Afternoon Delight

Stay at home mum and bored housewife Rachel (Kahryn Hayn) tired of kindergarten mom meet ups and help-the-homeless functions receives a boost to her non-existent sex drive when she's jokingly given a lap dance at a strip club courtesy of her workaholic husband Jeff (Josh Radnor). Curious to unravel more of her newly discovered eroticism she secretly revisits the strip bar only to "accidentally" bump into the young woman named Whitney (Juno Temple) who gave her the lap dance and they begin chatting. Many coffees later Rachel slowly becomes aware of Whitney's empowering hold of her own femininity and they soon become friends and, coupled with a cry for help with her own life, Rachel sees an opportunity to help Whitney break free of her inappropriate lifestyle by inviting her into her home and offering Whitney a small position as a live in nanny. When Whitney's OTHER job as a classy escort comes to light things begin to effect Rachel's moral compass and the already precarious family relationship.

Written and directed by Jill Soloway Afternoon Delight is essentially centered on one woman who is desperate for release emotionally, sexually and physically. Working on many levels, this film continually addresses the deep issues most married couples experience and has the ability to keep the mood upbeat and funny. While actually a reasonably good flick the difficulty in portraying the emotional elements onto screen made it hard to become engrossing. Good performances all round.

Making a film is hard, no one disputes that, and I have respect for the filmmaker for making this film. But if this is the best direction of American independent film of 2013 then the answer is simple, cinema is dead. The fact that this film has played almost nowhere in Europe (festival wise) shows the impact it has internationally and the limited view that somewhere like Sundance can have on the current state of cinema. I don't have any ill will towards Ms. Solowayl or her film, but cinema should be there to enlighten, excite, experiment, not play into clichés and formulas (in this case, the indie that really wants to be the next multiplex family train wreck). This film isn't terrible, it's just average, another movie, with some "names," used as a calling card to go on and help Ms. Soloway make more mediocre work. And as the protagonist says in the TV SET, "make the world more mediocre." Hopefully, before her next attempt, she'll actually watch some films (and learn about cinema), think about what she wants to say and try and do something as an artist that is, even mildly, important. And of course "important" is relative, but if this was the last film she could make, would this be the story she would want to tell? Really? If the answer is yes, then not only is cinema dead, but culture as well. In the days of TED talks, Starbucks alternative mix CDs, etc.. this fits in just fine. Something you think is radical, but when you really look at it critically, it's just more suburban POV, that has nothing more to say than, "our life is boring." We know that already. I give her a five, if nothing more, for effort.

"If you think I can help you I promise you're not taking." Rachel (Hahn) is a stay-at-home mom who is bored with her life. In between her trips to her psychiatrist and helping with her son's preschool fund-raisers she is dealing with a non-existent sex life with her husband and repetitive routines everywhere else. One night, trying to spice things up, her and her husband go to a strip club where she meets McKenna (Temple) who she sees as a project and sets out to change her. This is a perfect example of a movie that is not done justice by its trailer. If you watch it you will expect a raunchy sex comedy. What this is a very personal and sometimes depressing movie about how a women goes to drastic measures to change her life. Kathryn Hahn is one of the funniest women actors today but this really shows that she is more then just a comedic force. The movie does have some funny moments in this but do not expect a laugh out loud comedy. This is a true dark dramedy about what a woman will do when she feels trapped. Overall, this is the definition of the saying "be careful what you wish for." A real surprise that I really liked and recommend. I give this an A-.

RELEASED IN 2013 and written & directed by Jill Soloway, "Afternoon Delight" chronicles events when a bored stay-at-home mom in Los Angeles (Kathryn Hahn) becomes intrigued by a beautiful 'sex worker' (Juno Temple) at a strip club. Surprisingly, she brings her home to live in the extra room and even enlists her as a nanny, which has repercussions. Josh Radnor plays the husband and Jane Lynch the wife's therapist.

This contains some hard R-rated sex-oriented scenes so I encourage you to pass if you find that unsavory. To be honest, I was only interested in "Afternoon Delight" because of the winsome, stunning Juno. This isn't a quirky comedy, but rather a serious drama with amusing touches. The occasional crudeness and overt raciness tempted me to tune out a few times, but I kept watching in the hope that the film had something good to get across; thankfully, it did (see below for details).

THE MOVIE RUNS 1 hours & 38 minutes and was shot in Los Angeles.

GRADE: B-

EXPLANATION (***SPOILER ALERT*** Don't read further if you haven't seen the film):

McKenna (Juno) is a siren, the daughter of a witch. She openly suggests that she's a witch as well. Using her charms, she puts a 'spell' on Rachel (Hahn) at the strip club and so the mesmerized Rachel eventually tracks her down and brings her home. While Rachel sincerely intends on being a positive influence on McKenna and help her get out of the dubious sex business, McKenna intends on luring Rachel into her sleazy lifestyle. McKenna explains to Rachel why she has no qualms about what she does and even justifies it. Rachel is intrigued until she sees McKenna's sordid work up close and rejects it because she discerns that McKenna is unrepentant about her vocation.

Rachel immediately puts the kibosh on McKenna babysitting her friends' girls because she's clearly a bad role model, but the mother has yet to figure out a way to get the prostitute out of the house without making too many waves. That's when the wives go out on the town while the husbands stay home to party with tantalizing McKenna lurking nearby. Needless to say, it's a recipe for disaster and provides a way for McKenna to stick it to Rachel and her 'judgmental' friends.

The negative fallout provokes Jeff (Radnor) to confront Rachel on how she could be so stupid to bring an unabashed whore into their abode. He didn't comprehend Rachel's reasoning: Did she want him to sleep with McKenna? Did SHE want to sleep with her? Jeff failed to grasp that Rachel was under McKenna's "spell" and inadvertently doing her bidding.

Fortunately, Rachel, realizes her error ("waking up" from McKenna's enchantment) and seeks reconciliation with her husband, now fully appreciating her family.

A charming, touching indie dramedy. I watched it mainly because I really like comedian Kathryn Hahn. I've loved her presence as a character actress since she popped up in Step Brothers a few years back, and she's stolen scenes in movies such as Wanderlust and TV shows such as Parks & Recreation since then. I'd heard it was a bad film, but I thought it was pretty good. Hahn stars as a wife and mother. Her marriage (to Josh Radnor) isn't bad, necessarily, but their sex life has kind of died. One night, on a whim, she decides to have a couples date with her best friend at a strip club (her friend swears that it gets her husband's motor running). There she meets a young stripper played by Juno Temple, and she becomes a little obsessed with the girl afterward. Not sexually, exactly, though there may be an element of that. It's kind of a motherly attention, mixed with a deep curiosity regarding the girl's highly sexual lifestyle. When she finds the girl outside of work, she's basically homeless, so Hahn takes her home, hoping to maybe glean some of her secrets. There isn't much of a plot. It's mostly just a film about people. It really gives Hahn, who is in general a supporting player, a chance to shine, and, man, does she ever. This is a fantastic performance. Temple is quite good, too. The men in the picture are a little underdeveloped. If Radnor had been more of a character, the film might have been great. As it is, it's pretty good.