1 review
NH Studioz and GKRD Films' Tu Fakt Ho Mhan (Marathi; UA) is a love story about a rich girl and a poor boy. The usual obstacles come in the way of the love story of Pinky (Monalisa Bagal) and Rahul (Nikhil Wairagar).
Bhaskar Daberao has written a routine love story which does not create much of an impact on the audience. If the viewer's heart does not bleed when the lovers get separated, it doesn't dance much with joy too when they are together. Sachin Bhim Jadhav's screenplay is fast-paced but the drama still doesn't quite impress because there is not much novelty. Sachin Bhim Jadhav's dialogues are commonplace.
Monalisa Bagal does well as Pinky. Nikhil Wairagar acts quite well as Rahul, but he is not handsome. Ganesh Deshmukh lends routine support. Tukaram Bidkar is okay. Savita Hande is average. Pushpa Chaudhary and Manasi Naik-Kharera are adequate.
Dr. Ganeshkumar Patil and Bhaskar Daberao's direction is fairly nice but they've not been able to surmount the problem of routineness in the script, with their narration. Bhaskar Daberao's music is not of the popular variety. Lyrics (Surekha Gavande, Bhaskar Daberao and Swapnil Jadhav) are okay. Ganesh Patange and Pankaj Bore's choreography is nothing to shout about. Background music (Aditya Bedekar) is quite effective. Madhuram Solanki's cinematography is nice. Ganesh Patole's art direction is alright. Anand A. Singh's editing could've been sharper.
Bhaskar Daberao has written a routine love story which does not create much of an impact on the audience. If the viewer's heart does not bleed when the lovers get separated, it doesn't dance much with joy too when they are together. Sachin Bhim Jadhav's screenplay is fast-paced but the drama still doesn't quite impress because there is not much novelty. Sachin Bhim Jadhav's dialogues are commonplace.
Monalisa Bagal does well as Pinky. Nikhil Wairagar acts quite well as Rahul, but he is not handsome. Ganesh Deshmukh lends routine support. Tukaram Bidkar is okay. Savita Hande is average. Pushpa Chaudhary and Manasi Naik-Kharera are adequate.
Dr. Ganeshkumar Patil and Bhaskar Daberao's direction is fairly nice but they've not been able to surmount the problem of routineness in the script, with their narration. Bhaskar Daberao's music is not of the popular variety. Lyrics (Surekha Gavande, Bhaskar Daberao and Swapnil Jadhav) are okay. Ganesh Patange and Pankaj Bore's choreography is nothing to shout about. Background music (Aditya Bedekar) is quite effective. Madhuram Solanki's cinematography is nice. Ganesh Patole's art direction is alright. Anand A. Singh's editing could've been sharper.