the characters were happy for some time. The movie shows how the poor are being exploited without proper pay and treated poorly by the owners and middlemen. The movie gets darker by the climax. All the emotions were high in the movie, as required. The movie is good in every aspect.

Mari Selvaraj did a great job in crafting the true incident into a story of a schoolboy and then as a movie. Respect for him goes up, and I have high expectations for his next movie. The two boys who played Sivanaidhan and Sekhar did very well in their roles as debut actors. Other actors were good too as they played their roles well in the movie. The cinematography and composition were good. The music and songs play a vital role in this film to give a fulfilling experience.

In conclusion, I love this movie. It has had a huge impact on me. I would suggest everyone to watch this at least once.

"**Vaazhai**" is a deeply resonant film that serves as both a cinematic experience and a poignant exploration of life in rural India. Directed with a masterful blend of sensitivity and realism, the film presents a narrative that is as much about survival as it is about hope. With its authentic portrayal of the struggles faced by its characters, "Vaazhai" captures the essence of a world that is often overlooked in mainstream cinema.

Set in a remote village in Tamil Nadu, the film centers on a young boy who dreams of a better life amidst the harsh realities of his environment. His journey is one of resilience and determination, as he navigates the challenges that come his way with an unwavering spirit. The director, through his nuanced storytelling, ensures that the boy's story is not just about individual struggle but also about the broader socio-economic issues that plague rural India.

The film's pacing is deliberate, allowing the viewer to fully immerse themselves in the environment and the lives of the characters. This slow pace might be a deterrent for some, but it is crucial for the kind of storytelling "Vaazhai" aims to achieve. The narrative unfolds gradually, giving the audience time to absorb the intricacies of village life and the complex emotions that come with it. This approach also highlights the stark contrast between the serenity of the rural landscape and the underlying tension of daily survival.

One of the most striking aspects of "Vaazhai" is its cinematography. The film is a visual treat, with each frame meticulously composed to reflect the beauty and brutality of rural life. The lush green fields, the rustic homes, and the faces of the villagers are all captured with an authenticity that makes the film feel almost like a documentary. The use of natural light enhances the realism, while the camera's intimate focus on the characters adds depth to their emotional experiences. The visual storytelling in "Vaazhai" is so powerful that even without dialogue, the audience can feel the weight of the characters' struggles.

The performances in "Vaazhai" are another highlight of the film. The cast, consisting mostly of non-professional actors, delivers performances that are raw and deeply moving. The young protagonist, in particular, gives a performance that is both heart-wrenching and inspiring. His portrayal of a boy caught between the innocence of childhood and the harsh realities of adulthood is nuanced and compelling. The supporting cast also does an excellent job of bringing the village to life, with each character adding to the richness of the story.

The film's music and sound design play a subtle yet significant role in enhancing the overall experience. The score is understated, blending seamlessly with the natural sounds of the village. It serves to underscore the emotions of the characters without ever overwhelming the narrative. The use of silence is also noteworthy, as it amplifies the tension in key moments and allows the audience to fully engage with the story on an emotional level.

"Vaazhai" is a film that doesn't shy away from depicting the harsh realities of rural life, yet it is also a film that is full of hope. The director does an excellent job of balancing these two elements, creating a narrative that is both realistic and uplifting. The film addresses important social issues, such as poverty, education, and the rural-urban divide, but it does so in a way that feels organic to the story,

In conclusion, "Vaazhai" is a beautifully crafted film that offers a rare and intimate glimpse into a world that is often ignored by mainstream cinema. It is a film that challenges the viewer to think deeply about the issues it presents, while also offering a message of hope and resilience. For those who appreciate films that are both thought-provoking and emotionally engaging, "Vaazhai" is a must-watch. Its combination of stunning visuals, powerful performances, and a compelling narrative make it a standout film in contemporary Indian cinema.

Very Good movie based on real events .I can say that the best movie from Mari Selvaraj. No politics like his earlier movies. Only real story with some movie element to make you engaged .The cinematography and music is top notch If you are somewhat familiar with the life in villages, you will definitely love this movie. If you lived your entire life in cities like Chennai you may not connect with this movie. No powerful mainstream hero, duet songs and typical fight scene. You will love the portrayal of lifestyle in southern districts in Tamilnadu in 1980s. The inclusion of movie songs from that era is beautiful. The only concern to me was overloaded emotion.

Vaazhai is more than just a film and those who have experienced it knows it leaves a mark - a film that is psychologically draining yet ultimately heartwarming coming-of-age journey that evokes smiles but with a heavy heart. It is a remarkable film from threads of real life events from director Mari Selvaraj's own life.

It follows the arduous journey of young Sivanaindhan, living with his mother and sister in the idyllic yet challenging village of Puliyankulam near Tirunelveli. He and his best friend Sekar navigate the treacherous terrain of poverty, a relentless cycle of labor mirroring the hardships. Sivanaindhan has a morbid wish, might sound messed up but he hopes that someone in the village passes away daily so he can avoid the laborious task of lugging. The banter between both about Kamal Haasan and Rajinikanth is sure to elicit laughter from audiences and this adds a layer of humor to the film.

However, amidst the harsh realities, a delicate beauty unfolds. Despite the weight of existence, Sivanaindhan remains steadfast in his studies, finding solace in the gentle gaze of teacher Poongkodi.

Furthermore, Sivanaindhan's obsession with Poongkoodi reaches new heights as he not only sniffs her handkerchief and hums songs named after her but also accompanies her on her daily errands, such as visiting the rice mill. This is like a beacon of hope for the young Sivanaindhan who doesn't want to miss school amidst the tempest of life that demands he carry banana plantains to repay the debt of his late Father. The film's emotional climax and surreal imagery are hallmarks of Mari Selvaraj's distinctive style. The director skillfully employs a raw sequence involving paper cuttings to reveal the true incident.

Mari Selvaraj, a master storyteller, paints a vivid portrait of childhood with a fine balance between nature's elements and the village's intricate caste dynamics. The cinematography captures the beauty and the brutality of rural life with equal poignancy. Additionally, Mari Selvaraj's approach to the film's intermission was particularly noteworthy. Instead of relying on the conventional template, he opted for a more retro-inspired cinematic technique, utilizing on-screen text to echo Sivanaindhan's internal turmoil and his vow to his mother.

For some, the boy's daily life might seem mundane, and the village life, with its fights and caste divides, might appear like not an everyday affair to city dwellers. But I guarantee you that Vaazhai provides a unique perspective, showcasing the complexities of rural life that often go unnoticed as it delves deeper revealing another side of Sivanendhan's inner world. His coming-of-age experiences, a delicate blend of joy and sorrow, which will be rewarding for those seeking a thought-provoking and emotionally resonant cinematic experience.

The film seems to be a slow-burn narrative that resonates more with an audience familiar with rural life and its everyday struggles, rather than catering to mainstream entertainment. While it lacks the high-paced drama or action many viewers might expect, the technical aspects such as cinematography, direction, acting, and background score are undoubtedly praiseworthy, which is often a hallmark of art films.

The comparison to Rahul Dravid's batting style -steady, technically sound, and unflashy - perfectly encapsulates the film's approach. It's methodical and patient, not relying on extravagant or high-intensity moments, but rather on the steady build-up of simple yet meaningful storytelling. The climax, as you pointed out, brings everything together and provides a satisfying conclusion, making the earlier slow pace feel justified.

In summary, Vazhai appears to be a well-crafted art film, best suited for audiences with an appreciation for subtle, authentic filmmaking rather than those seeking high entertainment value.