La vie d'Adèle
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle g... Read allAdèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
- Nominated for 1 BAFTA Award
- 87 wins & 106 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
The other good point is the sometimes humoristic way in which the down to earth and pragmatic family and social environment of Adele is juxtaposed with the artistic, intellectual and avant guard family and friends of Emma. I think this is the best part of the movie when one compares the realism of Adele with the artistic license of Emma. The scenes where both eat with each others family and the ensuing dialogues are a treat.
And now what you are all waiting for: the sex scenes. They are long, hot and explicit. I can not pronounce with conviction whether they served the artistic purposes of the movie or not. If someone wanted to watch the full bloom of a lesbian love story, the scenes may be considered indispensable, if you just wanted to watch a human love story between two people that happen also to have the same sex without caring for so much carnal detail, the scenes could be shorter and more circumspect. The point nevertheless is that those scenes caused a sensation and created a furore and debate from which the movie profited in terms of advertisement. People may now blame or praise it for the wrong reasons.
Both actresses where very good in playing their roles. The portrayal by Exarchopoulos of Adele as a teacher in a kinder-garden reading to the children didactic stories with animals or of her abilities as a cook and her insistence that Emma should eat something while Emma is consumed by a telephone call in which she raves about her artistic personality, integrity and vision ignoring Adele and the immediate environment are superb. She is also an actress which made feel empathy for her character. Seydoux is also very credible as the pretentious modernistic and ultimately self-centered Emma. And to conclude with a personal view I liked Adele much more than Emma as a person...
- georgioskarpouzas
- Oct 31, 2013
- Permalink
Storyline
Did you know
- TriviaThe actresses only read the script once. Abdellatif Kechiche insisted that they forget what the script said line for line, and instead asked them to improvise their scenes and really let their actions and words come out naturally and as unforced as possible.
- GoofsWhen Adèle dresses up for Emma's vernissage, we see her painting her toe and finger nails red. In the next scene we see her walking to the vernissage, and when she adjusts her hair, her finger nails are not polished.
- Crazy creditsThere are no opening credits.
- Alternate versionsThe Japanese Blu-ray release has mosaic over some of the nudity.
- ConnectionsEdited into La vie d'Adèle: Deleted Scenes (2014)
- SoundtracksA Que Bueno
Written by Klaim
Performed by Klaim
© 2012 All Rights Reserved
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- La Vie d'Adèle - Chapitres 1 & 2
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €4,000,000 (estimated)
- Gross US & Canada
- $2,199,787
- Opening weekend US & Canada
- $100,316
- Oct 27, 2013
- Gross worldwide
- $19,796,489
- Runtime3 hours
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1