User reviews

'WE ARE THE BEST!': Four Stars (Out of Five)

Swedish-Danish drama flick about three teenage girls, that decide to form a punk band together; in 1982 Stockholm. It stars a cast of mostly unknowns; including Mira Barkhammar, Mira Grosin and Liv LeMoyne (as the three leads). It was written and directed by Lukas Moodysson and it's based on the 2008 graphic novel 'Never Goodnight'; by Coco Moodysson (the director's wife). The film received mostly rave reviews and it's appeared on many American critics' 2014 Top 10 lists. I found it to be inspiring and beautifully natural.

Bobo (Barkhammar) and Klara (Grosin) are two 13-year-old girls, growing up in 1982 Stockholm. They're outsiders at their school, due to their androgynous appearance and love for punk rock music; which many consider a 'dead art form'. They decide to form a band, despite not knowing how to play any instruments, as a way of rebelling against popular culture. Later they enlist a Christian girl named Hedvig (LeMoyne), from their school, to help them learn how to play chords and sing songs. Hedvig plays classical guitar, very well, and she's also a social outcast. The three girls form a beautiful team.

The movie is very impressive; in how it captures youth so realistically. The dialogue is really believable; and the three lead performances are super natural. If I didn't know any better, I would have totally believed it was a documentary (almost). The directing is completely fitting to the material and the story is beautifully inspiring. What a great movie for all kids, of almost any age, to see. Especially social outsiders and those that love punk music. The soundtrack is also totally awesome! I highly recommend it; to kids and adults alike.

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I can't recall the last time I saw such an awesome movie about punk rock.

There's nothing like being a preteen like Bobo, who comes from a single parent home and dislikes her parents and takes comfort by getting into punk rock. What makes her situation better is finding a rebellious preteen like Klara who has similar interest in punk rock and disliking her parents (who are actually really cool but understandingly embarrassing from a 12 year old's point of view.) And when the two "weird kids" in school find each other, they find the best way to express their uniqueness in Stockholm 1982...by starting a punk rock band.

They didn't own their own instruments or even know how to play anything, and no matter what the boys who thought their Motorhead rip off band, Iron fist said about them they got the job done, and kept punk alive when it was "dying". Adding to their mixed a talented guitar player in Hedvig, they tell the tale of possibly every great band's origin.

What I love most about the movie is the binding friendship of the girls. Like when bass player and vocals Klara had a problem with Guitar player, Hedvig's Christian upbringing or when drummer Bobo and Klara are face with a "Bros before hos" situation. They stand together, even when everyone thinks they suck, they stand together. A lesson most bands should take into consideration.

This movie kicks-ass on some many levels. It's for everyone who loves the spirit of punk rock. We are the Best!!!

'Punk is dead' as they say in the film which is set in 1982. Punk fans from 1977 have moved on to Joy Division and young people are dancing in tacky attire to The Human League! Not these three passionate young 13 year old girls Bobo, Clara and Hedvig. They still think punk is very much alive and want to form a band, even though the founding members Bobo and Clara cannot play (They later recruit Hedvig who is a classical guitarist). A simple premise like this makes for one of the most enjoyable films this year so far.

Bobo and Clara are outsiders in their school. Bobo is the shy, androgynous type, whereas Clara is the outspoken type with naïve anti-establishment views. After a minor punishment in gym class for not joining in, they vent their frustrations at the seemingly unnecessary part of the school curriculum by writing a song titled 'Hate the Sport'. They pretend to be in a band when they are at their local youth club and manage to book a room where there is instruments. Since they cannot play a note between them, they need to recruit someone else. When watching Hedvig play classical guitar to a chorus of boos from the audience at a school concert, they recognise she is an outsider as well. There is discussion over whether Hedvig's Christian views would be fitting with their image. Clara amusingly thinks of it as a challenge to turn her from Christian into a punk.

