Dear White People

I was first exposed to Dear White People by its trailer. The trailer was so promising it put the movie to a much higher level of expectation than it actually is so it could have only been a slight disappoint. The film is smart, punchy, and funny, for a film about racism and racial tensions.

The preppy college setting screams for an amazing story about racial tensions and racism. The black characters that the film follows - Coco the girl who wants to be white, Lionel the awkward gay guy that doesn't quite fit in, Troy who fits in but isn't quite himself, and the infamous Sam who is basically a modern day activist with a secret boyfriend - are actually good archetypes of nowadays college educated black people because they are all unique if not for the color of their skin.

With this basis Simien delivered an interesting film about racial tensions between blacks and whites without shaming or blaming one of the two parties involved. But the film sort of feels like a fluff piece that didn't really dive deep into the subject. The white characters are mostly stereotypical, they are the same to be honest, arrogant, and entitled. The film quickly becomes more about about finding one's identity and western society in general than racial tensions. Maybe, that's the point, one of the message behind it is that racial tensions stems from the way our society is, with whites liking the black cultures but not its people? I don't really know but at least Dear White People is a good conversation starter.

As for the actors, I mean the ones with layers to their characters, they gave a stellar performance. Tessa Thompson portrayed a riveting Sam with talent, wit and insolence. And Tyler James Williams was probably the easiest character to relate to, he likes what he likes and doesn't try to change who he is.

For a first film Dear White People is interesting and if the trailer hadn't been so good I probably would have been in awe after watching it. @wornoutspines

The film is essentially one big soapbox and dropped the ball many times and in many different ways.

I want to talk about the positives first and the reason(s) the film is definitely worth watching: I was really impressed with the production value, the acting (most of it) and the humour. I think Teyonah Parris deserves special mention because she was the character I most empathised with simply because she was the only one looking at things from both angles. Tyler James Williams also stood out due to his humour and commitment to his role.

Keeping in mind that a person (or persons) wrote this script with the intention of instigating discussion about the issues raised, I think it's only fair to discuss those issues in reviews especially as some of the commentary affected my enjoyment of the film.

Obviously the film deals with more substantial issues but those applied (mainly) to the USA so to address a few lesser issues: Hair. This subject grates a little (/a lot) for me because I've never heard white people make comments about black hair. Again, this might be a bigger, more well-known topic in the US but here in the UK, I don't think anyone has ever looked twice at a black person's hair. The obsession appears to lie with black (USA) people, not with white people. What is the problem with someone touching your hair? I had a fringe cut in a few months back and people touched it and made comments. When I have my hair curly, people touch it and make nice comments. It might be annoying for you but hair isn't a race issue, it's a hair issue and anyone who focuses on this 'issue' needs to get over it. When Teyonah's character expressed annoyance with being asked if she 'weaved' her hair, I couldn't help but wonder why that was a problem. First of all, how many people say 'Google it'? We make verbs out of nouns all the time and the fact that her white friend asked if it was her own hair, instead of assuming that it wasn't, actually says a lot. Women discuss hair. White women ask each other if they have extensions, if they've had plastic surgery etc. and so for anyone to be annoyed at being asked if they are wearing a weave actually highlights how insecure they are. Not every question or action by a white person is about race. Sometimes it's genuinely about curiosity and taking interest in another person. If you are so touchy about every subject, white people will not want to talk to you for fear of offending you, not because they are racist.

There were other bits of commentary that I took issue with but I don't want my review to turn into a soapbox, so I'll move on to the main gripes I had with the film: When Tessa's character stated that it wasn't possible for black people to be racist, the film lost all credibility. The definition of 'racist' is not up for debate. We have dictionaries to clarify and after consulting one, there is absolutely no mention that in addition to holding the belief that one race is superior to another "the race believed to be inferior must also be negatively affected in some way". It is indeed possible for a black person to hold the belief that one race is better than another which would in fact, make them a racist. How their racist beliefs affect the race they believe to be inferior is irrelevant to the fact that they would be considered racist.

Finally, I disagree that white people dressing up as black people (make-up and all) is (always) the same thing as 'blackface' and I think the more that people focus on these scenarios as opposed to the real blackface which goes on in the industry, the more that film makers will get away with continuing the real tradition of blackface right under everyone's noses.

It's all about intention. Going to a party and dressing as your idol, make-up and all, is flattering and should be encouraged. There is nothing wrong with wanting to look like someone you idolise and when white people are accused of being racist for donning an afro wig and make-up, all that happens is that white people try to isolate themselves from 'ethnic' people to avoid being accused of racism.

The party in the film however, was 100% racist and offensive because the invitation was decidedly unflattering and had nothing to do with celebrating black people.

True blackface is about 'presenting an acceptable image of black people to the world'. Which is interesting when you consider that the main protagonist of this film is mixed-race. It appears that the lead role was written in such a way that allowed the casting of a light skinned woman when it could just as easily have been written in a way that would allow for a dark skinned woman to make all the same points. Casting a light skinned actress to play a dark skinned black woman, is blackface. Especially considering that they will likely apply dark make-up to her skin. Casting a white woman to play a dark skinned Latin-American woman is in the spirit of blackface. Every time a white or light skinned person is given the role of someone who 'should' be darker, that is blackface.

It's not about the make-up. It's about why you're wearing the make-up and any film which tries to hammer home a point about racism using the controversial theme of blackface, while casting a light skinned woman in the leading role, loses a few stars on IMDb for the sheer hypocrisy.

6/10 (it's good entertainment but the message is a bit off)

I saw this movie after watching the first, brilliant season of the TV series it spawned, and that makes it difficult to review. Because the TV series is so brilliant, so funny, so nuanced, and so well structured, I can't help but see the movie as a dress rehearsal for what was to come. Would I have enjoyed this movie more had I seen it first? Very possibly.

The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.

The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.

Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.

The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.

There are plenty of other black films out there that really entertain and sometimes make a point about race perceptions and relations. (see last paragraph)

The filmmakers scripted a real life situation, A racial Halloween Party in Texas...how boring can you get. Whites in black face... zzzzz..huh, oh I fell asleep. Why make a movie about one incidence of jerky white guys.

Then the movie turns into a black Dinner with White People where people chat on and on.

If you are into b/w dialogue just listen to the audio. Nothing to see here except a few very hot sorority girls. The filmmakers must have said, 'let's bring in comments on 'the weave'. Sorry Chris Rock did an entire documentary and it was great.

Was Dear White People a class project? What was the point. "Hey some fraternity dudes can be assholes." Big surprise.

Rent Hollywood Shuffle by Robert Townsend and then check out the reset of his film. He is good.

I am glad that this film addresses the important issue of racism on college campuses, and I have no disagreement with its political or social justice messages. Any sincere attempt by a filmmaker to make these experiences visible to the broader public is a good thing.

As a white educator who actually attended and later taught at top- tier colleges, I had been looking forward to experiencing a new sharp creative critique of American racism on college campuses as promised by the film's trailer.

This film utterly failed in its attempts to entertain or provoke. It did not provide me even with the typical pleasures of cinema, let alone fresh insight into its subject. It was little more than a leaden slow-moving soap opera with a contrived plot, oddly dressed characters and unconvincing dialogue. In my experience of elite campuses, it is the rare Ivy student (of any race) who routinely dresses like a junior business executive and uses this sort of pretentious speech pattern. Watching this film was like watching a Western in which all the characters had British accents and wore kimonos.

For readers who seek moving and insightful films on racism, I highly recommend Spike Lee "joints" which provide viewers with superior entertainment, dialogue, characters, plot, provocation and insight.