Calvary
- 2014
- Tous publics
- 1h 42m
IMDb RATING
7.4/10
66K
YOUR RATING
After he is threatened during a confession, a good-natured priest must battle the dark forces closing in around him.After he is threatened during a confession, a good-natured priest must battle the dark forces closing in around him.After he is threatened during a confession, a good-natured priest must battle the dark forces closing in around him.
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Featured reviews
At the end of the film I reflected that this was a far bigger film that I had been expecting. The issues explored in the film really do come together at the end. The credits roll silently and I noticed that the full cinema was very quiet and remained so for a much longer time than usual.
The problems in the Catholic church have had repercussions and this parish in Sligo is losing its faith. This loss of faith is portrayed very vividly, it is expressed more strongly than in reality I think.
The film revolves around the character of Father James Lavelle played powerfully by Brendan Gleeson. As Father James visits his parishioners there is much humour, often quite dark. The script has many choice lines. A man arrives to give a lift to a female parishioner who has been sexually promiscuous and she says "here is my ride".
Father James Lavelle is a likable priest, grappling with applying the church's teachings in the modern world. It is a thankless task and always his objective is undermined by the failures of the church itself. Father James's character is contrasted with that of a younger priest he shares the parish with (David Wilmot). The younger priest is very much part of the institution of the church and his loyal naïvety is humorous and infuriating.
Father James' life is threatened at the beginning, but this film is not a detective story, it is not Father Brown. Father James knows who threatened him but we the audience are not let in on the secret. The logic behind the threat is described ingeniously as events in the film come to a head at the end.
The problems in the Catholic church have had repercussions and this parish in Sligo is losing its faith. This loss of faith is portrayed very vividly, it is expressed more strongly than in reality I think.
The film revolves around the character of Father James Lavelle played powerfully by Brendan Gleeson. As Father James visits his parishioners there is much humour, often quite dark. The script has many choice lines. A man arrives to give a lift to a female parishioner who has been sexually promiscuous and she says "here is my ride".
Father James Lavelle is a likable priest, grappling with applying the church's teachings in the modern world. It is a thankless task and always his objective is undermined by the failures of the church itself. Father James's character is contrasted with that of a younger priest he shares the parish with (David Wilmot). The younger priest is very much part of the institution of the church and his loyal naïvety is humorous and infuriating.
Father James' life is threatened at the beginning, but this film is not a detective story, it is not Father Brown. Father James knows who threatened him but we the audience are not let in on the secret. The logic behind the threat is described ingeniously as events in the film come to a head at the end.
Calvary is the best current movie I've seen so far this year. It features an excellent performance from Brendan Gleeson as well as an involving, if off kilter, plot. The plot follows a priest who receives a death threat in the confessional and his struggle with how to respond, as well as with the foibles of his parishioners.
The primary strength of the film is Brendan Gleeson's performance. I've been a fan of Gleeson since his performance in 28 Days Later, and this film gives him the opportunity to show his full potential as an actor. Kelly Reilly also does well as his daughter, while Aidan Gillen has a memorable turn as a cynical doctor.
Calvary also benefits from good direction by John Michael McDonagh. Aside from keeping the story moving along, and adding a dash of humor in the first half, McDonagh leavens the film with beautiful footage of the Irish countryside. His only misstep is the inclusion is an unnecessary montage following the climax. However, this is too minor to merit real criticism.
The film should be understood as an allegory, rather than a thriller, as its plot might initially suggest, or a realistic story. While Gleeson's character represents a decent man struggling with adversity and his own flaws, the various people he encounters represent various sins and occasionally virtues. For example, a corrupt financier represents greed, Gleeson's fellow priest represents complacency, etc. In many respects, the film is a modern version of a medieval allegory such as Everyman.
Although it has strong Catholic themes, the pious should be warned that the film is very adult in its approach, something it makes clear with the first line of dialogue. Such content should not blind mature believers to the depth and sincerity of its religious message though. Indeed, now classic Catholic writer Graham Greene nearly found some of his books placed on the Index of Forbidden Books because of their adult content. Sometimes you must wade through the darkness in order to get to the light.
The primary strength of the film is Brendan Gleeson's performance. I've been a fan of Gleeson since his performance in 28 Days Later, and this film gives him the opportunity to show his full potential as an actor. Kelly Reilly also does well as his daughter, while Aidan Gillen has a memorable turn as a cynical doctor.
Calvary also benefits from good direction by John Michael McDonagh. Aside from keeping the story moving along, and adding a dash of humor in the first half, McDonagh leavens the film with beautiful footage of the Irish countryside. His only misstep is the inclusion is an unnecessary montage following the climax. However, this is too minor to merit real criticism.