The three girls boast the usual mixture of cynicism towards mainstream cultural ideals and a positive enthusiasm for changing the world. The actresses do a stellar job in making the conversations and interaction seem very believable. The film is often very funny and very relatable to anyone who was some kind of passionate outsider as a teenager. The parents of the girls are also well observed. Here we have burned out and embarrassing hippy parents who are sickeningly liberal and a single mum who floats from man to man to suppress her loneliness. They may have at one time been enthusiastic and idealistic in their formative years much like the central characters, but life has made them 'uncool'! The dialogue seems ad-libbed most of the time and done very well. The scenes are expertly edited so the conversations are not drawn out so much which happens often with improvised dialogue. It also has a social realism aesthetic to it which I feel is needed for a film like this it really encapsulates the energetic, youthful optimism which is also realistic.

After years of apparently making dark art films, Director Lukas Moodysson has made something here which encapsulates the spirit and energy of youth and punk. I feel it is Directed by someone who really understands punk as not just a genre of music, but a passion and attitude which lives in the hearts and minds of, in this case, the dis-enfranchised youth. The fact that it is based on his wife's comic book in which she writes of her own experiences as a teenager, it seems like a personal project too. I could not stop grinning throughout the whole film as I found it a particularly joyful experience. The film gives way to poignant moments like the scene when Hedvig plays an acoustic version of a song by Swedish punk band KSMB. It was a scene which made me nearly cry and really gave the lyrics a new perspective with the acoustic guitar. It made me want to go home and write a songs expressing my general vitriol towards the bureaucracy of sport, but could not come up with something as good as this. As they say 'We are the Best!'. And it's true!

It's 1982 Stockholm. Bobo and Klara are outcast 13 year old girls. Bobo lives with her single mom. Klara is angry, political and rebellious. They want to play punk despite people telling them that punk is dead. The only problem is that they don't know how to play music. They befriend shy religious Hedvig who teaches them how to play music. The girls' friendships go through a haircut, some boy troubles and band disputes. In the end, they get a gig and cause a minor riot.

The puppy punk is cute but kinda meaningless. Sometimes they are more brats than rebels. I guess rebelling against gym class is important when you're that young. It doesn't dig that deep. The girls' friendship is the more compelling thing in this movie. It's best when the girls deal with the ups and downs of their relationship. The characters are well-drawn and the girls are fair actors.

Just saw this with my 11-year old (+ friend) and parents. We all enjoyed the film immensely. Lots of laughing out loud from everybody and squirming at embarrassing situations for the kids. High quality work in all areas of cast and crew. Very good description of the joy and energy of youth that are just beginning to form strong friendships, stand up for themselves (and each other) and explore their creativity and define themselves interacting with the world. Such a relief from most films about/for youth that are stuck in surface aesthetics, cardboard characters and and routine sexism. We will see this one again, more than twice.

"We Are the Best!" is a Swedish film about some very young ladies who want to be a punk band. The only problem, and it seems a minor one to them, is that Klara and Bobo know absolutely nothing about music...but at least they have decent punk rock hair. Eventually, the decide to ask a very non-punk sort of girl at school to join them because Hedvig actually knows how to play. This story is about these three and their friendship and really doesn't have a lot more to it.

The story is a slice of life but don't expect much of a resolution or fireworks. It's slow and also a bit embarrassing to watch...particularly when you see these 13 year-olds chasing boys...they are so, so awkward. But it also is unique...and therein lies its charm.

First off, I was a muffle school "punk" in 1982, so I couldn't resist catching a screening of We Are the Best at the Jeonju Film Festival (Korea). My previous experience with Swedish films has been limited, and resulted in spells of sleep (the scenes of Swedish TV in this film were reminiscent!).

The young actresses were amazing! Real, infectious. . . brilliant! The story-telling and script were first-rate. The filming fit the material perfectly. I could appreciate this both as a 40- something adult now and as a compatriot of the main characters from that time period-- even if I experienced adolescence half a world away.

It's a feel-good film, and serious issues are framed in the most palatable way-- but the movie makes no pretensions and it it was it is, and that is a first-rate film, great for all ages, that has everyone leaving with a smile!

It is very rare that you see two callow girls with rebellion/ignorance as their sole weapon try to thwart a universally accepted notion. This film tries to introduce this setup but goes haywire once hormones kick in.

The film talks about three 12/13-year old girls who have certain things to worry about like religion, relationships, haircuts, etc.. They believe that punk music is still alive and burning, while the world knows it is dead. With no resources or even an idea of where to start, they play with the it. I should say these girls perform exceptionally well and it didn't look like they were acting. Sporting semi-Mohawks and punky clothes, they try to find happiness in small things as they figure out music creation is no child's play, yet do not care to accept it.

