Hatch - Protection rapprochée

Stumbling upon the 2024 action thriller "Darkness of Man" by random chance, and seeing that it was starring Jean-Claude Van Damme, of course I opted to sit down and watch it. Solely because it was a movie that I hadn't already seen, much less actually heard about, and for the nostalgia of watching Jean-Claude Van Damme on the screen.

Sure, I can't claim that I was harboring much of any grand expectations to "Darkness of Man", as Jean-Claude Van Damme haven't exactly been spewing out overly great movies for the better part of two decades. But hey, I opted to give director James Cullen Bressack's movie a fair chance, if for nothing else, then just for the sheer nostalgia of fondly remembering Jean-Claude Van Damme from the prime of his career.

The storyline was a bit sluggish. There wasn't really much of any momentum to the narrative and it felt like the movie was running in Neutral throughout long parts. So writers James Cullen Bressack, Alethea Hnatko-Cho and Jean-Claude Van Damme didn't exactly conjure up something overly memorable or entertaining here.

The acting performances in the movie were fair, and it is showing that Jean-Claude Van Damme is getting older, naturally. So you shouldn't expect this movie to be up to par with something like "Bloodsport", for example. There are a couple of nice appearances on the screen, albeit rather short appearances, by the likes of Kristanna Loken, Shannen Doherty, Cynthia Rothrock, Zack Ward and Eric Roberts.

While I did manage to sit through the entire movie, I was only mildly entertained. But this is definitely not a movie that will be returning to watch a second time. "Darkness of Man" was a semi-watchable action thriller, without an abundance of action or thrills.

My rating of "Darkness of Man" lands on a generous four out of ten stars.

After an informant by the name of "Esther" (Chika Kanamoto) dies while in protective custody, the Interpol agent responsible for her safety named "Russell Hatch" (Jean-Claude Van Damme) takes it upon himself to fulfil a promise he made to her to protect her son "Jayden" (Emerson Min) from the bad elements that surround him. The problem, however, is that Jayden lives with his Korean relatives who are involved in the illegal drug trade and the Russian mob is doing everything it can to muscle in on their territory. To that effect, Russell has to try to calmly navigate between these two groups in order to keep things peaceful, while at the same time, Jayden's uncle "Dae Hun" (Peter Jae) is doing his best to stir things up. Now, rather than reveal any more, I will just say that, although the plot had definite possibilities, the overall direction left much to be desired. For starters, I didn't especially care for the narration provided by Jean-Claude Van Damme as it detracted from the movie rather than actually enhancing the overall effect. Likewise, having the main character sustain so many serious injuries within a limited span of time, only to engage in repeated fights to the death not long afterward, really strained all sense of reality. Only in Hollywood. Be that as it may, while I don't consider this to be a terribly bad film necessarily, it didn't quite realize its true potential, and I have rated it accordingly. Slightly below average.

I wonder what all the negative voices expected. The film has a good atmosphere, it doesn't look cheap and Van-Damme shows again that he can act. The rest of the cast acts solidly and there is no disruptive factor. The action scenes are also impressive and are staged subtly but crisply. A particular highlight is a fight scene from the perspective of a van. Very creative and the force is literally noticeable. The days of helicopter kicks and splits are over. And somehow I'm even happy about it. Van-Damme is 63 and his roles should also be tailored to his age. For me, it's the perfect midnight film because of its neo-noir atmosphere.

The film noir poster on the wall is significant, Van Damme plays the washed-up agent with alcohol problems. The focus is on that mime, JCVD focuses on acting aspects in the autumn of acting, certainly also because physical action is only possible to a limited extent. His ambitions in all honour, but let's be honest, what is it that we want to see from him? The budget was there, that's obvious, Darkness Of Man looks good and has some nice cameos. In terms of staging, however, it overreaches itself, wanting to be more audience-orientated than it should be. Above all else, the voiceover constantly echoes with the audience, no doubt intended as a Hemingway-esque pretension screw.

Once again, the cultural enrichment through immigrants is thematised. The living conditions of the original citizens are improved by robbery, murder, receiving stolen goods, drugs, prostitution, blackmail and so on. Funnily enough, we find these officially pure fantasy products in every second action film. Just misplaced stereotypes, I'm sure.

Speaking of action, there's a little brawl every 25 minutes. But Van Damme is just a boxer, with no kick. In the last half hour, there is a categorical final revenge campaign according to the standard formula, at least the level is ok. This release will not end up in any top rating.

No pun intended - I mean so many things you can do with his last name. But let's stick to the movie here. I am an avid van Damme fan and I was in his corner all the way through - have met him at a convention ... and while he seems to have mellowed down a bit (he had a substance abuse problem apparently - not too different than the character he plays here), he still seems to go ... spinning at times. Whether that is a good or a bad thing - I let you decide.

The movie has a good heart - and I mean that in a positive way in this case. The story is paper thin, but with action movies you are kind of used to that. Acting is decent, but not perfect - that includes the muscles from Brussels ... even if they have disappeared a little bit ... not gone is the beauty of Ms. Loken ... or the rawness of Sticky Fingaz ... Slam indeed.

By all means, this is a decent low budget action thriller with a couple of neat twists ... nothing too exciting ... but good enough to pass your time with ... but the man himself is able and capable of doing better things ... so there is that too.