The film should be understood as an allegory, rather than a thriller, as its plot might initially suggest, or a realistic story. While Gleeson's character represents a decent man struggling with adversity and his own flaws, the various people he encounters represent various sins and occasionally virtues. For example, a corrupt financier represents greed, Gleeson's fellow priest represents complacency, etc. In many respects, the film is a modern version of a medieval allegory such as Everyman.
Although it has strong Catholic themes, the pious should be warned that the film is very adult in its approach, something it makes clear with the first line of dialogue. Such content should not blind mature believers to the depth and sincerity of its religious message though. Indeed, now classic Catholic writer Graham Greene nearly found some of his books placed on the Index of Forbidden Books because of their adult content. Sometimes you must wade through the darkness in order to get to the light.
Calvary
Honestly, for those of you who haven't seen this film, go and see it. It's absolutely fantastic!
Brendan Gleeson gives a stunning performance as a troubled priest who has to come to terms with something shocking that he has been told will happen. It paints a brutal, realistic and yet original picture of modern Ireland. All the characters in the film are exaggerated representations of the types of people you get in Ireland today IMO. The story is touching, emotional, real and unforgettable.
My favourite film of 2014 so far. If you liked In Bruges or The Guard or even Seven Psychopaths, see this film. It's darker than all three of those films and it's hard to watch at times but honestly, it's worth it.
A beautifully dark film, with lashings of black humour and some lovely one liners. Just make sure to laugh at the appropriate parts, some viewers in my cinema laughed at the opening line! (once/if you see it you'll understand) I hope audiences outside of the UK and Ireland can enjoy it. I implore you to see it. 9/10, a must see!
Honestly, for those of you who haven't seen this film, go and see it. It's absolutely fantastic!
Brendan Gleeson gives a stunning performance as a troubled priest who has to come to terms with something shocking that he has been told will happen. It paints a brutal, realistic and yet original picture of modern Ireland. All the characters in the film are exaggerated representations of the types of people you get in Ireland today IMO. The story is touching, emotional, real and unforgettable.
My favourite film of 2014 so far. If you liked In Bruges or The Guard or even Seven Psychopaths, see this film. It's darker than all three of those films and it's hard to watch at times but honestly, it's worth it.
A beautifully dark film, with lashings of black humour and some lovely one liners. Just make sure to laugh at the appropriate parts, some viewers in my cinema laughed at the opening line! (once/if you see it you'll understand) I hope audiences outside of the UK and Ireland can enjoy it. I implore you to see it. 9/10, a must see!
¨ I've always felt there's something inherently psychopathic about joining the army in peace time.¨
Calvary is director, John Michael McDonagh's followup to 2011's The Guard which also happened to star Brendan Gleeson in the lead role. This time Gleeson plays a Catholic Priest named Father James who is threatened during a confession by someone who we don't get to see. This man claims to have been sexually molested by a Priest several times as a kid and although Father James is a good and decent Priest he must take the fall in order for a statement to be made. Father James is given one week (or so this man claims) before being killed on the following Sunday on the beach. The father is troubled by this threat but he must continue doing his parish work during the remaining course of the week. We follow him as he has some deep conversations with the different members of the small Irish town they live in. It's a very interesting premise that hooks you from the start and has you wondering which of all the troubled people in the town might be the one who has threatened this goodhearted Priest. However the film works just as fine without that premise because the interactions between these characters is the true center of the story. These are all broken men and women who the Father interacts with and most of the conversations are deep and spiritual. Calvary isn't a film about religion, but it does have some important things to say about faith and virtues. It is very well written by McDonagh and the screenplay is rich in dark comedy; perhaps one of the best things about this movie. This is a film that could be very easily adapted to a stage play because the written material is superb and carries the movie on its own. Calvary also benefits from the beautiful scenery of the Irish coast line and a wonderful supporting cast. This is a film that sticks with you and one I wouldn't mind watching again.
Brendan Gleeson is a fantastic actor and one wishes he continue to collaborate with director McDonagh. I remembered he also gave a fantastic performance in In Bruges, which ironically was written and directed by John McDonagh's brother. These guys are great writers and know how to include a lot of wit in their dialogues. The rest of the cast is fantastic as well. Kelly Reilly plays Fiona, Father James's daughter (I know you might be thinking what is a Priest doing with a daughter because I asked myself the same question, but we quickly find out that James was once married and when his wife died he became a Priest). She is going through some difficult times, and James is trying to help her find answers. Chris O'Dowd also gives a terrific performance as one of the members from the parish whose wife is having an affair with an African man, but he seems OK with this because he can finally enjoy his freedom. Aidan Gillen (from Game of Thrones) plays the Atheist doctor, while Emmet Walsh is an old writer who is well aware that he's approaching death. These are just some of the people that Father James deals with in his community and each interaction is very rich and profound. There is plenty of dark humor balanced with a great amount of spiritual questions. I was pleasantly surprised with how well the material was handled. I can't even remember when was the last time that a Priest was portrayed so well on screen. Calvary is a powerful film with great performances and some sharp writing, and that is why this is one of the must see films of 2014. All I know is that after watching this I was desperate to get my hands on The Guard which I haven't had a chance to see but definitely will now. I highly recommend Calvary.
