The film is intentionally episodic, with the editing and filming styles tailored to fit the specifics of the session portrayed.
The story is inspired by the writer/director's experiences as a pro-domme and pro-sub at a NYC dungeon.
The film originally was pitched as a thirty minute experimental stop-motion piece as a graduate school thesis project.
The film title came from one of the sex work pseudonyms writer/director Cheyenne Picardo did *not* choose while working at the dungeon.
The split screen used in the session with The Actor was inspired by Hal Ashby's editing in "The Thomas Crown Affair," which Picardo saw the week she struggled with editing the scene. Rather than having each shot portray a simultaneous action, each camera represented the perspectives of the character's in the fantasy.
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