Days of our Lives has pulled off another well-executed introduction to a long-lost character with the arrival of Doug Williams III.
The Formula
It’s a common theme on Days for seemingly forgotten young men to one day resurface in Salem, and more often than not, bring some trouble with them. Many may remember when JJ (Casey Moss) came home in 2013 and instantly went from Abigail’s sweet and innocent little brother to a no-good scoundrel doing drugs and hooking up with Theresa. Another example of the bad boy arrival was when Chad first showed up in Salem in 2009 in search of his then-girlfriend, Mia (ex-Taylor Spreitler), who he arguably stalked until learning the two shared a daughter.
And no one can forget when a teenaged Lucas first came to Salem and immediately began scheming with Sami (Alison Sweeney) to break up his brother and her sister. But the one thing Lucas,...
The Formula
It’s a common theme on Days for seemingly forgotten young men to one day resurface in Salem, and more often than not, bring some trouble with them. Many may remember when JJ (Casey Moss) came home in 2013 and instantly went from Abigail’s sweet and innocent little brother to a no-good scoundrel doing drugs and hooking up with Theresa. Another example of the bad boy arrival was when Chad first showed up in Salem in 2009 in search of his then-girlfriend, Mia (ex-Taylor Spreitler), who he arguably stalked until learning the two shared a daughter.
And no one can forget when a teenaged Lucas first came to Salem and immediately began scheming with Sami (Alison Sweeney) to break up his brother and her sister. But the one thing Lucas,...
- 12/8/2024
- by Ashley Amber
- Soap Hub
John Carter, the pioneering African-American film editor whose credits spanned 1968’s Paper Lion and the original The Heartbreak Kid through Lean On Me, Barbershop and Madea’s Family Reunion, died August 13 at his home in White Plains, New York. He was 95.
Carter’s death was reported by his family in a notice in The New York Times. He was the first African-American editor to join the American Cinema Editors society.
A native of Newark, New Jersey, Carter began his career with Paper Lion, the comedy-drama based on George Plimpton’s New Journalism classic chronicling the author’s first-person account of enduring a grueling Detroit Lions training camp. The film starred Alan Alda as a fictionalized Plimpton.
Prior to Paper Lion, Carter had worked for 12 years at CBS – the family says he was the first African-American film editor employed by network television in New York – finishing his career there as supervising...
Carter’s death was reported by his family in a notice in The New York Times. He was the first African-American editor to join the American Cinema Editors society.
A native of Newark, New Jersey, Carter began his career with Paper Lion, the comedy-drama based on George Plimpton’s New Journalism classic chronicling the author’s first-person account of enduring a grueling Detroit Lions training camp. The film starred Alan Alda as a fictionalized Plimpton.
Prior to Paper Lion, Carter had worked for 12 years at CBS – the family says he was the first African-American film editor employed by network television in New York – finishing his career there as supervising...
- 8/24/2018
- by Greg Evans
- Deadline Film + TV
John Carter, a pioneering African-American film editor behind such films as “Friday,” “Sister Act 2: Back in the Habit,” “Lean on Me” and the Academy Award-nominated Martin Luther King documentary “King: A Filmed Record… Montgomery to Memphis,” has died. He was 95 years old.
Carter, the first black member of the American Cinema Editors, died peacefully on Aug. 13 at his home in White Plains, New York, his family reported.
His career spanned four decades, during which he put his editing touch to more than 50 feature films, including 1968’s “Paper Lion,” “The Formula,” starring Marlon Brando and “Karate Kid Part III.” Carter also served as editor for a number of black-centric films, such as “The Five Heartbeats” — a musical drama loosely based on The Temptations and The Four Tops — “Boomerang,” “Set it Off,” “Soul Food” and “The Wood.”
Also Read: Lin-Manuel Miranda, Shonda Rhimes Remember Aretha Franklin: 'Thank You For the...
Carter, the first black member of the American Cinema Editors, died peacefully on Aug. 13 at his home in White Plains, New York, his family reported.
His career spanned four decades, during which he put his editing touch to more than 50 feature films, including 1968’s “Paper Lion,” “The Formula,” starring Marlon Brando and “Karate Kid Part III.” Carter also served as editor for a number of black-centric films, such as “The Five Heartbeats” — a musical drama loosely based on The Temptations and The Four Tops — “Boomerang,” “Set it Off,” “Soul Food” and “The Wood.”
Also Read: Lin-Manuel Miranda, Shonda Rhimes Remember Aretha Franklin: 'Thank You For the...
- 8/24/2018
- by Trey Williams
- The Wrap
John Carter, the first African-American to join the American Cinema Editors Society, died Aug. 13 at his home in White Plains, N.Y., according to a listing in the New York Times. He was 95.
His credits included “The Heartbreak Kid,” “Paper Lion,” and “Barbershop” and he received a BAFTA nomination for best film editing in 1971 for “Taking Off.”
Carter was born in Newark, N. J., on Sept. 22, 1922. He served in the U.S. Army as a staff sergeant trained at the New York Institute of Photography and took an apprenticeship with the Signal Corps Pictorial Center.
Carter was hired by CBS in 1956 and became the first African-American editor for network television in New York. He gained experience in CBS’ documentary unit before creating his own production company, John Carter Associates.
Other film credits incluced “Lean on Me,” “The Karate Kid Part III,” “Men of Honor,” “The Formula,” “Mikey and Nicky,” “Friday,” “Madea’s Family Reunion,...
His credits included “The Heartbreak Kid,” “Paper Lion,” and “Barbershop” and he received a BAFTA nomination for best film editing in 1971 for “Taking Off.”
Carter was born in Newark, N. J., on Sept. 22, 1922. He served in the U.S. Army as a staff sergeant trained at the New York Institute of Photography and took an apprenticeship with the Signal Corps Pictorial Center.
Carter was hired by CBS in 1956 and became the first African-American editor for network television in New York. He gained experience in CBS’ documentary unit before creating his own production company, John Carter Associates.
Other film credits incluced “Lean on Me,” “The Karate Kid Part III,” “Men of Honor,” “The Formula,” “Mikey and Nicky,” “Friday,” “Madea’s Family Reunion,...
- 8/24/2018
- by Dave McNary
- Variety Film + TV
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