Several elements like family, revolt, youth, atheism, adolescence, etc. find mention in these girls' activities and that is where we start to notice that the drama goes off-topic and we don't really know if it was purely intentional. Beauty hampers these girls' mindset as one of them finds it hard to attract boys of her age or older. This deviates the theme and climax bears the brunt. If I were to draw a graph of the storyline, it would be like a gradual response of an analogous low pass filter.

Direction is brilliant and so is the music that occasionally plays when the groove picks up. It gave me an idea how Swedish rock music is. Camera seems to be handled by a 2-year old; all shaky and bumpy throughout. Editing is fine and the film never really goes off-tune. The central characters and their escapades manage to keep you hooked.

All said and done, I am not very happy with the story build, yet I enjoyed what I could deduce of it. It's all about being self-satisfied at the end of the day, and not caring about what others think, isn't it?

BOTTOM LINE: We Are The Best! is how youth-led, non-violent, innocent rebellion looks like in the snow-clad suburbs of Stockholm, Sweden.

Can be watched with a typical Indian family? YES

Ive watched two of Lukas Moodysson other works (Tillsammans and Show me love)

I enjoyed them (Show me love abit more then Tillsammans) I like Moodyssons way of making film, exploring the coming out of age genre, which he's really good at making films with that theme and that he is enlightening important subjects of lives different periods.

"Vi är bäst" is focusing of the different political movements under the 80s in Sweden. It focuses alot of the freedom movement about sexuality, friendships and breaking norms in society and being yourself. A very modern, innovative, very good, deep, funny and thought provoking film.

Its very well put together. And very well made!

It's guided by a very well written script that fits the age of the actors, which makes the film feel very authentic and real. Aswell the acting is very good! Filming aswell! Cinematography is great! Its very well made giving the right atmosphere to the 80s.

Moodysson manages to capture those climps on the rollercoaster of emotions, actions and consequences throughout life and growing up.

I really recommend it!

"We Are The Best" features two just-about teenage girls in Stockholm in the early 80s who, fascinated by what seems to be a lingering punk scene, accidentally start a band, recruit a third girl who actually knows how to play and...well, that's about it. There is, of course, the climactic debut gig which is something of a triumph for them, if not for the audience, and if you didn't see this coming you should get out more.

It's a charming but utterly inconsequential film, boasting some nice acting from the leads, but that's about it. The three kids are all middle-class and, while one is being raised by a single mother who obviously likes to keep her, um, options open, she doesn't seem particularly alienated just somewhat embarrassed by her behaviour. The third girl, the slightly older Hedvig, is a serious, Christian classical guitarist, and at this point the film falls down seriously in plausibility, as Hedvig goes along all-too swiftly with the two exuberant punks and abandons her old identity. She also seems to come from a single-parent family, but her mother, while Christian, is sensitively portrayed as a fair and balanced woman. When Bobo and Klara cut Hedvig's hair, her approach is sly but perfectly reasonable: to make them realise not only the consequences of their actions, but that there are different forms of consent. And yet....Hedvig appears at school in an ugly knitted hat, apparently to hide her haircut, but then proceeds to tell Bobo and Klara that she was embarrassed by her mother's behaviour and loves her haircut and...no, I didn't buy it for a moment. This grave, serious Christian girl just jettisons not just her faith but any emotional baggage that might go with it (I'm speaking as an atheist, here) and it's all too glib. She teaches them chords, they teach her attitude to rebel against...well, not a lot, to be honest. None of them seem to be rebelling or making much of a statement, but they take to the stage, enrage the locals, seem very pleased with that and...that's the end. There's an end-credits scene that shows them larking about that adds nothing to the film or the narrative, and that's the end.

You won't learn much about being a teenager or about being a punk from this film. Or even much about Stockholm. You won't learn much about anything, to be honest, apart from the names of some 80s Swedish punk bands.

