Thorns & Thistles at the End of the World

"Thorns & Thistles at the End of the World" is a cool indie drama that takes you by surprise with its story and hopeful message. It's a well-done indie flick with great acting, directing, and writing, and it looks really polished. I think it's worth watching just for the conversations it could spark. These are dark times we are living in and this movie reflects this fact beautifully. The pace is a bit slow, and the drama is more in the characters' heads, but Aaron Kamp's direction keeps it all interesting until the end. Even with the world falling apart in the story, this movie reminds you how important faith and hope are. Check it out!

This was a good one. I thought they were hitmen at first but as the story progressed, I understood the setting that they were in. I don't want to give away any spoilers. The biblical part of this story was subtle and not preachy. The pacing was good. When couples face a huge loss it can tear the union apart. I loved to see the outcome and how the husband had to own up to his part and not play the blame game, like most men do. You will have to watch the story to see what the actual issue was about. The discovery of the problem is also what makes this an interesting story. The acting was good. I wish there was a little more emotional grab. That is one of my only critiques. The other is a little more context of the time to explain the dead bodies and the officer with his gun on backwards. Overall, good movie.

This is an indie drama that sneaks up on you with its storytelling and message of hope. Paul, the lead played by Jeremy Levi, lives in a quiet Australian seaside city during the final days of the world. It is not an apocalyptic landscape but people are giving up and resigned to their uncertain fates. Besides the anxiety of the situation, Paul's institutionalized wife returns into his life which brings up their shared grief and guilt over a past tragedy. Jeremy Levi as Paul and Vivienne Marshall as his wife Felicity give fine performance as people with a shared history and the confusion, grief, and accompanying guilt of their shared tragedy. Paul wears a figurative crown of thorns as he wonders about his responsibilities and possible paths towards redemption.

The mature script is smart about human emotions and doesn't give any character an easy out from their situation. The pacing is slow and the drama mainly internal but Aaron Kamp's direction remains tightly-focused on the drama that leads to an instructive and cathartic conclusion. Even as the world ends this beautiful film suggest the importance of faith and hope.

A powerful drama that explores the last days of humanity, and the choices we ultimately make. We follow the main character, Paul (played by Jeremy Levy), as he struggles to understand the circumstances that led to a great tragedy. His life has not been the same since. Visually, some gorgeous exterior cinematography, and nice use of wide-angle lenses to draw you close to the characters. Sound design and music score are quite evocative in painting the picture of this desolate, largely unpopulated world. While we are left to wonder about the how and why of what's happening, the real focus is on the interactions between characters, and how each one chooses to cope with their situation. There are some elements of faith and religion. Director Aaron Kamp has a solid hand with his actors and creates an ominous vibe from beginning to end. It has a positive message for us all.

Thorn And Thistles At The End Of The World is a drama directed by my fellow Australian filmmaker Aaron Kamp.

The world is facing a global catastrophe due to an unspecified that event that will most likely wipe out all human life.

Actor Jeremy Levi is very relatable as Paul the downtrodden everyman who accepts his fate and wants to continue living as he always has- keeping people at a safe distance living simply going about his daily errands and tasks while society crumbles around him.

Pauls solitude is threatened by the ominous arrival of his ex wife Felicity (Vivienne Marshall) who shows him even in the face of armageddon the world still wont stop turning no matter how much he wants it not too.

The film skillfully jumps back and fourth between the past and present adding layers to their complex and fractious relationship.

Major credit goes to writer and director Aaron Kamp for his shot selection. Most indie directors are content with the messy cliched handheld angles but Aaron goes the opposite applying stationary shots keeping a cold precise and clinical eye on his subjects.