Crystal Fairy y el cactus mágico

This is my opinion. I think this movie is incredibly deep but in a light kind of way, in a way that the viewer learns from it what applies and relevant for him. I think it's honest, a rare thing in movies these days. No clichés, no bullshit. I think it makes you think, makes you feel. It makes you connect with the characters, almost as if you are traveling with them. And what I liked most about this movie is the "twist", when who you think is the main character turns out to be just the scenery for the real deal.

I recommend this a lot to people who are done with the Hollywood industry, who are looking for something real and worth watching, and especially to people who are about to travel, especially to travel alone. I think in some way you will learn a lot.

Hiding behind masks that cover their vulnerability, two Americans in Chile, Jamie (Michael Cera) and Crystal Fairy, a young free-spirited woman (Gaby Hoffmann), spar off against each other in Chilean filmmaker Sebastián Silva's psychedelic comedy Crystal Fairy. The film was nominated for the Grand Jury Prize and won the Directing Award for World Cinema at the 2013 Sundance Film Festival. Jamie's act is one of controlling, overly-aggressive behavior but not quite the "Ugly American," while Crystal's is the opposite but equally phony, a caricature of a "hippie" filled with love for everyone who spouts clichés about chakras and mother earth, walks around her hotel room naked, engages in healing rituals, and chides the others for eating junk food.

It's hard to tell if the director is using her persona as a means of ridiculing these ideas or just showing how inauthentic she is. In any event, Crystal and Jamie's way of being, while it fills a need for them, has costs in sacrificing who they really are. On the surface, the film is a road trip to find a psychedelic substance in the San Pedro cactus plant which, when boiled for twelve hours and ingested, has the properties of mescaline (it has been said that the actors used mescaline while shooting the film). In essence, however, the film is not really about mescaline but about releasing rigid patterns of behavior and discovering new ways of interacting that are more fulfilling.

The film begins at a party where Silva's hand-held camera-work and improvised conversation is established. On a cocaine high, the caustic Jamie invites a partygoer, a girl who calls herself Crystal Fairy to accompany him and his friends on a quest to repeat the spiritual high described in Aldous Huxley's book The Doors of Perception. When Crystal takes him up on the offer the next day (which he has forgotten that he even made), he is dismayed by her annoying behavior, even though his Chilean friends, Champa (Juan Andres Silva) and his two brothers Lel (Jose Miguel Silva) and Pilo (Augustin Silva), seem more tolerant, perhaps because at least one does not understand English. Their trip to the ocean to locate and purchase a piece of the San Pedro cactus from reluctant residents is one of the comic highlights of the film, even though Jamie has to eventually use surreptitious means to acquire it.

Crystal Fairy ends up in a good place even though it is more than a little irritating in getting there. During the trip, Jamie and Crystal talk to each other, but at cross purposes. The results are unpredictable but, suffice it to say, their longing for a spiritual experience does not take the form that Huxley described. Michael Cera's role is out of character from the lovable, nerdy self he has played in earlier movies, but he is terrific in this film, totally natural and very real, as is Hoffmann in her role, both continuing to reveal a new dimension to their character. Ultimately, the group's sharing about their fears and their discovery of how their act no longer serves their purpose in life is more open and honest than anything I've seen in films recently and stays in the memory.

Crystal Fairy is one of the most pointless films I think I've ever watched. It's not trying to be avant-garde and it's not trying to be mainstream, it lingers somewhere inbetween without reason. It has little story, with no plot and hence, goes nowhere from the start. Michael Cera is somewhat fun to watch, but the film as a whole has no motive to make you enjoy it. I can see where the film wanted to go, this exotic road trip, but it fails so many times that it feels like you are watching an idea that could have been unfold into this series of pointless images.

Crystal Fairy and The Magic Cactus is one of those boring films with no substance to give you anything to keep you watching. Michael Cera is possibly the only reason for you to pick this movie up with no other big names.