Can somebody translate the graphic novel that inspired this ? Ever since the trailer of the english version, I had been wanting to watch this movie. In the end I was not disappointed, and watched it twice in a week, as A. wanted to watch it too. When we talked about it later, criticism were made about the fact that the characters were awful kids, selfish, almost forcing each other to look punk, but to me it felt like this was exactly the good aspect of the movie : how much I could actually relate to it, from the good side of making your own music and being a young punk, blatantly atheist and anti-religious, to the awful fact that most of us come from a privileged part of society. I liked the provocation of the band of 13 years old punk insulting back the crowd calling them names before they even played a chord. But as much as I can relate to this, the punk I can relate to is the one that made things being broadly political beyond mere shouted slogans. I'm glad they didn't mixed up the two and romanticized punk. but now I want to read the graphic novel, and I don't read swedish...

It's been a while since i saw a Moodysson film. You forget just how effortless he makes film-making seem, but then you only have to watch almost any other movie with actors these ages to realise what a feat this is. If anything, the actors here are too young for their characters (unsusual!) - there was a scene near the end where the two leads are fighting that was hard to take seriously, and more seriously, the actress playing Bobo looked a little lost here as well!

It lacks the depth or profundity of some of his earlier work, such as Show Me Love. That was 16 years ago, i remember it so clearly! Will I be thinking about this one for days after? i don't think so. Does Moodysson not make darker films any more? That's a shame, but for what this is, a light comedy suitable for all, plus a gentle homage to Sweden in the early 80s, it succeeds brilliantly. He's a little bit like the American John Hughes at showing a child's POV without being patronising, but unlike Hughes also without painting the adults in two dimensions.

I'm hoping he'll make more films like this, maybe a bit longer and less afraid of upsetting the audience (that doesn't mean they all have to be like Lilya 4-ever either,there's a balance somewhere!). I'm being picky because i'm a fan - highly recommended and needs wider exposure like all of his films.

While We Are the Best! may not be the best film of the year, it was my favourite film of the year. I can't remember the last time a film contained so much genuine warmth and pleasure. This heart warming and beautifully written story about the aimlessness of being a teenager had me smiling from ear to ear for the entirety of the running time. Unlike Boyhood, which provides the perspectives of both children and parents over an extended period of time, We Are the Best!, is a time capsule of a film, giving us the subjective perspectives of three young girls during a key part of their childhood. Veteran Swedish writer and director Lukas Moodysson, provides us with a glimpse into the lives of these young girls as they form a punk band despite two of them having no musical experience. They are indeed terrible, but the film isn't about punk music, it's about the punk attitude that perfectly captures the defiance of being a teenager. A loving ode to growing up, We Are the Best! Is easily the most charming film of the year.

For full review: http://ericsgoodstuff.blogspot.com/2014/12/film-we- are-best.html

One token of a great movie is that it helps you expand your circle of humanity. I've never found MMA cage fighting to be enjoyable, and yet while watching Warrior I was on the edge of my seat. You might never have associated punk music with the fragile yet hilarious stage of life of coming-of-age of preteens but through these girls' characters you come to love punk music for the opportunity it provides them to grow up and accept new people. Although they might resist the notion, the love these girls develop for each other is just the same that a group of cheerleaders might. We Are The Best reiterates the fact that you already knew that life for punk rockers is pretty much the same as it is for the rest of us. Roger Ebert said, "The movies are like a machine that generates empathy." This is something I'm always looking for and We Are The Best takes you into the space of being a 13 year old. From a goofy dad that wants to embarrass you by bringing a clarinet to your punk band rehearsal to the joy of serendipitous friendships turning into lifelong relationships, this movie reminds you of yourself - whether you've had the same experiences or not - in a fresh way.