Calvary is director, John Michael McDonagh's followup to 2011's The Guard which also happened to star Brendan Gleeson in the lead role. This time Gleeson plays a Catholic Priest named Father James who is threatened during a confession by someone who we don't get to see. This man claims to have been sexually molested by a Priest several times as a kid and although Father James is a good and decent Priest he must take the fall in order for a statement to be made. Father James is given one week (or so this man claims) before being killed on the following Sunday on the beach. The father is troubled by this threat but he must continue doing his parish work during the remaining course of the week. We follow him as he has some deep conversations with the different members of the small Irish town they live in. It's a very interesting premise that hooks you from the start and has you wondering which of all the troubled people in the town might be the one who has threatened this goodhearted Priest. However the film works just as fine without that premise because the interactions between these characters is the true center of the story. These are all broken men and women who the Father interacts with and most of the conversations are deep and spiritual. Calvary isn't a film about religion, but it does have some important things to say about faith and virtues. It is very well written by McDonagh and the screenplay is rich in dark comedy; perhaps one of the best things about this movie. This is a film that could be very easily adapted to a stage play because the written material is superb and carries the movie on its own. Calvary also benefits from the beautiful scenery of the Irish coast line and a wonderful supporting cast. This is a film that sticks with you and one I wouldn't mind watching again.
Brendan Gleeson is a fantastic actor and one wishes he continue to collaborate with director McDonagh. I remembered he also gave a fantastic performance in In Bruges, which ironically was written and directed by John McDonagh's brother. These guys are great writers and know how to include a lot of wit in their dialogues. The rest of the cast is fantastic as well. Kelly Reilly plays Fiona, Father James's daughter (I know you might be thinking what is a Priest doing with a daughter because I asked myself the same question, but we quickly find out that James was once married and when his wife died he became a Priest). She is going through some difficult times, and James is trying to help her find answers. Chris O'Dowd also gives a terrific performance as one of the members from the parish whose wife is having an affair with an African man, but he seems OK with this because he can finally enjoy his freedom. Aidan Gillen (from Game of Thrones) plays the Atheist doctor, while Emmet Walsh is an old writer who is well aware that he's approaching death. These are just some of the people that Father James deals with in his community and each interaction is very rich and profound. There is plenty of dark humor balanced with a great amount of spiritual questions. I was pleasantly surprised with how well the material was handled. I can't even remember when was the last time that a Priest was portrayed so well on screen. Calvary is a powerful film with great performances and some sharp writing, and that is why this is one of the must see films of 2014. All I know is that after watching this I was desperate to get my hands on The Guard which I haven't had a chance to see but definitely will now. I highly recommend Calvary.
This movie is NOT I repeat NOT a comedy, it is a drama addressing serious issues from Ireland's past that happens to have some dark comedy moments.
It is well written, directed and acted and draws you into the little community in Sligo. As usual Brendan Gleeson proves he is one of the finest Irish actors around playing the likable priest who realises the worlds problems are real.
The end of the movie will leave you thinking and in all likelihood the cinema will be in silence and that is a sign of what this film has achieved... a contemplative piece forcing us to think on our past and how we treat.
8/10
It is well written, directed and acted and draws you into the little community in Sligo. As usual Brendan Gleeson proves he is one of the finest Irish actors around playing the likable priest who realises the worlds problems are real.
The end of the movie will leave you thinking and in all likelihood the cinema will be in silence and that is a sign of what this film has achieved... a contemplative piece forcing us to think on our past and how we treat.
8/10
Did you know
- TriviaThe role of Freddie Joyce is played by Brendan Gleeson's real-life son Domhnall Gleeson. The two actors share only one scene together.
- GoofsAs Father James drives to the airport, we see that his mirror is reflecting an entirely different image than the environment surrounding him.
- Quotes
Jack Brennan: I think she's bipolar, or lactose intolerant, one of the two.
- Crazy creditsThe closing credits are inter-cut with empty shots of every main location that Father James Lavelle and his daughter Fiona had a significant conversation in.
- ConnectionsFeatured in Film '72: Episode dated 5 March 2014 (2014)
- SoundtracksThe Dolphins
Written and Performed by Fred Neil
Published by BMG Rights Management Ltd
Licensed Courtesy of EMI Records LTD
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Niềm Đau
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $3,600,006
- Opening weekend US & Canada
- $74,149
- Aug 3, 2014
- Gross worldwide
- $16,887,741
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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