I am late seeing this flick and I must disagree with a few other reviewers and their take on this very simple yet complex movie.

Once again Sebastián Silva is offering up questions on youth and how youth sees the world around them. Jamie is obviously a self centered person with a limited experience in communicating with others (sort of like the US) (as Jamie is an American) and we can see this in his 'attitude' throughout the story. The other three boys have had to share with others and they try to make the best of their trip to the beach. Jamie, on the other hand insist they do it as planed.

Enter Crystal Fairy into this mix and you already have an altered perception of exactly what they want to do - she is like the drug reduced from the cactus later in the story (she has an altered view of reality). She wants to share everything the three other boys don't seem to mind. Jamie can't tolerate it - he wants none of her.

Crystal mothers them, she wants to know them, the boys are like children to her - yet she is very childlike herself. Jamie suddenly wants to be friends with her but only when he's 'high', after he comes down he's back to his original self. Crystal leaves quietly, Jamie sees her leave and calls her name, Crystal disappears behind a rock.

What is Silva showing us here? Crystal is the personality of many different people, she's giving, caring, willing to accept life on her own and take risks - and being alone isn't easy, she is alone throughout the movie and Jamie thinks she's a phony. Jamie cannot see that he is the phony because in the end Crystal is what Jamie was seeking in the brewed Cactus they drink and even when high he could not accept it.

Crystal Fairy and the Magical Cactus and 2012 follows a group of Caucasian backpackers as they rummage the lands of Chile in search of a sought-after cactus that apparently holds the power to give you an incredible high. The leader of the pack is Jamie (Michael Cera), who is assisted by several friends and the spirit named "Crystal Fairy" (Gaby Hoffmann) in order to find the renowned hallucinogen.

I was not under any chemical reinforcement while watching Crystal Fairy, and thankfully, neither was the film. I question how its quality is affected if a curious soul does decide to use any drugs while watching the film. From my viewpoint, stone-cold sober at 7pm, this was a pretty stale film affair. It's a film that lacks a compelling narrative, interesting characters, and finds itself consistently unfunny and unmoving in terms of attempting to get us invested in this situation.

Films like this irritate me because what unfolds is an almost unfairly subjective review talking about the lack of anything interesting about the film and relying heavily but unintentionally on generalities. The film features a lot of talking, a lot of drugging, some instances of nudity, and a lot of characters racing back and forth trying to enjoy their not high. I suppose if you've hung with a group of friends - or have friends - like this, your interest in the film will skyrocket past mine. Films like this seem more enjoyable when relatability with characters is brought up on the scene or experience in similar situations within the film. Frankly, I have neither, so the film is like watching a stranger's home movies during last weekend's house party.

This is the exact same way I felt while watching Fear and Loathing in Las Vegas several months back. The constant depiction of drug hallucinations and acid/mescaline-induced trips wore me down to no end. At least with that film I had the benefit of director Terry Gilliam's eclectic, cluttered visual style, along with the benefits of Johnny Depp and Benicio Del Toro's character acting skills. With Crystal Fairy, I have only the charming blandness of Michael Cera's performance and one laugh every half-hour to keep me marginally in-tune with the picture. Director Sebastián Silva doesn't infuse any particular visual-flare to give us any kind of connection to these witless gringos. It's so cold it almost makes Chile's climate seem like the arctic.

On a final note, I kept pondering what exactly Crystal Fairy and the Magical Cactus and 2012 could've been for me to enjoy it. For one, it could've invited more character personality into the mix. Two, it could've had some slick visual-hallucinations capitalizing off the talents of a young visual effects artist. And finally, perhaps the little things such as cinematographical and musical touches would've provided a pleasant look at Chile's culture. Instead, we get a forgettable piece of of cinema that seems to prefer catering to the viewing habits of the few instead of many others'.

Starring: Michael Cera and Gaby Hoffmann. Directed by: Sebastián Silva.