As "We Are The Best!" (2013 release from Sweden; 102 min.) opens, we are reminded that it is "Stockholm, 1982". We get to know Bobo, a 7th grader, and her friend Klara. Bobo believes she has the uncoolest mother ever, and Klara feels the same way about her own parents. One day they are at the rec center, and on a whim sign up to use the music rehearsal space. Never having played an instrument before, the girls nevertheless attack the drums and bass with vigor. They have so much fun, but need a guitarist. Fortunately, they meet Hedvig, an 8th grader, at a school recital, and promptly ask her to join the band. At this point we're maybe 15 min. or so into the movie. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, this movie is so much more than just the girls forming a band. The movie looks at how 13 and 14 year olds fit in, or not, be it at home or at school. Later in the movie the girls are meeting up with the boys from another punk band. The girls think there's three boys (and they've already figured out who will pair up with who), but as it turns out, there's only 2 boys. Now what? Watch as we see the complex dynamics at play between the girls. Please note that, besides some (unnecessary) swear words, there is nothing inappropriate in the movie, and in fact we see the girls having a lot of fun, being the goofy-dorky-fun loving kids that they are, with mischief and a twinkle in their eyes and a lot of innocence about them. There are several laugh-out-loud scenes that are outright hilarious. Second, I can only assume that the makers of this film did a lot of research on what the punk scene in Sweden was like in those days, as we do get a fair amount of Swedish punk songs on the side. Last but not least, the no-names cast is brilliant, in particular the girls playing Bobo, Klara and Hedvig. My hat off to them! "We Are The Best!" had a brief theatrical run in the US last year, and in fact I had seen the trailer for it at my local art-house theater here in Cincinnati. Somehow I ended missing it when it played here ever so briefly. So glad that I finally caught up with this on DVD. If you are in the mood for a fun but top-notch foreign movie that looks at youth in a refreshing way, you cannot go wrong with this. "We Are The Best!" is HIGHLY RECOMMENDED!

We follow Bobo and her best friend Klara through their tween years. Both of these girls share little in common with their classmates and by default are relegated as misfits. The world they inhabit is not particularly cruel to them and because of this it is hard to sympathize with their radical views surrounding God and good taste.

The lack of compression in conjunction with the relative length of the film led to a lackluster ending. The events all fell into place relatively easily. I never saw a raw drive in these girls. It has to be noted that what was portrayed was not necessarily the world rejecting them but their choice to reject the world around them. Because of this these characters must compel us and win us over. The big show at the end lacked the emotional weight and significance that it could have attained mostly because the girls really didn't fight that hard for the band.

I relate to Bobo and am sympathetic to her but the film simply didn't go anywhere. The weak narrative structure necessitates a strong narrative voice which the story lacked. Bobo is interesting in that her body image issues, environment, and views give the story a lot to work with. The mousiness of her character held back the film especially considering that there was no defined antagonist acting against her or Klara.

I would not recommend this film. It is the particulars of their world that make them unique and quite frankly punk could have been substituted for any number of things and the film would not have been much different. The film does not capitalize on the rich history of punk, it is merely a window dressing.

"We Are the Best" I an exhilarating drama/comedy by Swedish director Lukas Moodysson that tells the story of two outcast, tomboyish 13-year-old girls in 1980's Stockholm who, sick of being told punk is dead, decide to start a punk band. It's a floundering effort in the beginning for best friends Bobo and Clara, neither having any real musical training and owning none of their own equipment, just having their genuine passion to songs like "Hate the Sport." To improve their prospects they enlist in the help of a another girl, an older one names Hedvig who has musical talent but outwardly appears to be opposite of them: an obedient, conservative-dressing, Christian girl. But Hedvig actually has more to relate with Bobo and Clara than it initially seems, being an outcast and wanting more from the staleness of life.

The turns these three characters make together are fun, sometimes heartbreaking, and always a joy to watch. The strong, distinctive performances by Mira Barkhammer, Mira Grosin, and Liv LeMoyne (as Bobo, Clara, and Hedvig respectively), and the fascinating way the film gets them to act against one another in different situations (none of which feel ham-handed or forced) are what really makes this film work. The parents and other authority figures are well-done, and not riddled with the sort of clichés you sometimes get from adult characters in movies centered around youth. But it's all about the kids, these outcasts, who don't pander to fit in while attempting to rock and to have fun, through setbacks and all.

Wildly entertaining, insightful, and true to its creed, "We Are the Best" is a blast with a guitar, bass drums, and yelling, and even better when it comes to the human spirit. It's a story that should leave you smiling.

Great movie, it looked at adolescent confusion without getting into pedophilia. They closed it down while I still wanted more. By the way I hate "coming of age" movies and had this one for months before watching it. It took me back to my own adolescent days. All three of the principal actresses were convincing, The story was pedestrian, but that is the life of most adolescents in the developed world. They do not all do heroine and go out at night to get money for our habit. Most of us suffered our teenage angst like these three girls. If I had to make a criticism it was the shallowness of the adult characters, but I guess that is how adolescents see us.