Magical Universe

I enjoyed this film so much; my attention never wavered. Delving into Al Carbee's world is like escaping into a storybook that feels like childhood but is very much grown-up. The film evoked compassion in me for this gentle, happy, strange old man with a vivid imagination and lovely spirit. Every time I watched him on the screen, I couldn't help but feel tender towards him. I wanted to hug him! The film shows how his art is so much more than "photos of Barbies" and the essence of his work is captured beautifully. I found myself coveting some of his photos. Jeremy Workman has created a splendid narrative about an obscure artist and his wonderful little world. What a touching tribute to Al Carbee.

Truthfully, the documentary is odd but highly intriguing. We get to peek inside the wondrous world of an artist enamoured with creating something new everyday with the love and passion of human expression. If you are interested in watching something odd, quirky but at the same time captures your interest... this is a film worth watching. The artist in this film has rooms filled with his masterpieces that are on display for his own enjoyment. With the help of a younger couple this 80 something year old man was share his art with a broad audience. Through this film we are able to see a man close to the end of his life realize a dream of his art entering the real world for many to enjoy. This film is a reminder that doing what makes us happy keeps our imagination on it's toes and can lead to a true appreciation for the gift of life.

Truly different but interesting

Wistfully sad (and sadly insufficient) documentary from amateur filmmaker Jeremy Workman regarding the eccentric art and reclusive life of Maine resident, veteran and widower Al Carbee. Workman's 'movie' is really just a project, one with little visual flair, no filmmaking vitality and, surprisingly, not even a sentimental overture at the finale. Expanding a four-minute short he had previously done on Carbee in 2001--photographing Carbee's photos, collages and Barbie doll dioramas--Workman doesn't even ask his subject any probing questions (with the exception of "Are you lonely?", which seems redundant). Carbee's rambling old farmhouse (in foreclosure) is revealed to harbor decades of pictures and diaries and personal artwork, mostly semi-provocative collages he's taken of his treasured Barbies. Carbee's late wife was embarrassed by her husband "playing with dolls," yet he always told her he was working with them as an artist works with his models (and we're to assume this did little to nullify her objections). The best section of the film, when the curious come with trepidation to see Carbee's showing at a local museum--and leave with smiles on their faces--is wonderful, but there's no follow up to Carbee's triumph on Workman's part; everything is allowed to be frittered away. So, where's the magic? ** from ****

This making of this film was clearly a labor of love. It is a great movie, and not a mere "project" as one IMDB user reviewer falsely describes it. The filmmaker, Jeremy Workman, had to walk a tightrope between pity and piety, and only his honest and fearless love for his subject, a mysterious, bizarre and eccentric old gentleman, Al Carbee, kept him aloft. The result is a MUST SEE for audiences of all kinds. This film is not political; it doesn't have an agenda; it doesn't have a cause or an ax to grind; it is neither mean-spirited nor sarcastic; it's just plain weird fun, that pulls you in, engages you, but then, most surprisingly, leads you to ponder the most profound questions that one can ask. Fact is stranger than fiction, and the story of Al Carbee illustrates this strange fact perfectly. Mr. Workman's brilliance is evident in his artful slow peeling back of the layers of the endless onion that is the bizarre enigma of Al Carbee. You have to see this movie for yourself to understand why it keeps affecting people so deeply, and has garnered such a following, a growing following. The real mystery is this: was Al Carbee a silly old fool, or a sly mystical sage? What did Al Carbee actually know? Where did he actually go? And most important, what is and where is Epicuma?

This unique documentary, directed by Jeremy Workman, focuses on the very strange world of 88-year-old Al Carbee, residing in Saco, Maine, who has spent most of his life creating photos, diaramas, and artwork of Barbie dolls. The film can be quite creepy, bizarre, even a little erotic (as weird as that sounds), yet can also be fascinating at the same time.

While on vacation in Maine with his girlfriend Astrid, the filmmaker Workman got a tip from a local newspaper photographer to check out Carbee at his home, where the odd and reclusive senior might be a good subject for a future documentary. Carbee allowed Workman to view some of his meticulous creations involving Barbies, that he had been working on, in private, for over 45 years.

Workman did create a short film (less than 4 minutes long) from the visit, but in time, as a friendship developed between the two men, he was able to expand it to this movie. In the last third of the film, they'll be some real twists and surprises for the viewer, which, overall, all add up to a remarkable experience.

I saw how some reviewers felt that this movie exploited Carbee, and I did get some sense of that while watching it and even afterwards. However, in my opinion, it didn't cross that line especially with Carbee so enthusiastic about his works and how they might be shown.